Artist: iFormat
Title: 'Butchering Of The Truth'
Label: Local Sound Network
Cat. #: LSNDS022
Format: Digital
Release: 1st April, 2021
Pre order: https://localsoundnetwork.bandcamp.com

Sounds From NoWhere is pleased to premiere a new iFormat' gem on 'Local Sound Network'.
We’re glad to announce the return of iFormat with this strong album which shows us his new style with industrial, noise and EBM influence as well as techno. 
These tracks fit in home-listening as well as various styles of DJ sets. 
One listening will give you an idea of the whole album. 
You won’t be disappointed. 
More releases are in the works already, so please stay tuned for more interesting upcoming stuff.

@iformatmusic
@ryujitakeuchi

LSNDS022 - Contest Of Sins

Premiere: iFormat - Butchering Of The Truth [Local Sound Network]

Bringing uncompromising/finest techno mixes you could hear, Sounds From NoWhere’s actually become a fixture in recent years. 
A platform where, on fortnightly basis, artists can express themselves without any limit, exploring every shade of electronic music from raw acid lines to deep ambient pads. 

More than that it's about a common purpose, a shared mission: spread and promote the highest quality and involve in our forward-thinking scheme.

Info and Requests:
info@sfnwseries.com

Joseph McGeechan/iFormat/Obsoleet/BCR Boys(One Half)

Joseph McGeechan began his career in 2008 as one half of the BCR Boys they released on their own Backwater Community Recordings label and also on Perc Trax. With further releases on Synewave and Sleaze, 2011 saw them headline both Berlin heavyweights, Tresor and Berghain.

Joseph’s solo productions are uncompromising basic techno, influenced by the sound of early techno on labels like Tresor, Axis, Downwards and newer labels like Repitch, 3TH, Black Sun Records and Inner Surface Music.

iFormat has a darker, more aggressive, industrial sound. Heavily influenced by the sinister and eerie soundscapes of sci-fi and horror movies, these give a disturbing sense of foreboding to McGeechan’s dystopian, post-punk exploration of the decay of society.

Obsoleet is a journey of exploration of the inner self, exploring the boundaries of human emotion. Using dark, industrial, metallic and almost sci-fi sounds, we try and find ways to reconnect, with ourself and those around us, standing on the borderline of uncertainty, looking for escape.

To become obsolete, is to no longer be recognised. It no longer becomes relevant who makes the music, but more what the music is about. In an attempt to no longer be yourself, you choose to assume another identity. Disconnecting from yourself, to become something you are not, as you attempt to escape something you no longer want to be.

His music can be found on labels like: Synewave, Local Sound Network, Perc Trax, Prosthetic Pressings, Djax Upbeats, Sleaze, Monolith Records, Writtentozero, Decoy, Nightmare Factory Records, UFF Records and many more.

His music has been supported by artists like Regis, Ancient Methods, Ryuji Takeuchi, Adam X, Zadig, Dasha Rush, Xhin, Reeko, James Ruskin, Luke Slater, Bas Mooy, D.Carbone, Dave Clarke, Norman Nodge, Rebekah and many more.

He has been remixed by artists like Ancient Methods, Perc, Ryuji Takeuchi, Excluded, Voidloss, Electrorites, Sawf, K209, Go Hiyama, Gary Beck, Mike Humphries, Audio Injection and many more, and has remixed artists like Ryuji Takeuchi, Miss Djax, Patrick DSP, Gary Beck, Monoloc, Hans Bouffmyhre and more.

Joseph has played alongside a wide array of artists like Zadig, Sleeparchive, Davide Carbone, Ascion, Steve Bicknell, J.C, UVB, Max Durante, Damon Wild, Marcel Dettmann, Diego Hostettler, Dave Ellesmere, Norman Nodge, Bas Mooy, Xhin, Rebekah, Hans Bouffmyhre, Billy Nasty, Space Djz, Psyk, Angel Alanis, Patrick Walker (FSG), Erphun, Casual Violence, Bill Youngman, Joey Beltram, Alan Fitzpatrick, The Advent, Slam, Pacou, Violet Poison, Mace, The Horrorist and many more.

He has been a regular guest in Tresor, as well as playing other clubs in Berlin like Liber Null, Suicide Circus, Subland, Berghain, Griessmuehle, and places like Madrid, Prague, Amsterdam, Koln, Moscow, Glasgow, Edinburgh, Aberdeen, Manchester, London, Leeds and Birmingham.

Bookings.

josephmcgeechan@gmail.com

Producer / Dj - Turtablism /  Scratcher / Boss on facebook.com/DiggyLand

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International Vermin Consortium
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The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
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...
Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

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You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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