I especially like the image of the third verse describing realization of a new thought/perspective.very mystical music/sounds

Oh how I'm enjoying this one immensely Dear Jo!

Special feelings going through! Incredible poetry...incredible sonic creativity!

I'm being transported into another world...can't imagine how I got there but I did and I'm in total wonder of my surroundings XOXOXO

@user-936947521 Thank you so much, Frans, for your wondetful review! See me blush.

Daily Drops

Kettle Black

It's Raining Black Claws

Nothing Compares

Weasel Theme

This song is a cover of a cover that Jerry Garcia (guitar), Merle Saunders (keys), John Kahn (bass), and Bill Vitt (drums) recorded live at the Keystone in Berkley, CA, in 1973. It's actually a cover they did of a song called Finders Keepers by the Chairmen of the Board.

Entheogenic Psychonaught (Josh Clary) - Bass and Synthesizer
K2 and the three (four) - Drums
Llanpsych - Guitar and mastering
J.J. Terrell - Clavichord and Organ

Keepers (With Entheogenic Psychonaught, Llanpsych, K2 and the Three (Four)

Monuments

Origins - Double Tap

Copyright 2023 Brian James McDonald (ASCAP)
Copyright Hoon Toons Publishing (ASCAP)
All Rights Reserved Worldwide

Electrons in Motion (for Piano)

Restoration

From This Day Forward - Blackout

Composed, written, played and mixed by Guglielmo Allegro aka WillyKuma
Descend into oblivion...

Oblivion

Furry Tongue - Single

Mavis - Furry Tongue

Bye Bye There!

RichaadEB - Bye Bye There! feat. The8BitDrummer

method: baby steps in looping, trying to make minimal offsets bring about thrilling sonic events
narration: on reading
image: copyright jo richter

poem / copyright jo richter:

the open book is not a metaphor
you feel its weight as you hold it
text, texture, eerily gossamer
translucent when properly lit

you flip the pages forth and back
adapting your mental state
inhaling white, deciphering black
creating approaches to recreate

when something strikes you, bold
a perspective that's never been yours
you circle around it, trying to hold
its flight, detect where it moors

stubbornly liminal, elusively real
sheer force to broaden your scope
to include it, allow it to heal
from your onslaught, allow you to cope

catching up on the fine print
concludes your reading session
shivering still from a catching a glint
of mind's light when in transgression

on reading

On Reading

Sur l'horizon noir d'une lourde tristesse

My Dear, Esquilax

Where the heartbroken go. A more luxurious and upscale Heartbreak Hotel. Rooms now available...
Lyrics:
The problem with love that I see
Is that we're just watching each other
Watch ourselves
On each other's feed
That's just about as useful as a bag full of
Donkey teeth
I know a place that you can stay for a month or a week
They have a teardrop shaped pool
And a Bartender who's cool
His name is Hank
He's got a sympathetic ear
And a heavy hand as he pours your drink

(Chorus)Oh yeah, wouldn't you know
I'm back at heartbreak chateau

The clientele around here
The women scantily clad
I bet she don't take tax deductions on clothes!
Doing something nice 
You turn it into a vice
I remember the days
When you and I
We would go out and chase the light
You were right!
And I was wrong
Hank, I'll take another drink
And get one for Marisol in the sarong.
(chorus)

You know, every room here it comes with a view
Of the LA river
And what you should and should not do
I hear commotion from down the hall
(Fake Jasper Johns on the wall)
I'm fussing
And fighting
And crying
And screaming my life out
All night
Baby, let me come home!
To explain it in the language of love
Broyer du noir  (translated French: To crush some darkness/ I am sad)
Oh yeah, wouldn't you know
I'm back at heartbreak chateau

Heartbreak Chateau

—
BUY ME A COFFEE : ko-fi.com/slowerpace
DOWNLOAD DIGITAL ALBUM : https://slowerpace.bandcamp.com/album/blood-and-sacrifice
—

Cover art by slowerpace 音楽
www.instagram.com/slowerpacemusic

CREDITS TO PRODUCER: REBEKKA DE ROSA

DONATE

Fading Prayers

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

On Reading

sonic structures and silent stretches

Recent comments

sonic structures and silent stretches

henry koek

REKHA

REKHA

Related tracks