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Folk & Singer-Songwriter

Cool Pop Songs #3

Folk

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New songs, that were released in the second half of 2023. Taken from the albums, Sponges and More Sponges. I Am The Walrus [E.P], The Mist [E.P], and also the album Sparks.




2023: Ridden by the Witches of the Night

SpukSchreibMaschine

"Yo, mis heridas, me las curo con limón”.

VIDEO OFICIAL: https://youtu.be/9-bxtKw9g-E

LIMÓN

Recargo mi hombro y observo de lado,
todo se crecía, extremos el cielo, mi espalda, el espacio.
Mi izquierda, su todo que se iba y volvía,
aprieta y libera justo en el momento
que viene y se aleja de un golpe tan brusco
que mueve la tierra cuando me volteo,
lo siento, lo siento limón.

CREDITOS:
Sojue Stradac - Símbolos, signos y presentimientos.
Paulino Robles: Fotografía, portada CD, dirección y producción de video. #FotoBazarTulancingo 
Grabado en Enero 2019 y producido en 100 Hertz Home Studio por Sojue Stradac Abril 2021.

¡Gracias amigos, es que su poder impulsa!

SEMILLAS

Limón

free download for non profit demo use.
profitable usage requires a license.

please visit www.prodbymarkgable.com for further informations.

[FREE] Last Action Hero (Prod. Mark Gable)

Upcoming album by German composer Sven Helbig.

08 Metamorphosis

This is a song that I wrote in the Summer of 1990 as I was beginning my life again.

Ron Snyder - DO YA WANNA TOO (1990 Original Song)

This was an interesting challenge on Metapop called "the No Effects Experiment", where it was not allowed to use any effects or processing on the recording/mix and master, so: This track got very dry and stripped. Only one piano track, one violin and 2 vocal tracks ;-) The only difference to the version I've uploaded on metapop is a transparent limiter, which pushed around 2 dB and captured clipping... Thanks Emilia for this vocal adventure.

Dry (feat. Emilia)

Matt Hancock

Haven't Seen The Sun

Look at The Sun [Nancy Pie]

Days in the Sun

Been listening to a lot of Memphis Blues recently and was totally inspired by what I heard. I don't have the voice for this but someone out there does...

Help Me Believe

sleep

Jeán et Joie is the lyrical child of artist and songwriter, Grey Jeán. Their music can be described as mournful folk with a hopeful glow. Their songs combine simple instrumentals and poetic, stream-of-consciousness style storytelling. Common themes can be found throughout each piece of music: celestial realities and the natural world, lived experience and a strong sense of emotional integrity.
Grey Jeán grew in a household surrounded by music. Their three sisters shared their immense talents through angelic harmonies and polyphonic hymns drawn from the Catholic faith in which they were raised. Grey began using their voice to express and to write their own music while navigating a challenging teenage experience living at home in Mountain Home, Arkansas. They carried the power of song forward into every chapter, first in choirs, then open mic nights, and later into live performances and virtual concerts during the Covid-19 pandemic. In 2021, Grey played and wrote piano pieces for the San Diego punk blues band, Teeming Dreams, and in 2022 formed Jeán et Joie as a début of their growing personal repertoire. The band has been playing and recording together since Grey and their fiancé Gabrielle Néla teamed up with the drummer, guitar duo Ikaika and Dash from the LA band, Flamango Bay. They have since moved to North Carolina and are building a presence back in the forests and woods where Grey first discovered their musical identity.
Their upcoming EP Bramble is set to release in beginning of 2024, preceded by singles: Glory Be and Fried Rice.

Bramble

Glory Be

GLORY BE

Come get it cause tonight is
The night to feel alive and get drunk like you
Drunk like you
Hey now, when we were love drunk
Oh, we were fire, fire up to hell
Fire up to hell yeah yeah yeah yeah
While you were love drunk you said, so did I
We were dancing, getting naked and
Lying on the beach
On the sand
So with two packs of cigarettes in my hand
And one last great sip from my sings
From my sings yeah yeah yeah yeah
Let me sit back, enjoy the view
Ooooohhhhh
Parties late night, take us to the coast
But, ya drunk
On the sand
On the sand
When we were love drunk
When we were love drunk

All instruments & vocals by Christophe

Love Drunk

A Miller has no dreams.
He can not hope to see every horse in every stream.
There's no need to spur.
A horse that's travelling, already up to speed.

