Ladybug

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

Recording sessions from  13/05/2025 - 03/08/2025.
presets, mixing, processing and editing: Pier WILL.

*** ALL TITLES ARE DOWNLOADABLE***
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🛠 - Made with various Modular Synths / Multi-tracks / No I.A.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
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⚙️ - #Ambient #Movies #Experimental

I'm almost back...
After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...
So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL

Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...
Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL

Attic Room

A 6-minute audio presentation of the album "ATTIC ROOM" below.
________________________________________________________________________
Recording sessions from  13/05/2025 - 03/08/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________

Attick Room-Extrait

Attic Room-Extrait *** A 6-minute audio presentation of the album "ATTIC ROOM" below.

Dollar Bill from the screaming trees.  RIP “Dark” Mark Lanegan

Dollar Bill $🌞$

CROSSROAD.

======================


November 2024.

This is a more electronic composition with a small piano touch at the end.

I try to capture in music the decisions we must constantly make in life to follow our path. I've made some wrong decisions in my life... who hasn't? But at least I can say that I made them on my own and they weren't induced, even the wrong ones. That allows me to overcome, for the time being, any regret or frustration they may cause. I believe most are irreversible because they can cause unforeseen damage, even to other people, if you backtrack and choose another path.

Happy summer, everyone.



Cover art by Vilkasss (Pixabay)

Hardware. iPad 
DAW Music Studio 2
Mix…. Yes…yes… my car 🚘

24 Tracks MS2 and Old Forum Xewton
1 Track XPad
2 Tracks flowtones
2 Tracks Sunrizer
1 Track FM player


Next….First eclipse on mars.

Crossroad

Frozen Brain

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://youtu.be/2QnczhGqEzY

Suspiros Del Alma

Danza De Cuerdas

As we all patiently await good news from the voyages of I.S.S. Acquiescent

Un proyecto con cierto tiempo que he limpiado y reinventado. Sonidos orquestales y cinemáticos para crear un ambiente especial.
He utilizado, sobre todo, librerias clásicas en Kontakt 8. Así como otro plugin. Para batería: Groove Agent. 
DAW: Cubase 14 Pro.
PLUGIN DE MASTERING: Ozone 11 Standard.


manu032

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter


stepping off the edge with desire
he was the flyer on perception's broken wings
sixteen times he bounced and landed on the ledge
with the shack at the back where the 
old man sat on some  wooden crates
and spoke of gates in dreams
and trips and traps and strategies and 
cautionary tales about inorganic beings
and how to catch a rabbit or lion or a squirrel
with some sticks and strings

sticks 'n' strings

scalar fields pt 9: sticks' n' strings- with stonerjazz

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

scalar fields pt 9: sticks' n' strings- with stonerjazz

sonic structures and silent stretches

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