Into the feilds, 
We run as winter turns to springtime
It's all mine.
Like Sunday is my day to shine.

We've made our deals.
With whoever dealt our lots out. 
I-won't-shout.
If you don't touch mine.

It's just my little pile.
I don't care about your in-style.
In a short while.
We'll all just fade away, one day.

Oh, it's just insanity.
Living for the vanity.
Soon, you'll have to find your way home.
The money you have put away.
You hoping for a rainy day?
Let all the rainy days go.
Let's go home.
Let's go home.

Stare into the sun.
Have a debate upon the currents.
And wheth-er-they.
Belong in our buns.

Into the hills.
The crocuses are growing rotten.
In the bottoms.
I've forgotten more springs than you've seen.
(In your dreams)

All of our opposing wills.
Won't ever stop the sun from shining.
It's ti-ming-out.
The days of our lives.

Oh, it's all insanity.
Is this for the vanity.
You'll have to find your way home.
The money you had stowed away.
You saving for a rainy day?
Let's just let the rainy days go.
Let's go home.
Let's go home.

A new guy on the scene.
And he's packing in the dreams which floated away.
Win-ter-days.
We all hide away.

To the feilds, 
At the lightest hint of springtime
Still, it's all mine.
It's my day to shine. 
All mine.

Oh, it's just insanity.
Live for the vanity.
Soon, you'll have to find your way home.
The money you have put away.
You hoping for a rainy day?
Let all the rainy days go.
Let's go home.
Let's go home.
Home.

Mixed and Mastered by Woods Studio Norway.


Springtime [Woods Studio Norway Mix]

Beatles records gave me hope, happiness and humor while growing up in what became an unhappy and troubled home. That lead me to the guitar and then the Who, Johnny Cash and all sorts of other genres of music as I grew up. 

I'm not sure how to classify my music. I think of it as rock, but when I play out some people ask me if I'm a folk singer. I don't think so in the traditional sense, but perhaps singing about what I see as the shortcomings, deficiencies and self-created chaos within my society, myself and human culture in general is a core component of folk. Really, I think it is at the core of true rock, blues, country and many other forms of music and art.But, given the fact that when I play out I often strum hard enough to make my fingers bleed, I'll call it rock.

I played college and pro soccer and coach college soccer. I have worked in a variety of businesses and even acted for a time. Experiencing many different slices of life and a diverse array of people and environments, I have always been befuddled by our ego's ability to take something beautiful like life and nature and turn us against ourselves and each other. As individuals we are all very similar on the inside and we seem to lose sight of that fact. I guess that is what I write about. It helps me stay sane and find some hope. My recording quality isn't the best, I know, but it is "Getting Better All the Time." I like my songs, I hope you do too.

Daniel Lars: Multi-Instrumentalist, vocalist, songwriter, producer. Born, initially grew up in the heart of San Francisco. Music deeply rooted...young age of four. Psychedelic music scene was electrifying. Nevertheless, Daniel Lars was deeply influenced from extensive variety of music. Rock, Hard Rock, Psychedelic, Glam Rock, Progressive Rock, Gothic, Motown, '60s pop music, Eastern, Funk, Soul, Blues, Disco, Bossa nova, Folk, Jazz Fusion, Jazz, Classical, World Music, Techno, Psychedelic Trance. 

Daniel Lars: "My father would play stacks of vinyl from extensive record collection. Especially, during weekends. Late, through the night. Recall in record collection...early Beatles, Big Band, classical, jazz, Elvis, Frank Sinatra, MC5, Dusty Springfield, Motown. Various country artists in record collection. While my oldest brothers were playing '60s rock, Southern Rock, English psychedelic bands, from vinyl collection. During late '60s psychedelic era, early '70s." 

Young age of twenty, Daniel decided to seriously pursue music career. First band, younger brother on bass. Jammed with various musicians, friends, bands. San Francisco Bay Area, during the eighties. Formed power trio, "Third Eye." Performed various popular clubs in San Francisco. Relocated in the East Bay Area. Small town in Pleasanton. Shortly, after Third Eye disbanded. Joined popular local East Bay Area hard rock band, Most Wanted. Final gig, major benefit concert. Billed with several other popular Bay Area local bands. Such as Black Tiger (former members of Y&T). To support "October 17th, 1989 Loma Prieta" earthquake victims. During late '90s, hired as a professional session guitarist for two years. Major recording studio in Oakland, CA. Where he learned extensive skills in studio production. Left California in 2008. Always creating gems in musical moments of time. His two lovely rescue cats Syd & Ziggy, daily magical hikes in the forest...are current "musical" inspirations. Cheers.

