The newest installment on Delsin records is the "The End Of Fiction" EP by Voiski. Monument premieres the track "Hazy Suns" from the release, that will be out on the 3rd of June.

Graphic Design: Erris Huigens, Boris Tellegen, Tijl Schneider
Buylink: https://voiski.bandcamp.com/album/the-end-of-fiction-ep

@voiski
@delsinrecords

MNMT Premiere: Voiski - Hazy Suns

Knopha -  Mizu Le Goût

LISTEN & BUY
https://fanlink.tv/Who_We_Used_to_Be

Everything flows. Arutani‘s third album is a very personal note on change and life. The stories we see and create, the balance of hope and melancholia that accompanies every step we take. Calm, light, modest and mindful as the artist himself, with a glimpse of light in every aspect. Minimal in character and rich in detail.

Artist: @Arutani
Titel: We Don't Know
Label: Laut & Luise
Cat-No: LULLP008
Distribution: KOMPAKT
Format: Digital
Release Date: 29 Mar 2024

What If It Doesn't Work 

Arutani - What If It Doesn't Work (LULLP008)

Dear old Brian. Purveyor of the finest African tracks put to tape. Awesome Tapes came and fair to say he conquered... This is a live cut from the other night, the first 90mins at least.... With a from the heart intro from Guido Möbius...

https://soundcloud.com/awesometapesfromafrica

Cheers to both of you...

www.sameheads.com

Basement parties

Awesome Tapes - My Friend Calls it K-Jazz @ Sameheads 24.02.24

info: https://radio.syg.ma/episodes/expired-02-conna-haraway
https://indexrecords.bandcamp.com
https://connaharaway.bandcamp.com
https://soundcloud.com/connaharaway

expired

expired 02 – Conna Haraway

@theory-therapy
@djbirdbath

BC: https://theorytherapy.bandcamp.com/album/memory-empathy

"Memory Empathy" is a meditation on the past: how it shapes us and how we shape it in turn. Over 12 tracks, New Zealand-based producer DJ Birdbath draws from a varied palette of samples, both real and unreal, conjuring a colourful narrative patchwork. Some tracks are fragmented, with gurgling rhythms built from clipped vocals, like 'Another Day'. Others resemble deconstructed versions of sounds the producer grew up listening to in the UK. Take for example the breakbeat in the euphoric album opener 'Kitsch Memory' or the shoegaze-tinged vocals on 'Flames'.

While a sense of optimism radiates throughout the album — in particular on 'Leftover Igloo', 'Being There' and 'Last Time' — it’s the weird breakages and vaguely organic sounds which add to the complexity of the release and, in turn, make it feel more truthful. The imperfect mimesis is part of the appeal: with repeated listens "Memory Empathy" yields new surprises.

pi pi pi premiere: DJ Birdbath - Holiday Scrapbook (Theory Therapy)

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Sai Galaxy is back with the Okere EP featuring a star studded line up including West African legends Steve Monite, Ghanaian singer Rob, multi-instrumentalist Simon Durrington, guitar maestro Alfred Bannerman and Egypt 80’s trumpet player Bade. It's an EP overflowing with quality.

Our premier today from the EP is Sometimes it Rains which features Fijian vocalist Kaivili delivering a heartfelt vocal on this boogie tinged slice of euphoric soulful disco.

Check it out here and then jump over to LV for more on this do not miss EP via: https://levisiteuronline.com/music/sai-galaxy-sometimes-it-rains/

Sometimes It Rains Feat. Kaivili

LV Premier - Sai Galaxy - Sometimes It Rains Feat. Kaivili [Soundway]

Stream / Download https://found.ee/sebastian-mullaert-hind
12" Vinyl  https://shop.lamour.se/shop/vinyl/seb...

Sometimes in life things fall into a perfect circle. One such example is the project ‘HIND’ by acclaimed Swedish Grammy nominated musicians Sebastian Mullaert and Henrik Frendin, constituting the pinnacle of over 40 years of combined research and creative explorations in the space of contemporary electro-acoustic music. 

The first encounter between the two was back in 2006 at the Malmö Academy of Music. Following an illustrious career in the electronic dance music scene, Sebastian received support from tastemakers like Mixmag, FACT, Electronic Beats and Crack and nominated twice for Swedish Grammy both for his solo work and under his Minilogue project. He was voted in the “Top Live Acts In The World" by Resident Advisor, for his awe inspiring performances touching all corners of the globe form Boiler Room, through Berghain and Fabric. Mullaert became interested in returning to his roots as a classically trained musician, seeking novel ways of integrating classical and electronic music, culminating in his stunning “Natthall” LP with Zurich Philharmonic Orchestra which featured in the BBC Music Magazine “Top 10 Post Classical Albums” of 2020.

Meanwhile, Frendin was touring internationally promoting his solo album ‘Viola con Forza’ (2004), nominated for a Swedish Grammy in the category ‘Classical solo’, at that time already considered one of Scandinavia´s leading violists.

This album was a compilation of works by leading Swedish composers, all pieces dedicated to Frendin. To meet his vision of expanding and developing the sound palette of an electro-acoustical string instrument, a new amplified string instrument called Electric Viola Grande, built, and created by Richard Rolf, was constructed especially for him. This unique five-string viola set a new standard of authentic sound and design in the field of electro-acoustical instrument making. Frendin´s first appearance on stage with the new instrument was at a performance in Wiener Concerthaus as a feathured solo artist at “Lange Nacht der Neue Klänge”.
Naturally, this sparked Mullaert’s interest, so he enrolled for private lessons with the viola professor Frendin.

Fast forward to 2024 and the pair reunited for the resulting ‘HIND’ project, with the main inspiration and starting point nature, and it was an up-close experience with a baby wild deer and its protective mother while they were both meditating in the woods from which the album takes its name. “Almost getting showered by the beauty of nature – it was quite a magical moment that has never happened to me before or anyone else I know for that matter,” adds Mullaert.

Across ‘HIND’, both Mullaert and Frendin’s creative practises and different musical backgrounds are taken to a new level of technical and artistic achievement. Album opener ‘Dawn’ peacefully unfolds – the sun comes up, the darkness clears – while the sprightly ‘Stepping Stone’ and album title track ‘Hind’ elegantly use melody, rhythm, and harmony; a result of a series of long takes in which Frendin’s playing is processed, looped, and warped in real time by Mullaert, with Frendin adding real-time string layers through improvisation and Mullaert performing multilayer looping.

Hind

Sebastian Mullaert & Henrik Frendin - Hind

Acid Test 09.1

Test 7

100% unreleased music from yours truly live from Dublab HQ in Los Angeles (18.04.2024)

Thanks to Dublab / Rachel for having me.
x
B

Live* from Los Angeles

a little bit of what came out of the machines january 13 2020
vancouver island, ca


photo taken 2019 montreal, ca

runnin

raw hypnotic nuggets found around small boxes with flashing lights

excerpts of live hardware improvisation

runnin

soulsystem

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