divergent thoughts always converge at some point in their existence.
in this track, i perceive existence as a finite space.
thoughts can also be physical environments.....

Divergence In A Finite Space-Rough Cut

Instrumental Project whit a lot of influences .

All songs composed, played and produced by Davor Dojchinovich. Recorded, mixed and mastered at Happy Cloud Sound Studio - Seattle. 
Comments are greatly appreciated. All rights reserved. 
         Davor is a Seattle based independent composer, musician and producer. Though he also plays electric and acoustic guitars, keyboards and percussions, Davor specializes in bass guitar and piano. 
Thank you for listening. 

Extinction is Forever!!!

The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a  focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally routed through the AUM mixer and hosting application. This innovative approach powered his self-proclaimed "proudest achievement"—a 90-minute live performance at Oxford's prestigious Ashmolean Museum, an opportunity secured through his affiliation with Oxford Brookes University as part of its 150th Anniversary celebrations. To solve the inherent challenge of engaging an audience with long-form ambient music, Smith transformed the event into an immersive audio-visual installation, pairing his soundscapes with curated visuals from sources like The Internet Archive to command "active listening." The project's visibility expanded significantly beyond this institutional context through a pivotal relationship with the independent Focussed Silence label, which was instrumental in securing national airplay on BBC 6 Music. This success highlights a versatile appeal, with OAC's work finding a home on highly experimental programs like A Duck in a Tree on Resonance FM—hosted by the influential group :zoviet * france:—as well as on sophisticated global platforms where his work was programmed alongside compositions by genre progenitors like Brian Eno and Vangelis. While OAC remains a solo endeavor at its core, Smith actively engages in digital collaboration with a network of sound artists like Encym via platforms such as SoundCloud, effectively transforming the solo project into a decentralized creative hub, thereby giving true meaning to the "Collective" in his moniker.