Look to the stars.
Stare up all you like, but you'll never get that far.
Look to the sky.
You'll never understand. you're never gonna fly.

The kids dont think in dreams.
Taken, locked away, a never-ending scream.
A future made obscene.
Squandered on a stupid capitalist scheme.

The kids don't think at all.
Waiting for the day they're lined against a wall.
A conflict of the mind.
The world of black and white, pointed, erudite.

Look to the stars.
Shine on alkaline, you're just fine as you are.
Look to the sky.
You're never gonna know why the world is passing by.

While the miller told his tale.
The sword of damocles, descending, deft, unfurled.
The trampling of the damned.
Can you hear them fall? a back against a wall.

Look to the stars.
Climb up any height, the distance is too far.
Look to the sky.
Forget it ammonite. It's where they placed the bar.

Chase Thee Not! The Moon

When I was young, 
Could not read the signs.
Could not see behind eyes.
Need to hear things.
What was left for me?

Out on the road.
People let go.
It's not that they know,
Anything you don't.
Wisdom in jest, you see.

Oh! "When I was a child."
"Where I came from."
Yeah? You're responsible, too.

Just a word before I go.
All you people are dead to me.

Mind: Follow me.
We'll stare at these stars.
That's a planet, it's Mars.
Not that you care.
Can't avoid destiny.

Home is a place.
Where you collect things.
To place inside tins.
Until you lose them.
For all eternity.

Oh, "when I was a child."
I put that away.
Girl, you should do too.

There's just you and your own.
All you people are dead to me.

Oh, "when I was a child."
Forget that one. Boy.
Not important to you.

Just a word in your ear.
All you people are dead to me.

A look from out.
The side of an eye.
A moment to spy.
Whats behind them.
However, fleeting.

A silent dig.
Inside of the mind.
Beside enemy's lines.
Nothing to bind them.
Yes, I'll be leaving.

Oh, "when I was a child."
I thought as such.
I was naught but a fool.

I discovered, too late.
Mostly.
People, they are dead to me.

Oh, "When I was a child."
"Where I came from."
Yeah? You're responsible, too.

Just a word before I go.
All you people are dead to me.













All You People Are Dead To Me

We shouldn't have to fight.
The piles of skulls must show it.
Who cares who's really right?
Nobody really knows it.
The road out of this place.
Littered with bones like you and me.
The dreams that floated high.
Same as dreams that sink to ground.

This is a road to nowhere.
It's all a route to now.

A spaceman in the clouds,
knows that he matters nought.
A twinkling in the eye.
Your time has come around.
The bell tolls out for thee.
The bells keep ringing out.
The cowboys and the cows.
Are dust to blow around...,

This is a road to nowhere.
It's all a route to now.
We're all on a road to nowhere.
There isn't even hell.

I don't think on the world,
When I'm no longer in it.
and if I try to think on death.
I just can't see much in it.
I do not think of frying pans,
somebody making love to you,
I do not sit and think and about.
All the people waiting to die.

This is a road to nowhere.
It's all a route to now.
We're all on a road to nowhere.
There isn't even hell.

A Road To Nowhere

This tune was written by George Harrison of The Beatles in 1969. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Do you know their titles? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #515 by George Harrison

You'll never make a seamstress out of me.
Your clothes will have to suffer down the years.
I don't come free.
See, it's ragged on the borderline.
You never said what's yours is mine.
You will not make a seamstress out of me.

If I chose to go hunting, I'd succeed.
And bring home some wild animal, that's mostly made of meat.
Of course, there's always tooth and claw,
and I've never killed a thing before.
But if I chose to be hunting, I'd succeed.

If I were a spaceman, would you be waiting when I land?
And if I sailed off to some war, what's a ribbon for?

