YouTube video: https://youtu.be/oVBVW2MgRrs?si=05cpLtGiltoWTH13

Everyone has people they have loved who are no longer here.  We think of them and we miss them.  Have you ever dreamed about them? Had talks with them and could feel the warm from them? I have.  Most of them were with my father, who died when I was 35. Half my life ago.  When he hugged me, I could feel the warmth. When he walked away I felt such sadness. But that was not the only time we met in a dream.

Only In Our Dreams

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Volker Carl Jacoby - Autor, Poet, Kabarettist, Comedian, Liedermacher, Synchronsprecher - https://www.literaturland-saar.de/personen/volker-carl-jacoby

Author, poet, cabaret artist, songwriter, voice actor, journalist and even pastor: Volker C. Jacoby is active in many fields.

He spent his childhood and youth in St. Ingbert. Saarland, Germany, where he attended the humanistic and classical language branch of the State Secondary School. After university and various jobs, he began working freelance for „Saarländischer Rundfunk“ Radio, initially as a correspondent for the SR 3 regional news program, in parallel with his readings and literary solo cabaret programs. This was followed by roles as a narrator for radio plays, as a voice actor, and for various commercials.

In 1977, Jacoby teamed up with Schorsch Seitz to form the duo "Jacoby & Schorsch." Together, they primarily composed humorous songs in Standard German and the Rhenish-Franconian-Saarland dialect with a cabaret-like, ironic touch. Their dialect songs, in particular, filled a clearly existing gap in the market, especially since "SR 3 Saarlandwelle" featured them permanently on their programming, thus making them known to a wider audience. Subsequently, "Jacoby and Schorsch" produced three vinyl albums and three singles. During their tours, they also performed open-air gigs with rock bands.

Soon well known beyond the borders of Saarland, the duo received engagements in Berlin, Stuttgart (Südfunk), Cologne (Westdeutscher Rundfunk), Frankfurt, Munich, Basel, and Brussels, among others. During a TV recording at the Renitenztheater in Stuttgart, they also met Mathias Richling and Karl Dall. Jacoby collaborated with the latter several times for RTL on the radio show "Die schlaue Stunde." In 1993, the popularity of "Jacoby & Schorsch" peaked – not least through their appearances with Hanns Dieter Hüsch  (A "Hüsch Evening" with music in memory of his friend and cabaret colleague Hanns Dieter Hüsch was added to the repertoire – later in 2010).

He moved to France 1994. Since then, he has been performed readings, including singing. His dialect contributions have provided him with a rewarding outlet in the "Mundartring Saar" (Saarland dialect circle), including as a reciter of poems by deceased fellow authors, to whom he lends his voice.

Constantly prolific in literary terms, his poems are in the tradition of comic poetry in the style of Wilhelm Busch, Christian Morgenstern, Joachim Ringelnatz, Eugen Roth, Heinz Erhardt, and Robert Gernhardt. Volker C. Jacoby also publishes his poetry and prose on LiteratPro, Facebook, and YouTube. Since 2025, he has been setting his poems to music and is constantly writing new songs. And, of course, he continues to write his cheerful, humorous, and often very quirky poems.

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Thank you to everyone who listens, shares, and supports my music.
Your encouragement keeps my working alive.
💖 paypal.me/mmshoffmann

I'm primarily a guitar player but I'll try to make music with anything you throw at me. When left to my own devices I enjoy recording minimalist ambient pieces and textural soundscapes. My principal sound source for these efforts is manipulated guitar but I often include electronics and organic sources. I enjoy working on collaborations with other musicians. Please contact me if you are interested.
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I am the co-founder of the 80's indie avant-garde mutant pop band Proof of Utah, the Smiley Turtle Records label and the Smiley Turtle Recording Studio. For a taste of the Smiley Turtle sound check out: https://soundcloud.com/user-745187095
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*** Visit the collaborators' websites:

Louie Simon @lsimon33
Stan Magendanz @stan_magendanz
Wodwo @user-364196783-552705040
Lone Arrivals @tiny_wytch and @tinywytch
Marcin Gruszczynski http://www.fairlyconfusing.net/

My music is dependent on where inspiration takes me. I hope you enjoy something here!

Inspired by 60's-70's singer songwriters. Music comes and goes, sometimes it rhymes, sometimes it flows.

How could masterpieces exist without the element of pain?

Only In Our Dreams

Sonni Quick