Share your thoughts below!

Composed, produced & performed by Srouly Frank

On The Way

*** For better listening, use headphones ***

I'm Antonio Porrino (Tonino).
Graduated in Physics in March 1979, I was Researcher in Theoretical Nuclear Physics at the "Federico II" University of Naples until November 2019.
I studied music, initially at the Conservatory of San Pietro a Maiella in Naples and then self-taught piano, organ and composition.
I have been married to Anna since July 1982 and we have 5 children, Fabio, Luca, Francesca, Cecilia, Vincenzo and 3 grandchildren, Antonio, Sofia and Vincenzo, Fabio's children, married to Sara.
I founded the polyphonic choir "Vicus Novanensis" in 1992 and in 2019 "I Cantori di Maria", which have collected the legacy of the numerous "long distance adoptions" of the previous choir.
The musical activity takes place mainly at the "Pontifical Minor Basilica of Maria Santissima Assunta" in Santa Maria a Vico (Italy).
I have composed music of various genres.
My music would like to express and transmit feelings of peace, serenity and joy, contrasting those of war, hatred and oppression that seem to prevail on planet Earth, causing the degradation of the natural environment that guards us.

Sono Antonio Porrino, per tutti Tonino.
Laureato in Fisica nel marzo 1979, sono stato Ricercatore di Fisica Nucleare Teorica presso l'Università "Federico II" di Napoli fino a novembre 2019. 
Ho studiato Musica, inizialmente presso il Conservatorio di San Pietro a Maiella di Napoli e poi pianoforte, organo e composizione da autodidatta.
Sono sposato con Anna dal luglio 1982 e abbiamo 5 figli, Fabio, Luca, Francesca, Cecilia, Vincenzo e 3 nipoti, Antonio, Sofia e Vincenzo, figli di Fabio, sposato con Sara. 
Ho fondato nel 1992 il Coro polifonico "Vicus Novanensis" e nell'anno 2019 "I Cantori di Maria", che hanno raccolto l'eredità delle numerose "adozioni a distanza" del precedente coro. 
L'attività musicale si svolge prevalentemente presso la "Basilica Pontificia Minore di Maria Santissima Assunta" di Santa Maria a Vico (Italy). 
Ho composto brani musicali di vario genere. 
La mia musica vorrebbe esprimere e trasmettere sentimenti di pace, di serenità e di gioia, contrastando quelli di guerra, odio e sopraffazione che sembrano prevalere sul pianeta Terra, provocando la degradazione dell'ambiente naturale che ci custodisce.
Alcune delle mie musiche sono anche su youtube (porrinomusic)

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

If there is anything on this planet that seems to combine any culture and/or people of the world, it obviously is music.

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

I'm just a self-taught musician and piano player who tries to express his mind and thoughts through the black and white keys.

I'm a multi genre composer and songwriter.👇

Follow me for downtempo, cinematic, (nu) jazz, ambient and other music! 

Aim is to have an impact on your mood :-). Enjoy!

Love, Peter

https://www.discogs.com/fr/release/12265331-VCTR-Disillusion-Day

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

Composed, produced & performed Srouly Frank
Nothing liberates more than joy!
About: Pianist-composer. SACEM member.

Every time I am sincerely surprised that the music came together again, that it worked. I don’t often write music , to enjoy nature of this wonderful process.
All tracks AI free!
Big thanks to SOUNDCLOUD for the wonderful opportunity to be heard and to my invisible friends, musicians and composers, whom I hear well thanks to SC
As an architect, I am interested in the question - if architecture is frozen music, then music is melted architecture? In this case I'm the freezer unplugged.🤗
The iceberg from the freezer is still dripping, but over time it can leak heavily...
My musical education is modest - 4th grade piano in childhood at the cultural center named Mikhail Kalinin in Kharkov + SC now