That’s a sweet sound as always, rolling round and round itself. Very mellow vocal. Lovely melody. Like that high keyboard sound and the backing humming. Very nice!

Nice laid-back groove to this one.  Love the background harmonies on the vocals.  Great job guys another good one!

Oh wow this chord progression in the bridge / solo part is wonderful.

Such an emotive song! Like a soundtrack for a really fun dark comedy.

Poetic lyrics on a height-of-summer vibe. Music doesn't get much better than this!

instrumental: ambient prog.rock soundscape (feat.synths&guitars)

evocation

3ième titre de mon projet 'chill-pop-dance'.  Après avoir remixé Standing Here et So in Love sur le 'Label' Musicon,  Physical Attraction est une nouvelle façon d'apprécier la belle mélodie de Madonna.  Je trouvais que lui donner un petit côté LATIN serait de circonstance, surtout avec la belle voix chaude de Ashley Mazanec du remix de Dave Rice. Bonne écoute! 
Superbement mixé et masterisé au Studio SEPTENTRIO par Martin Larose.

After remixing Standing Here and So in Love on the 'label' Musicon, Physical Attraction is a new way to enjoy Madonna's nice melody.  I thought that giving it a little LATIN side would be appropriate, especially with the beautiful warm voice of Ashley Mazanec from the Dave Rice's remix. Good listening!
Awesome mixing and mastering by Martin Larose at the SEPTENTRIO studio.

Two in One Caouette's Remix

Physical Attraction (feat. :Ashley Mazanec)

Physical Attraction (feat. : Ashley Mazanec)

On several occasions, throughout various compositions of mine, I’ve emphasized how a melody or theme was based on something I wrote long ago, during my teenage years.
In this instance, the main theme is probably one of the very first things I ever composed—likely my first 'Eureka' moment, when I first gained some clarity about my musical gifts. Needless to say, this melody holds immense personal significance.
After all this time, I’ve finally decided to properly honor it by writing a set of variations.

Ode For Piano, A Minor, No. 2

A track inspired in summertime, alone by a quiet lake.

By the Lakeside

I created this track by improvising on a Gibson SG over three variations of a drum pattern. I produced the drums using custom sounds I made on the AKAI MPC Live and the Teenage Engineering PO-32. I also played the bass part on a Sire J7—my marvelous fretless bass.
96 bpm

Questa Casa

Against the Wind

The woodchip, old atari, moths. 
Footsteps on the pavement.
The lemon curd, a kerb, sunny spots. 
A chip on my shoulder.
I can not list what I've forgot.
I was not reaching for the top.

You gave me the eyes to see?
You showed me the recipe?
There's a remedy for you.
Perhaps if you gave me clues.
Does any of this count for you?
Nothing I do is on you.
Learned the rules.
After school.

I, windchill. Long walks in the rain. 
High heels on the pavement.
A thunder storm, forgetting names. 
Laying down in the rain.
Not many start out with a lot.
It would be nice to have had a shot.

You gave me the eyes to see?
You showed me the recipe?
There's a remedy for you.
Perhaps if you gave me clues.
Does any of this count for you?
Nothing I do is on you.
Learned the rules.
After school.

Remedy

RAIN some of us have to much and others are in drought but when the first rains come they are wonderful.Jigs Tripping and i have been having great times bringing these songs across the sea and giving you great original music different to anything out there mixed and vocals at ramrod with Herman Covacs at the desk Ramrod Studios

Rain +Gary Hayward Lyrics @Vocals +Jigs Tripping Music and brilliance

The Guitars Say Sorry – The Gods Don’t Hear Me Anymore

Closing out the Jaded album, The Gods Don’t Hear Me Anymore is a stark, emotional reckoning—part confession, part lament, part protest. Over a raw acoustic guitar in open tuning (DADEAD), The Guitars Say Sorry delivers a song that feels like it was written under a flickering streetlight in the early hours, alone but overheard.

The lyrics drift between the personal and political: forgotten memories, absent gods, the weight of family history, and the ache of disappointment in the world around us. “Tears come easy when you're young / And you don't know where you've come from” sets the tone—disillusionment framed by a search for meaning, identity, and connection. There’s resignation in the refrain, “The gods don't hear me anymore,” but also an undercurrent of defiance: “I carefully chose my enemies.”

Sparse, honest, and lyrically pointed, The Gods Don’t Hear Me Anymore is a fitting end to Jaded—a quiet anthem for those still standing in the ruins, asking questions no one seems willing to answer.

Lyrics
I'm waiting for someone
Who I don't remember
Under the bridges
The shadows of my father

The gods don't hear me anymore
The gods don't hear me anymore

So here we are
Ruled by old men with long memories
After George's death
I carefully chose my enemies

The gods don't hear me anymore
The gods don't hear me anymore

Tears come easy when you're young
And you don't know where you've come from
And they always tell you what you've done wrong

In the morning
I held my breath and nothing's changed
I closed my eyes, I'm still to blame
I can't help feeling it's still the same
As the last time

Is life always like this? I find it hard to tell
Is this what we're in for? It never ends up well

I lost my taste, changed beyond recognition
I'm spinning plates
I love the world we live in

The gods don't hear me anymore
The gods don't hear me anymore

Ran out of space, and not for the first time
Felt out of place — seems my mother was right

The gods don't hear me anymore
The gods don't hear me anymore

Tears come easy when you're young
And you don't know where you've come from
And they always tell you what you've done wrong

In the morning
I held my breath and nothing's changed
I closed my eyes, I'm still to blame
I can't help feeling it's still the same
As the last time

Is life always like this? I find it hard to tell
Is this what we're in for? It never ends up well



These Guitars Say Sorry - The Gods Don't Hear Me Anymore (Singer-Songwriter / Jaded)

Mountains and Clouds

Aru Kuro On Rhea Moon is the first album by Labobros.
All the Music and Lyrics by Labobros.
CREDITS:
Vero Luz
Fumie Masaki
Dawn Martinez
Antonello Cosenza
Sirma Kuncheva
Antonio Iapichino
Giuseppe Cirino
Jonatan Amato
Andrea Pontone
Carmen Dimitri
Roberto De Rosis
Serafino Zangaro
Tonio Carnevale
Antonia Rizzuti

Aru Kuro On Rhea Moon

This One It's Me

This One it's Me

We are the music makers. We are the dreamers of dreams.





Remedy

SpukSchreibMaschine

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