The fireside is warm and idly,
I watch you as you sit there and sing into fires deep.
A singer you will always be.
Your song to sing, a minor key.
A constant ever-changing melody. 

If I chose to go fishing, I'd succeed.
Although I know almost nothing about the dark ways of the sea.
I'm sure that I'd bring back a fish.
A fish for you to make your dish.
If I chose to go fishing, I'd succeed.

If I were a spaceman, would you be waiting when I land?
and I was due to hang, would you make a stand?

If I was a spaceman, there'd be a ticker tape parade,
but if it goes the other way, I hope you stay.



If I Were a Spaceman

Like A Phoenix

Like A Phoenix - John Goldrust

Live acoustic recording of original song "Lollipops & Lullabies" by Hurdy Gurdy Men

studio version here: https://soundcloud.com/hurdy-man/lollipops-lullabies

Lollipops and Lullabies (lyrics)

Your missing penance for the seventh time and it's bound to rain
your heart is aching for the seventh time as you watch it break

Your hand is reaching for the nearest door as you watch it shake
your mind is searching for the freest thought that it just can't make

If I could find a way to break through all the chains about you now
It's just so hard to breath where others simply refuse to see her now

You once were promised such a great reward, and you just can't wait
and all those things you held so dearly close, now you simply hate

Two steps you say goodbye to lollipops and lullabies for now
and there was no one there to idolize or compare to now

Your missing penance for the seventh time and it's bound to rain
your heart is aching for the seventh time as you watch it break

Lollipops & Lullabies - Maya and Daniel (live acoustic version)

Thunder under the road.

Incursion

Soft spoken silhouette

Oh, it was alright at the start.
But then you drank too much, and things just start to slowly fall apart.
And it'll be alright in the end.
And all the other bullshit coming from your friends.

Don't talk that fucking shit to me.
You know exactly how this goes.
You can't do nothing and expect things just to change.
Been down the road.
Cigarettes and Alcohol.

You got yourself some little tart.
Kidding yourself that you're so much better than you are.
They all think you're a fucking dick.
Be better if it didn't take you years to realise it.

Don't talk that fucking shit to me.
You know exactly how this goes.
You best do something if you're wanting shit to change.
Been down the road.
Cigarettes and Alcohol.

So you pour yourself another drink,
And you're gipping in your kitchen sink.
There's empty cans hidden in every hole.

And you're kidding no one but yourself.
There's no escaping mental health.
Reflection staring back all pale and gaunt.

The fun has gone it passed you by.
Old Red eyes they don't even cry.
They only get more angry at the world.

The only solution's another drink.
Another drink and, another drink.
That familiar feeling, all safe and warm.

Don't talk that fucking shit to me.
You know exactly how this goes.
Give it three days and you'll be rid of the fucking shakes.
Been down the road.
Cigarettes and Alcohol.

Cigarettes and Alcohol [2023]

A song about warmth in winter #folk #guitar #singer #acoustic #chill #nature 

Red and Gold

Instrumental version of the john hardman song 'Black And White'.
John Hardman - writer, producer - guitars/keys/arrangements
(c) Swamp Music UK & (p)2023 Swamp Records UK for all territories.

Black And White instrumental

Black And White instrumental - John Hardman

Nor blanket of kindness, nor blanket of snow.
Covers me whole. Makes no inroads from...
The giant black smoke stack that bellows and blows.
Oh, how it blows. 
Blows out and blows.

Oh, please, oh, please.
Save me, from me.
Eloise, in your garden of love.
Oh, please, won't you please.
Save me, from being me.
Eloise, in your garden of love.

The choices I make must sit right in my head.
Eloise. Come with me.
If I make the wrong choice, I'll wish I were dead.
Eloise, we could be...
So happy you joined us, though you're rather late.
Honey, please, Set me free.
Now eat everything that we put on your plate.
On my knees, work with me.

Oh, please, won't you please.
Save me from just me.
Eloise, in your garden of love.
Oh, please, please, please.
Save me, save me, save me.
Eloise, in your garden of love.