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Latest Updates: 
Seasons Greetings to all my followers and friends, thank you for all your support throughout 2025. Hope 2026 brings you all much joy and peace. All the very best, Ian
Headphones are recommended on my work to allow the full effect. 
Over 1800 Tracks now on my channel, making music on here since 2015.
Have been remastering some of my 'unloved' tracks from the past here on SC - music which has not received as many plays as I would have expected. Maybe 2nd time around your might like it.
The 2025 remastered tracks are being readied for my best of 2025 album in 2026, available January 2026.
I do not use AI on any of my work, just blood sweat and tears, and a lot of emotion/feelings. The reason I have so much music on SC is that I love making music and it is my life. Also I love to share my work with you all, please enjoy.
Have recently discovered some old tracks which I did back in 2009 but have never been previously released or worked on further. Decided to let them see the light of day, unedited and unpolished. Hope you enjoy them and can see where my humble beginnings started.
Also new for Autumn 2025, a collection of classical piano pieces which I composed back in 2010, in memory of my late father who inspired me to play the keyboard in the first place. Under the title of Magician In Private, hope you will allow my indulgence into a special world of just simple piano, no frills.
Please checkout my vast collection of playlists. All my best music is on there in one place. Is free to listen to or sleep with.
From 1st June 2025, celebrating 10 years of KORG KRONOS music with lots of brand new music showcasing the wonders of this iconic workstation in all it's glory. Also as a nod to the release of the KRONOS 3, which will take KORG into the next generation.
All my albums in full quality are available on Bandcamp, please check out the link below.
Have recently taken a short holiday to recharge my batteries and top up my creative juices. Thank you to all my followers for your continued support and encouragement, means the world to me.
Over 10K minutes uploaded, over 1500 tracks - am sure there is something in there for everybody to enjoy. I love making music. Hope it matters to you.
Am posting some Jarre sounding pieces as homage to my lifelong hero of electronic music, using some of the sounds and instruments he has used along the way. Jar of Jarre is my collection of memorable sounds which have changed the way we appreciate modern electro.
Keep an eye out for my new collection of 2024 Remastered best of tracks, coming soon.
New year, new start. Back on the search for good music and inspiration. Will be featuring a lot of my older work remastered this year, seems like a long time since I began my composing journey back in 2000.
Happy New Year to all my followers, May 2025 be filled with musical magic. 
Thank you for all your kind comments and support throughout 2024 I do appreciate it. Stay safe and love each other.
All my remastered best tunes from 2015 to 2023 are now available to buy on Bandcamp.
Am back to making regular music now but sorry no Christmas songs this year. This time of year is very hard for me as it is when my father became very ill and died in the new year 2010. I still miss him very much but hope he would be proud of my musical journey, he is my number one inspiration.
Just a quick personal note on AI and music. I think it is not a good thing for the creative side of music and a lot of it comes without feelings or soul. Creativity is a gift, and should be greatly valued, cherished and nurtured. Music is what makes us human and can never be replaced by a computer.
Finished remastering up to and including 2023 now. Has been a mammoth task but well worth the effort. Next year I shall be working on a remastered series of my pre KORG days 2000 to 2008, in 8 volumes, as well as celebrating in style my 10 years of KRONOS magic, can't wait for 2025.
Have now amassed over 1000 tracks on SC (that's over 8000 minutes of music) and it has been a blast sharing them with you all. Next year 2025, marks the 10th anniversary of the start of my KORG journey.
Am currently putting together a remastered Anthology collection of all my best tracks from 2015 onwards. 2015 consists of a 3 volume set (Now available on Bandcamp). 2016 consists of a 4 volume set. (Also available on Bandcamp). 2017 consists of a 4 volume set. (Available on Bandcamp) 2018 consists of a 4 volume set. (Also available on Bandcamp). 2019 consists of a 4 volume set. (Now available on Bandcamp). 2020 consists of a 3 volume set (now available on Bandcamp).
If you would like to listen to more of Magician, especially retro older tracks please checkout Bandcamp (see link below).
Have recently been rediscovering some of my older music pre KORG days and remastering for uploading to my cloud. Hope you like. Seems such a long time ago now.
I have been lucky to have music in my life, and now the time to explore how it can affect other people. I have discovered many new talented artists on SC and am happy to encourage and support their work; from small beginnings come great things. Please be inspired to be your best, inspire others too, encourage those who lack the inner courage to move forward, and together we can make music make a difference in all our lives.
Am spending a lot more time on my music now since retiring from work in July 2020. Always learning new techniques and honing my craft. Am comfortable now with all chord sequences throughout the scales and loving improvising with the help of my mighty KORG still. Am still trying to give my full support and encouragement to all SC users and some latest (you know who you are), are developing nicely. Be good to one another, be gracious to others, leave your ego out of your life and above all else remember there is always someone worse off than yourself. 
Please be kind to each other, to be happy with our lot without jealousy or greed; to give without asking the cost; to love as if there is no tomorrow; to share and inspire others who may be less fortunate than us; most of all to enjoy life for the joy of living, for we know not what the morning brings - stay safe my friends, be strong and always stay positive; remember life changes - DON'T let it change you!!  
Music is my life - has helped me through many dark places, is a big part of who I am. I put my heart and soul into every single piece of music I produce. I have found many wonderful friends on SC and many exciting talented people.  Been writing and producing music now for 40 years plus. Specialised in electronic based orchestral compositions. I have created my own genre which I call 'electrorchestration'.
Favourite artists/bands include Gary Numan, Little Boots, Jools Holland, Eno, Edgar Froese (1944-2015), Jordan Rudess, Kebu, Madis, Keith Emerson (1944-2016), Rick Wakeman, Richard Wright (1943-2008), Pink Floyd, Tangerine Dream, Vangelis, Jean Michel Jarre, M83, Public Service Broadcasting, Dream Theater, ELP, Yes and Mystery to name but a few.
Click on link below to Bandcamp for more music from my collection

formulaic conformity and convention the sworn enemy of creation

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

i would describe my music as "Soundtrack Ambient"-Sonic Textures and Atmospheres layered or painted, one on top of the other.

Divergence In A Finite Space-Rough Cut

soundpainter