Catoon is an Indie Rock duo from Birmingham, AL featuring instrumentals by Andrew Acker and vocals by Laura Pollard. Featuring a blend of Indie/Alternative Rock, Folk, and Dream Pop (with a dash of Post Rock and Shoegaze), Catoon aims to convey deep emotion to their listeners while leaving room for interpretation. 

Started in 2023 as a project by Andrew to simply record instrumental music he had been composing since childhood, the ideas began to take on a different shape after a larger-than-expected reception. Lyrics were written, microphones were procured, and vocals were incorporated. 

Andrew's influences include Herbie Hancock, Béla Fleck, Chick Corea, Billy Powell, and Jack Antonoff. Laura's vocal influences include Jenny Lewis, Stevie Nix, Adrianne Lenker, and Jewel.

https://www.instagram.com/drnfourtwenty/ ( NEW )
KÏ-LOW aka DRN
Listening In, Lighting up an Playing Out

Cheers My Vibers
DRN:
https://www.deviantart.com/drnarc/gallery/
https://www.behance.net/drn420/

I am a rapper with multiple voices and styles.

Mighty Dogg More Tracks @user-659134771

Alternative / Electronic / Rock / Songwriting / Triphop / Score. 
Collaborations: halberstram@nym.hush.com 
FREE: Grow on SoundCloud without bots: repostexchange.com/hi?r=NKPTR

Robert E Flynn III is a software-developer, author and musician from San Antonio, TX. He is living with his beautiful fiancé, Claudia, whose delightful, positive outlook on life has given him the motivation to finish this work. He has two wonderful children, Caitlin and Zachary, who are grown and exploring their own fantastic lives. He has spent his entire life pursuing creative endeavors. Music was his first love and still is, and writing was always part of his life. 
Robert lived in Austin, Texas for many years and was part of the music scene in the city during that time. He was a member of several bands during those days and tremendously enjoyed playing live in many venues in the music rich area. Music is a great example of our creativity, which speaks to the Creation of all things. He also lived in Denver, Colorado for several years when his children were young and then relocated back to San Antonio, Texas to be close to family.
Night of the Living Dead was recorded at Salmon Peak Studio in San Antonio, Texas.  Mark Sinko acted as the recording engineer and also contributed a guitar part on the song.  Robert Flynn’s longest friend, Brian “Red” Moore played bass on the track as well.  Brian is the lead recording engineer at Q Productions in Corpus Christi, Texas. Q Productions is owned by the famous music artist, Selena Quintanilla-Pérez’s father.  Brian also plays bass and sings on most of the tracks I currently have on Soundcloud.  In addition to Brian, other contributors and long time friends are on these recordings also.  Jerry Bazil, from Michigan, plays drums on several tracks. Bobby Lancaster, from Texas, plays drums on several tracks as well.  Also, Joe Mota, from Texas,  plays keyboards on several tracks (Sadly, Joe is no longer with us, but he was a genius in many ways musically and an inspiration to me). 
I play keyboards, guitar, drums and vocals throughout these tracks.

http://itunes.apple.com/album/id1547160428?ls=1&app=itunes
https://music.apple.com/us/artist/robert-flynn/1526505616
https://open.spotify.com/artist/3lx8cQlclBh1slpwByR0Tk?si=wDa3nJWAQ6qL1btF0hp6WQ
https://www.youtube.com/channel/UCKdR_YZQ5AlfByTdQEDtFDg

https://www.facebook.com/robert.flynn.1000/
https://www.instagram.com/reflynniii/
https://twitter.com/reflynniii
https://robertflynn.musicprosite.com/
The Touch: A Supernatural Story - Part 1 is available now on Amazon
Connect with Robert on Facebook or http://roberteflynn.com
https://musician.artistpr.com/p/robert-flynn/

I write songs.  I'm not a performer any more than I need to be to have my songs heard once in a while. I hope that better musicians than I encounter my songs and decide to play them.  I just write songs to have them exist in the world. If the world likes them then the world can do with them what it will.  All these recordings are demos.  I've tried to make them as musically interesting as I can but they are all awaiting the skilled hand of someone who knows how to make songs shine.

We are the music makers. We are the dreamers of dreams.





Springtime [Woods Studio Norway Mix]

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