Now I'm walking and talking.
And barely forestalling this breakdown.
Won't come free.
Eloise, in the garden of love.
I walk and I talk.
And say all the words I'm supposed to say now.
Alter me. 
Eloise, in your garden of love.

Some sort of third verse that explains the first two.
Eloise. Follow me?
The storm in your mind can't contain what you do.
Eloise. Follow me?

Oh, please, won't you please.
Save me, only me.
Eloise, with your garden of love.
Oh, please, please, please.
Save me, me, me.
Eloise, with your garden of love.

I'm walking, I'm baulking.
I'm right on the edge of a breakdown.
From the fee.
Eloise. Eloise  Eloise.
I can't walk, and I can't talk.
I can't alter the words that you say now.
Fancy free. 
Eloise. 
In your garden of love.

The choices I make must sit right in my head.
If I make the wrong choice, I'll wish I were dead.
Eloise in your garden of love.











Eloise

Leave it with me, and we'll see.
What we find without.
What the talks about.
What they've left around.
What goes round and round.

Leave it with me, and we'll see.
What we're dealing out.
What we worked around.
What it's all about.
Why we're talking loud.

The spark that glows can be restored.
The spark is fed, the fire roars.

Just let it be, and we'll see.
What the chats about.
What they're hawking out.
Where the feelings gone.
Where we're going wrong.

Just let it be, and we'll see.
What they're paying on.
What's the chance they're gone.
What's the right and wrong.
Whether it's begun.

The spark lights up the window pane.
Only the blackened charred remains.
The spark that glows can be restored.
The spark is fed, the fire roars.

What the life's about.
spinning lies around.
What this loves about.
What lies round about. 

What is going on.
Where it all went wrong.
Why the fuss began.
When the rabbit rabbit ran.

The spark lights up the feilds again.
Showing only charred remains.
The spark that glows can be restored.
The spark is fed, the fire roars.

Leave it with me, and we'll see.
When it's coming back.
A surprise attack.
What or not, the craic.
That we sorely lack.

Leave it to me, and we'll see.
What the chats about.
What they're hawking out.
Where the feelings gone.
Where we're going wrong.


Spark

Cool

tothm and andy - the secret garden

Para ver el video https://youtu.be/o88LBP62S4o

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/vamos-a-bailar-ver-texto

Para escuchar la versión original    https://soundcloud.com/juan-fco-bueno/ven-vente-conmigo-version-original-ver-texto

Vamos a bailar (Ven, vente conmigo)

Creo que te acordarás
del día que nos conocimos
porque fue al celebrar
el cumpleaños de un amigo.

Casi siempre te recuerdo
apoyada en la pared
asustada por el miedo
presa de la timidez.

Estribillo

Te dije ven, vente conmigo
vamos a bailar
ven, vente conmigo
quiero verte disfrutar.

Te dije ven, vente conmigo
no te arrepentirás
ven, vente conmigo
y nunca triste estarás.

-----------   

Tú viniste junto a mí
con una gran desconfianza
pues creías ¡infeliz!
que todo el mundo te miraba.

Pero al fin, desinhibida, 
tu vergüenza se marchó
y en tu cara la alegría
enseguida apareció.

Estribillo

Let's dance (Come, come with me)

I think you will remember
from the day we met
because it was when celebrating
a friend's birthday.

I almost always remember you
leaning on the wall
scared by fear
prey to shyness.

Chorus

I told you come, come with me
let's Dance
come, come with me
I want to see you enjoy.

I told you come, come with me
you will not regret
come, come with me
and you will never be sad.

-----------

you came next to me
with great distrust
Well, you thought you were unhappy!
that everyone was looking at you.

But finally, uninhibited,
your shame is gone
and in your face the joy
He immediately appeared.

Chorus

VAMOS A BAILAR (Feat. Manuel Palomino)

Red Room (dancehall)

Double Down Remix

"Skate Away" is a hauntingly beautiful ballad in the style of Joni Mitchell's "River" and Natalie Merchant's "River", blending themes of longing, nostalgia, and the quiet stillness of winter. The song's delicate piano, warm bass, and soulful trumpet create a soothing yet melancholic atmosphere, perfectly complementing the poetic imagery of snowy streets, moonlit nights, and distant bells. With its introspective lyrics, the song invites listeners to reflect on love and the desire to escape into a peaceful, dreamlike world. "Skate Away" captures both the quiet beauty of winter landscapes and the enduring power of love, making it a perfect track for those who enjoy heartfelt, atmospheric music.

