This podcast is a spiritual journey, bringing together tracks from diverse origins, eras, and musical worlds. Blending sounds that range from Dub, Ambient, New Age, Ethereal, Abstract, and Acid Jazz, it aims to showcase musical spheres beyond the club-oriented sounds we usually associate with Abajour. It also reflects a parallel project called ‘Desira Noroi‘, and an event series in Paris called 'Trip Tease' dedicated to opening up and exploring a broader musical spectrum.

Abajour: instagram.com/abajour_bp?igsh=MTBtNWFhOGIzcDN3MQ==

Desira Noroi: instagram.com/desira_noroi_dj?igsh=MTJ0bHVxZmQ4aDVrMA==

Tracklist:

Cheval Fou - La fin de la vie, le début de la Survivance (1994 - Legend music - FR)
Dali Muru & The Polyphonic Swarm - My Boar (2021 - Stroom - BE)
Vangelis O. Papathanassiou - We Were All Uprooted (1973 - Vertigo - GR)
Gabrielle Roth & The Mirrors - Tsunami (2001 - Raven - US)
MDCIII - Miniature II (2018 - W.E.R.F. - BE)
Richard Horowitz & Sussan Deyhim - Desert Equations (For Brion Gysin) (1986 - Music Box - GR)
Toshinori Kondo - Dub Deep Inside (2021 - JET SET - JPN)
Dream Dolphin - Tour 5 Modern Blue Asia (2003 - FOA Records - JPN)
Klaus Schulze & Rainer Bloss - Racing (1984 - Inteam GmBH - GE)
Nurse With Wound - Yagga Blues (1995 - United Dairies - UK)
YL Hooi - Strobe Lite (2021 - Efficient Space - AU)
Angel's Breath - Velvet (1994 - Imago - YU)
Coil - Broccoli (1999 - Chalice - UK)
Anadol ‎– Ay Çürüdü (2019 - Kinship - GE)
New Composers & Pete Namlook - In Memory of Magnitola (2001 - Elektrus - RU)
Abdur Razzaq & Rafiyq - The Night of Power (1983 - Green Essence Records - US)

H.A.N.D. MIX 072 :  Abajour Aka Desira Noroi

wieder samstag, wieder morgens, wieder sphere breakfast show. SAM, pio & depp blatter versüßen euch für zwei Stunden das Aufwachen. 

Tracklist folgt

Sphere Breakfast Show - 26.04.2025

babyschön - Subject To Restrictions Discs @ Sameheads 02.05.25

I found an old iPod a couple of days ago and on top of a ton of old mixes and tracks I found this set I put together for the @balearicsocial crew up in Leeds in 2012. That's 13 years ago! I don't think this one's online anymore, so here it is once again, freshly transferred from the depths of arcane technology. 

It goes all over the place: Ambient, tribal, soul, downtempo, left-field, kosmiche, jazz and into very loose territory! I really enjoyed hearing these records again, and I hope you dig it too. Big shout to Andy Pye and all the Yorkshire Balearic ultras!

Brian Not Brian - Balearic Social Guest Mix (2012)

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

30 mins of this set is missing due to a recording mishap. remember to check out the whole playlist. to relive the entire night full of amazing music 
https://on.soundcloud.com/i6Nw96DsY34oSgtK9

Pender Street Steppers - Weirdos Bush Rave Vol 3

Myles Mac

An Australian DJ and co-founder of the legendary Melbourne Deepcast, Myles Mac has been a cornerstone of Naarm's underground music scene for over 15 years. A tastemaker and curator, he’s known for hosting iconic house music events through his MDC, Lost Weekend, and Made in the Shade parties, consistently bringing some of the genre’s biggest names to the Australian dancefloors. His deep, eclectic selections have earned him a reputation not only in Australia but also internationally, regularly performing in cities like Berlin, New York, London, and Tokyo.

Whether solo or with long-time collaborators DJ Possum and DJ Camov (as Project 95), Myles’ dynamic, ever-expanding sound has made its mark on mixes for platforms like Truants, Trushmix, For Home Use Only, c-, and, of course, his home base, Melbourne Deepcast.

來自澳洲的 DJ 及 Melbourne Deepcast 的共同創辦人，Myles Mac 在 Naarm（墨爾本）的地下音樂圈已活躍超過 15 年。他以策劃和舉辦 MDC、Lost Weekend 以及 Made in the Shade 派對聞名，這些活動為眾多經典 house 音樂藝術家提供了舞台，並多次引領澳洲及國際舞池的風潮。他的深邃選曲不僅在澳洲受到熱烈推崇，也在 柏林、紐約、倫敦 和 東京 等城市的音樂場景中頻繁亮相。

無論是獨自演出，還是與長期合作夥伴 DJ Possum 和 DJ Camov（作為 Project 95）組合合作，Myles 不斷擴展的音樂語彙為他在 Truants、Trushmix、For Home Use Only、c- 等平台上帶來了極具價值的混音，也讓他在 Melbourne Deepcast 中擁有穩固的立足點。

Myles Mac @TOHA Radio 2025.04.29

Monthly sessions from Zaltan, the mind behind Paris-based leftfield dance, electronic & downtempo imprint Antinote, with occasional appearances from friends and artists on the label.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/zaltan/episodes/zaltan-12th-june-2025

Antinote w/ Ygal Ohayon 120625

Born to love you

NEW: News Sounders (1984) - Demo - JAM Creative Productions

Every one going out with someone becomes the target of their friends, so this is a song about when those friends take shots against you. Love should always trump crazy mayhem.

©2025 The Stereo Inspectors, All Rights Reserved

Don't Leave Me

Non-commercial, interdisciplinary and free radio platform from the east of Leipzig with the aim to promote exchange in society.

For uploads before 01.12.22 please visit our old Mixcloud Archiv: https://www.mixcloud.com/SphereRadio/

For inquiries, feedback or anything else: info@sphere-radio.net

Sphere Breakfast Show - 26.04.2025

Sphere Radio