LYRICS

I'd give your pretty head a little shake.
Cos maybe i'm not such a fool.
Ah now, you're out there hanging with the super freaks.
The ones who abhorred you at school. 

There's no reason to be this excited by.
Oh, it's only some shit up your nose.
You look in the mirror from your pallid eyes.
Good lookers never give you a rose. 

The cows in the fields,
Oh they get it for free,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me. 

Overestimating your thinking time.
It's seconds not the years that you thought.
The days that you gave in waiting on the line.
Can't count all the shit that you bought. 

Perfecting a lazy impression of.
The dandiest man on the town.
Might fool all the others with your dirty clothes.
Someday everybody comes down. 

The cows in the fields,
Oh they get it for free,
They get it for free.
The birds and the bees,
Oh the cows and the trees,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me. 

You think you'll have it down
your nose at us.
Now that it bleeds take a pass.
The wolf is laying right there in your grandma's bed.
My girl what big teeth that he has. 

I'd give your pretty head a little shake.
Cos maybe we're not such a fool.
Ah now, you're out there hanging with the super freaks.
The ones who abhorred you at school. 

The cows in the fields,
Oh they get if for free,
They get it for free.
The birds and the bees,
Oh the cows and the trees,
They get it for free.
The cows in the fields,
Oh they get it for free,
Come get it with me.


Cows (Get it)

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

One person band, banging on various instruments in Texas. I like a variety of genres, so I tend to be all over the place in my songs and compositions. I just like playing with sound 🤘

Songs from the edge of somewhere. Bluesy, soulful rock with roots in folk and blues, shaped by years of traveling and chasing sound.

My debut album Strange Part of the Country earned ★★★★ from Q Magazine, a Blues Matters cover feature, and reached #3 on the U.S. Alternative Radio Chart, with airplay on BBC Radio 2, WWOZ New Orleans, and KROQ Los Angeles. Peter Green (Fleetwood Mac), Marc Ribot, and Danny Thompson have all been part of the journey.

I’m now finishing a new album with Marc Ribot, Tchad Blake, and Danny Thompson — music that digs deep, raw and real.

Indie San Francisco band blending alt-rock, folk, bluesy funk, americana, ska, and more into a captivating and unique sound. With both male and female members, this diverse group brings a refreshing and inclusive energy to their performances. 
Formed in the vibrant music scene of San Francisco, HGM boasts a lineup of talented musicians, each with their own distinctive style and passion for creating music. Together, they create a tight and pulsating foundation that drives the band's music forward.
With a rich blend of influences ranging from Lumineers and Arctic Monkeys to Pink Floyd, Elliot Smith, and Gillian Welch, HGM effortlessly navigates between genres, infusing their music with unmistakable hooks and creativity.

I was introduced to making music from age 4 or 5 when my dad took me to his band practice every week where I’d make the rounds “playing” drums, keyboards, an old upright piano, guitars and his ‘68 Fender P Bass (or 70’s MusicMan Stingray Bass). I owe a lot to the generosity and kindness of each of the band members. They were the catalyst that started me on my own musical path of discovery and creation that feeds my soul to this day. I continue to write, record, perform and cover the songs that move me (from the gypsy jazz era to present day), and I’m grateful for the chance to share it with others. Please check out my Instagram, amazingradio and YouTube pages for more, and my official debut EP “The Dakota EP” is streaming everywhere as well as for download on iTunes, Amazon and other sites as well! I appreciate any comments or feedback you may have to offer, if so moved. Thank you for listening,  -Tim 🙏🏻✌🏻

Unapologetic musical calamity from around the world. The only way to support: https://gomjabbar.bandcamp.com

We are the music makers. We are the dreamers of dreams.





Cows (Get it)

SpukSchreibMaschine