I heard a whisper in the night
Was it the winter wind blowing
I think it might be snowing
Far-off bells are ringing
Like faint voices singing
As the stars above are sleeping
It's your heart that I'm keeping
Oh, can we skate away?
I think about you every day
Oh, can we skate away?
Tell me we can skate away

The snowy street sleeps below
A dog is barking in the hushed night
While the moon creates a ghostly light
With the windows covered in frost
The night echoes are lost
I know I'm not dreaming
It's my heart that is beaming
Oh, can we skate away?
I think about you every day
Oh, can we skate away?
Tell me can we skate away

"Skate Away" Written and Performed by Northern Sky

Skate Away (Church Witton Gilbert)

www.robbiemaccc.com

'!! Train to Georgia' is the 1st single of the upcoming project which is titled 'Tears From The Trailorpark' and expected to drop before end of year!! Available now on all streaming platforms!!

Tears From The Trailer Park

Tears From The Trailerpark

!! Train 2 Georgia

A great Collab With Jigs Tripping Belgium and Gary Hayward Australia some of our collabs that im so proud of doing,jigs mixed the music in belgium and the sound of being played on a vinyl gives it that feel,then jigs sends me the music ,.i play with lyrics and vocals in Australia at Ramrod studios with Herman Kovacs mixing and mastering we all do out part,theres so much more i wanted to do with this song but my time was out at the studio anyway daydream great music by jigs and bass playing how cool are the bass lines enjoy

This is a song I made way back on now lost tapes, but I had written lyrics and spent several hours coaxing Suno to make the song sound a bit like it should, in fact I think the machine collaborated very well in making this song driven by power-chord, dynamic soundscape and some parts are solid rock and some parts are more like a pretty pop song. The LYRICS:

WAITRESS AT THE INN  (mastered)
Words by G.A.Moi/Badtripp Inc copyright 1983/2024

Come the sunny days in autumn  
When the trees are dripping colours
I recall the waitress at the inn  
She held my attention by surprise
Slender figure, tight uniform 
Short cut hair the colour of wood
Shy smile, red roses on her cheeks 
How I shook when she told me her name

The waitress at the inn
who was that waitress at the inn

I looked at her while my lunch cooled  
I don't know why she moved me so
Maybe it was a special day  
Or maybe she was a special girl
She's quite a mystery to me  
Memories linger in my mind
But her mind is very unknown   
Who was that waitress at the inn

The waitress at the inn
who was that waitress at the inn

Waitress at the AI-inn

Fear

Calling For You

Exploring the darker side of romantic love in the modern era. influences include early British Metal and early American Gothic music. A moody and haunting tribute to distorted guitar and at times dischordant harmonies.

The One To Call - John Goldrust

that lost desert of erlel i was delivered from

Mein Montagssong welchen ich mal eben trällerte, während mir die Palme ordentlich poliert wurde.

Montags

Suffocate


This is my latest pop song with female AI vocals about a forthcoming cruise trip to the capital of Norway. Listen with headphones...

Out on all streaming platforms and distribution sites.

https://open.spotify.com/intl-de/track/2gERvYmyqClFbX1mCPBBD1?si=ee8962211f064665

Follow me on spotify of you like.

open.spotify.com/intl-de/artist/7…9GWZyzUMtdcNPgym

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

www.facebook.com/pages/Constellat…/377825935649048


Constellation Lyra - Oslo After Dark [out on Spotify]

Recorded by Ron Snyder & Joe Debrizzio

Daughter of 'THE SIX FOOT RULE BLUES' by Tim Sanders & Ron Snyder

Snyder/DeBrizzio - SWAMP CITY (Instrumental)

We are the music makers. We are the dreamers of dreams.



