method: layering
narration: adaptions transform
image: copyright jo richter

poem / copyright jo richter
( imagine a layout along 
the central vertical axis as 
published in auslegpapier):

the deeper you 
dive
the bolder this ocean
owns

you - subconscious
intrusions, particles
of worldly self settle
within you and thrive -

patches of sweat
melt into the green-
even stone is a liquid
no gravity can tame

in the long run - you
are bound to believe
in the pervasiveness
of this ülace to become

what once was
you
in a harlekin coat

patches

Eclectically influenced arranging & producing for fun with BlocsWave, LaunchPad & Music Maker JAM!

All tracks AI free!
AI music and vocal production infects and harms inspiration & creativity!

You can find more details about me here:
https://www.loudly.com/community/profiles/andronix9

…and that’s my policy:
I always try to see and appreciate the creativity of others! If it flatters the ears, so much the better!☺️
Don't please anyone and you're special.😉 That's exactly my thing, not to be mainstream and not to conform to any genre. You feel free and can do what you want. A lot of people give me tips: you're too quiet, you have to structure it like this, etc. I don't have to do anything! I make my music and not that of others!😜✊🏻

Feel free to do the same.
Peace be with you!🙏🏼
Andronix

MAP: 
Music and Poetry 
to map all the universes
with all the non human voices.

 I am Wivresse, a french poetess exploring music and voice by her own feelings and self-taught.

MAP is a musical genre that comes from permaculture art in order to reconcile nature and culture, because there is no difference between the two, it's like saying that the horizon is a border.
I'm also developing a new project: 
MAB Music And Biophilia (Music including sounds of life to celebrate it).
And in this idea, I work on natural frequencies.

The musical genres I explore: World, electro, arty, traditional, care, experimental, ritual, jazzy.

Available for collaborations.

I also play in two duets, one with a Japanese musician for more than 10 years:

 ☆Kinsâme ☆
with Kyt de Kinsâme :

https://m.soundcloud.com/kiyotoyoshihara

( Electro, J-Pop, world, ambient, experimental, jazz)
-----------------------------------

 And the other with an American musician, 

 ᚎ Pythyrsus ᚎ
 with Mesmo :

https://m.soundcloud.com/mesmo1

(Alternative, experimental, ritual)

-------------------------------------



WE ARE NATURE DEFENDING ITSELF



Other projects:

https://soundcloud.com/wivresse


Sorcière en Poétique quête contre les camps de civilisation.

Éco-poétique et art permaculturel.

https://instagram.com/wivresse
https://www.tiktok.com/@wivresse
www.youtube.com/@wivresse

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

"more fun than i deserve" 
 stepping off the ledge with desire

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Electronic noises 
Håkan Skeneby  
I co-found a duo with my friend Artur
on guitar - Surfers Like Us

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

patches

sonic structures and silent stretches