https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. 
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. 
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. 
To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Interception- By Valentin Boomes

Sonokinetic is renowned for producing very original top quality sample libraries and digital musical instruments
Sonokinetic provide high quality yet affordable sample libraries. Ranging from  authentic vocal and instrumental multi-samples & performances to next-level symphonic phrase based instruments to more traditional instruments, Sonokinetic products cover a lot of ground. Using only the best instruments, acoustics and technology and hiring top-notch musicians for recording we try to deliver the best tools for our customers.
We take great care in ‘translating’ the recorded material to highly usable instruments whilst preserving the characteristics that made us want to record it, and making sure our products can add realism to any track. Please feel free to contact us for any of your questions or feedback on our products or company.
And enjoy our products!
CEO Son Thomsen

Genres are an artificial way to categorize music. Free yourself of listening only to EDM or Metal or Classical or Pop...
I'm a human being and as diverse as the human species, are my Reposts and Likes.

From Ukraine and based in Brussels, Eugene Klymenko is a tech-savvy marketing professional and electronic music enthusiast. He supports Ukraine’s electronic scene and explores the crossroads of technology, creativity, and entrepreneurship.

He co-hosts a biweekly podcast on AI, digital technologies, entrepreneurship, Ukraine, and Europe in Ukrainian and English.
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Народився в Україні та зараз живе в Брюсселі, Євген Клименко - ентузіаст електронної музики, експерт у сфері технологій і маркетингу. Поєднує креативність із технологіями та підприємництвом, підтримуючи українську електронну сцену.

Веде двотижневий подкаст про ШІ, цифрові технології та бізнес українською та англійською.

Valentin Boomes, born in 1984 in Germany.

Trailer Music- and Film- and Gamecomposer signed with BMI.
Composer for Hollywood's legendary main supplier of Trailer Music „Immediate Music“ and the innovative music production company "ReallySlowMotion" from London. Since the late 1990s he produced music for numerous international productions in film, trailer, games and documentation. He has composed additional music "Assassesin´s Creed Unity" and "The Lazazus Effect". 2012, he was 3rd-placed at the international 8DIO "Standout Composer Contest". Also he was nominated for the "Trailer Music World Award 2012" in the category "Best New Composer".

www.valentin-boomes.de

Artiste atmosphérique. Sons cinématiques. Monde intérieur en musique.

Neemah explore les profondeurs sonores comme on traverse un monde intérieur.
Une musique cinématique, minimale et vibrante, inspirée par le silence, l’invisible et la présence.
Le projet Universal Presence relie ces sons à une quête : ralentir, ressentir, se connecter.
Chaque morceau devient une respiration, un paysage, une vibration. 

Atmospheric artist. Cinematic sounds. Inner world through music. 

Neemah explores deep soundscapes like one moves through an inner world.
A cinematic, minimal and vibrant music, inspired by silence, the unseen, and presence.
The project Universal Presence connects these sounds to a journey — to slow down, to feel, to reconnect.
Each piece becomes a breath, a landscape, a vibration.