super

https://sonokinetic.net/products/classical/sotto?ref=sottosoundcloud
Orchestral sampled instrument for delicate moments and deafening silence. We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”. As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there.  We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library. Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive. There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products.  To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it. Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto

Unique

Building

music

Tracks used in Man of Steel Main theme - An Ideal of Hope

  Man of Steel (Hans' Original Sketchbook)

Edited by rictov10

Español:

Temas usados en Man of Steel Main theme - An Ideal of Hope

 Man of Steel (Hans' Original Sketchbook)

Editado por rictov10

Man of Steel - An Ideal of Hope (Extended) - Hans Zimmer

Hans Zimmer - Epilogue  Main Theme  - Crysis 2

Music used in: Time To Go Home - Gravity - Steven Price

1. Tiangong
2. Shenzhou
3. Gravity

Enjoy, comment, Like and share

Time To Go Home - Gravity - Steven Price

Prophecy

Beth Hart & Joe Bonamassa - Don't Explain (2011)

Beth Hart & Joe Bonamassa - I'll Take Care Of You (2011)

Presenting EnV's single; Take Me Out!

iTunes Buy Link: https://itunes.apple.com/gb/album/take-me-out-single/id944794858

Check out EnV here: https://soundcloud.com/envyofficial

MR010 : Env - Take Me Out (Original Mix)

Official demo for Sonokinetics Capriccio.

by Valentin Boomes (c) 2015

Kaleidoscope

A cue from the brand new 3D Planetarium Dome show We Are Stars. The show is narrated by Andy Serkis, and produced by UK's National Space Centre Creative team.
Music written & produced by Rhian Sheehan.
String section orchestrated & conducted by Ewan Clark.
More info here:
wearestars360.com/
Screening in a Planetarium near you soon.

Galaxy

This track will be free to download and use under creative commons. When the album is complete downloads will be available.

For more information on the Creative Commons license attributed to this work, please visit http://dexterbritain.co.uk/creative-commons/

Lifted

https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”. As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there.  We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library. Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive. There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products.  To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it. Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Ponden Kirk- (lib Only) By Henning Nugel

Sotto Demo -Ship Of Dardael- By Piotr Musial

Sotto Demo -Discovery- By Franck Barré

https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. 
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. 
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. 
To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Seventh Sotto- By Reuben Cornell

Sotto Demo -Interception- By Valentin Boomes

https://sonokinetic.net/products/classical/sotto?ref=sottosoundcloudsascha
Orchestral sampled instrument for delicate moments and deafening silence. 
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. 
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. 
To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

Sotto Demo -Tides Of Time- By Sascha Knorr

DOWNLOAD IT HERE http://www.datpiff.com/mixtapes-detail-2015.php?id=785426

Ivan B - Open Hearted (prod. Kevin Peterson) [Intro]

Future World Music - Dream Chasers

Are You Listening?

Songs mixed:

By Craig Armstrong and A.R. Rahman:
from the Elizabeth: The Golden Age score:

"Storm"

By Lisa Gerrard and Patrick Cassidy:
from "Immortal Memory":

"Elegy"

By Position Music:
from "Orchestral Series Vol. 2":

"Prophecy (Percussion Only)"
"Catacomb (Percussion Only)"

from "Orchestral Series Vol. 8":
"Cataclysmic Clash (Percussion Only)"

"Immortal Memory":
https://itunes.apple.com/ca/album/immortal-memory/id272145677
"Elizabeth: The Golden Age":
http://www.amazon.com/Elizabeth-The-Golden-Age/dp/B000WQ5XIQ

GRV Music's Facebook page and group: 
https://www.facebook.com/GRVMusic
https://www.facebook.com/groups/137090583001615/

Music used in this video belongs their rightful owners - C. Armstrong, A.R. Rahman, L. Gerrard, P. Cassidy/Position Music.
I do not own anything, no copyright infringement intended.

Storm & Elegy ~ GRV Music & Various Artists [redone] - Man of Steel Trailer #2 Music

Hans Zimmer - An Ideal Of Hope ''Man of Steel'' (Trailer 3. Music)

English

New song from the soundtrack for Man of Steel. Release June 14, 2013. edited by rictov10

PS: I'll upload soon music batman the dark knight trilogy (after all this Man of Steel)

Español

Nueva cancion del bso de Man of steel. estreno 14 de junio del 2013.   editada por rictov10

pd: proximamente subire musica de batman the dark knight trilogia (despues de todo esto de Man of Steel)

Hope - Man of Steel - Hans Zimmer

Sonokinetic is renowned for producing very original top quality sample libraries and digital musical instruments
Sonokinetic provide high quality yet affordable sample libraries. Ranging from  authentic vocal and instrumental multi-samples & performances to next-level symphonic phrase based instruments to more traditional instruments, Sonokinetic products cover a lot of ground. Using only the best instruments, acoustics and technology and hiring top-notch musicians for recording we try to deliver the best tools for our customers.
We take great care in ‘translating’ the recorded material to highly usable instruments whilst preserving the characteristics that made us want to record it, and making sure our products can add realism to any track. Please feel free to contact us for any of your questions or feedback on our products or company.
And enjoy our products!
CEO Son Thomsen