such a lovely sound the Lyre makes--fascinating poem really-- Naked stool ,credit cards,bullfrogs and so much more--makes the mind go Agog with curiosity amusement and wonder:):)

Hey Jo man, this is really gorgeous, stirring music. Really like how your vocals add tension to it. Excellent work here, man!

Beautifully ethereal, one with nature in a somewhat alien way.  Great stuff!

UseTah

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more.

The following artists collaborated on All The Dogs You Have Ever Loved Will Be Waiting For You In The Afterlife 

Dogs

Boogie
Brophy
Buddy 
Hancho 
Jack
Momo
Neska
Poldo
Senna  
Shyamsundara
Star

Oily (a cat)

Humans

Carolyn Wigston - Voice
Dane Renshaw - Drums
Garbage Truck Disco - Joyous Power Punk Outro
Hverheij- Electric Guitar 
Loop(c)y - Electric Guitar 
Paolo D’Emilio - Electronica
Robert Jefferson - Yamaha PSRE403 Keyboard, Melodica, Percussion 
The Windscale Blues Experiment - Clarinet/Flute/Soprano Saxophone
Thomas Bergheim - Bass Guitar
Timothy Korstad - Demonic Intro Left Channel
Tuonela - Demonic Intro Right Channel 
W:I:L-o’ the -wisp - Electric Guitar
Mat Ward - Arrangement/Marimba/Noise

All The Dogs You Ever Loved Will Be Waiting For You In The Afterlife

Would be the same as what is not

method: building on a lyre-loop with all kinds of likely and unlikely means
narration: it is not easy, is it?  - The German original of Freud`s famous dictum reads "Wo es war, soll ich werden." (where there was id, I shall be). However, we also have accumulated  enough rational understanding to assist the super ego in overcoming the attitudes of a colonial past as well, haven`t we? https://www.jmberlin.de/freud/ueber_ich.html
image: shot in delphi in 2012 and morphed at home in 2025 - copyright jo richter

poem / copyright jo richter:

dreibeinschemel
nachthimmelbloß
sich einbequemen
glitzerschlafmoos
es wird weil ich bin
ich bin weil es wird

kreditkartenfrevel
bastelholzfloß
im einvernehmen
überichgroß
ich ist ein klangkind
ein schwirrholz, das schwirrt

interlinear translation: three legged stool / as nude as the night sky / to find a comfy spot / glittering sleep moss / id evolves because I am / I is because id evolves // credit card sins / wooden DIY raft / reach an understanding / as large as the super ego / I is a sound child / a bullroarer that roars

pythia

Northern Evening

A new track from the New album....https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you     
Daiphanousness features the following artists

Adam Meredith - Voice/Ford XD with XF front mods
Ariad Music - Piano
Axel Weiß - Synth
Banalytic - Hybrid Modular, Digital, Analogue Sounds
Belial Pelgrim - Digital Strings
Chicago Word Brigade - Electronica
Dane Renshaw - Cymbals
Dani Kirby - Voice
Frank Wilke - French Horn
Glenn Ward - Electric Guitar
Loop(c)y - Electric Guitar
Oily - Meows/Squeaky Toy
Paul Miller - Phat Electro Bass/Keyboards
Raul Mainer - Drum Programming
Rosin Dust - Violin
Scratch Kelly - Beats

Mat Ward - Arrangement/Digital Orchestration

Diaphanousness

Dissolving elephants and golden walls

As part of the Ten Days On The Island Festival, Tasmania in April 2025 The Intonarumori Trio got asked to perfrom at The opening of "When The Fog Clears" ( in which I had a sound installation exhibited). This little snipper is from the warm up rehearsal, recorded in a vast open room  with concrete floor and ceiling the sound played and bounced around. We haven't played togather for a bit over a year so it great to shake off the dust here before hitting the festival - and that bang at the end is the sound of an Intonarumori snapping a string !! Some live recordings of Ten Days On The Island will be be uploaded in the coming weeks. VivA Russolo : )

Intonarumori Trio - Prelude To A Festival

Meditative time

6285 – Black Seas Barracuda

The first ritual EP in the Arkanæa series — a sacred fusion of chant, breath, and cinematic electronica by ApØtheØsis. Rooted in the spirit of Enigma and the echoes of ancient rites, EP I: The Body of Light channels whispered Latin fragments, non-lexical invocations, and temple percussion into a dreamstate of sensual mysticism.

This is sacred pulse music for shadow altars, trance ceremonies, and inner ascension.
Let the body dissolve. Let the light enter. The rite has begun.



Descendunt

I thank SHELLF LIFE and all my other collaborators, past and present. 

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

pythia

sonic structures and silent stretches

Recent comments

Nadìr

Ultrasonic Pest Repellent

Wiborg Bamford

No Mates Ensemble

Related tracks