those interested in a traditional recording of a Blake original, please be directed here: https://soundcloud.com/nadiaselvaggi/and-did-those-feet-april-3-5-20242 

method: sound sources (reface dx, voice, boss dr01s, vintage lemon drop) and recording and morphing devices (roland vt 4, hotone soulpress II, nux amp academy, zoom r20); intentionally no post production, raw
narration: the cycle ON PRINTING deals with projection, representation, pattern recognition, the energy of awareness and the like. it consists of six poems: rubble - horse - relic - spawn - banner- offset. this poem sonified is spawn and spawn spawns.
image: copyright jo richter

poem (as published in
A Single Loop of Fortunes) /
copyright jo richter: 

infernal energies, blake said
are unleashed in printing,
etching their way to Jerusalem

once I slept, Blake said
on a mountain and the heavens
weighed down on me, hard

now I drink, Blake said
the deep-sea ink of the valleys,
saturating every fibre in me

as for relief, Blake said,
the relief must spawn, for who wants
to make do without colours and copies

spawn

spawn - on printing 4/6

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

MAP: 
Music and Poetry 
to map all the universes
with all the non human voices.

 I am Wivresse, a french poetess exploring music and voice by her own feelings and self-taught.

MAP is a musical genre that comes from permaculture art in order to reconcile nature and culture, because there is no difference between the two, it's like saying that the horizon is a border.
I'm also developing a new project: 
MAB Music And Biophilia (Music including sounds of life to celebrate it).
And in this idea, I work on natural frequencies.

The musical genres I explore: World, electro, arty, traditional, care, experimental, ritual, jazzy.

Available for collaborations.

I also play in two duets, one with a Japanese musician for more than 10 years:

 ☆Kinsâme ☆
with Kyt de Kinsâme :

https://m.soundcloud.com/kiyotoyoshihara

( Electro, J-Pop, world, ambient, experimental, jazz)
-----------------------------------

 And the other with an American musician, 

 ᚎ Pythyrsus ᚎ
 with Mesmo :

https://m.soundcloud.com/mesmo1

(Alternative, experimental, ritual)

-------------------------------------



WE ARE NATURE DEFENDING ITSELF



Other projects:

https://soundcloud.com/wivresse


Sorcière en Poétique quête contre les camps de civilisation.

Éco-poétique et art permaculturel.

https://instagram.com/wivresse
https://www.tiktok.com/@wivresse
www.youtube.com/@wivresse

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

"more fun than i deserve" 
 stepping off the ledge with desire

Checkmate base 2 
Ronan Alien crafting songs in my spaceship while exploring the universe 
https://soundcloud.com/ilovecarpet-ilovecarpet
check this out ^^^^^^^ ....... 🐺🐺🐺🐺

BLOODDROUGH  🔫👻Gangsta Ghost
 https://soundcloud.com/mattbloodmonster

Koshio  🎤🥷 Pop Star Assassin 
https://soundcloud.com/dolladillsbills

Oji Keetay CloneKing… clone king 👑🧑🏽‍🦲🧑🏽‍🦲🧑🏽‍🦲
https://soundcloud.com/user-449707622

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

keyboard player,producer and Singer since 1994.
cinematic music , trailers, & piano motion
 DANGER ZONE ,Perfect view , Reswelg , Witchunters , and more bands
Producer I-DEA
il mio canale YouTube:
https://youtube.com/channel/UCUnKAauHpyNpvyCC4TyjdAg


alcuni miei video:
https://youtu.be/c18F4lcxUkc

https://youtu.be/AK38DHvkzwA

https://youtu.be/kFIcpRlfz_A

spotify:
https://artists.spotify.com/c/it/artist/78pPNA50BZCuPJSehKSKhr/song/41X9VQrx5oWCMYGig6gONg/stats

my youtube:
https://www.youtube.com/channel/UCUnKAauHpyNpvyCC4TyjdAg

Electronic noises 
Håkan Skeneby  
I co-found a duo with my friend Artur
on guitar - Surfers Like Us

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

spawn - on printing 4/6

sonic structures and silent stretches