great production Stan...fantastic sound & mix

Dungeon Crawl

Produced by www.StanLeonard.com
Mainly bolero rhythm (6/8), but some melodies are 4/4 ;-)
Thanks for listening & following.


Get Ready

04 Khamsin

08 Geology

16 Wisdom of Dark Ages (Drakkens)

19 Coriolis

It seems that each season has its own "perfume of mystery".  In a typical Texas panhandle spring, it is Lilac and Russian Olive that perfume the air.  In the deep South, Magnolias are hypnotically fragrant.  In summer it is the fresh, petrichor air after a rainstorm, or a newly-mown field of hay.  In the fall there is a pungency of fallen leaves as they are raked into piles, and as the days grow cooler, smoke from a fireplace during an evening walk. It is an odor that grows stronger and crisper as winter sets in and the sweet scent of pine with the setting up of Christmas trees.  Dan wanted to capture this "perfume of mystery" with his unique composing and keyboard skills and invited me to come along. Thank you my friend for inviting me.  Hear more of Dan's beautiful and unique "French Fantasy" music @dan-t-3.

Like A Perfume Of Mystery (DAN-DT; composer, keyboards, David; guitars)

Vidéo : youtu.be/z-aae0BK5p8

Brande (Translated after the French text )

Texte : Sanzen
Chant : Desdanova ( @denis-rousseau-182743563 )
Musique : Alain Illos

Sans un bruit, ce matin,
une rose est éclose.
Perdue en ce jardin
où mon coeur agonise.
Au milieu de hautes herbes,
c'est elle survivante.
Soudain dans l'air vibrant,
mes souvenirs voltigent.
Dans la chaude lumière,
de cette beauté naissante;
perdues dans ma mémoire,
de sinistres images...
Sans un bruit ce matin,
mon coeur s'est lavé.
Perdu en ce jardin,
dans la chaude lumière.
Au milieu de mes souvenirs
qui voltigent.
Des hautes herbes
et d'un été naissant.
C'est ma joie survivante,
sur la brande, ce matin.
Aux vies agonisantes,
à la beauté naissante.
Aux images oubliées,
soudain, dans l'air vibrant.

Brande
Without a sound, this morning,
a rose bloomed.
Lost in this garden
where my heart agonizes.
In the midst of tall grasses,
is the surviving rose.
Suddenly, in the vibrant air,
my memories flutter.
In the warm light,
of this emerging beauty;
lost in my memory,
of sinister images...
Without a sound this morning,
my heart washed.
Lost in this garden,
in the warm light.
In the midst of my fluttering memories
.
Tall grasses
and a budding summer.
This is my surviving joy,
on the heather this morning.
To dying lives,
to emerging beauty.
To forgotten images,
suddenly, in the vibrant air.


Brande avec Desdanova

Another great tenor solo from My mate Georg !!!

BRUTAL w/ Georg Boehme

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

In The Midst Of The War

This is the short version of "Rise and Fall", a re-score for the shortfilm "The Rise and Fall of Globosome"

https://hypeddit.com/7cf42i

Till the End

It may be obvious that this piece has its roots in Beethoven's "Moonlight Sonata" Op. 27 No. 2.  My first iterations were much closer to the original but I have now wandered far afield.  Sincere thanks to you for listening.  I'm honored.

*If I am slower to respond lately it should be noted I have a new puppy.  I am hoping he won't eat my house and pianos.

Sincere thanks to my good friend and frequent collaborator David Dunham for mastering my track @david-dunhamuser589535203

Introspection

I Was Right About You

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

This tune began with just the upright bass (played on keyboard) & flute part (played with real flute), that were inspired by an old song that Mark liked a lot by an English Jazz trio called The Herbaliser.  Once he had it in progress, he asked me & Chris to see if we could contribute.

I added the trippy high pitch reverse guitar effect, and the bluesy lead guitar in the middle section (thus the title, Blue In The Middle). And Chris added some delightful atmospheric guitar and effects, as well as the Portishead influenced drum track. Mark was then inspired to add the background echo guitar sound in the middle section, and a bit of percussion and minor sound effects. 

Then Mark laid a really fine mix on it and I did the final mastering.  I'm glad Mark brought me in on this one, I really enjoy the ambience of it.

Blues in the Middle - w/ Mistermark and CGManess

Follow me also on Spotify🙏🏻🙏🏻
https://open.spotify.com/artist/2G3gYHbQ46UPckIS7nrjk4?si=7G3Y27AaQbaAPpl1vu9P7w

I tell my stories through my own composed (and improvised) instrumental guitar music, using a combination of acoustic guitars, sometimes supported by orchestral instruments. Some have described my music as meditative, relaxing, and introspective, with a touch of melancholia and a distinctly Spanish flair. Listen for yourself and let me know what stories my music tells you.
If you want to support my music, thank you | PayPal: stan@stanleonard.com
My music has a Creative Commons Licence, so you can use it for non-commercial purposes.

Get Ready

Stan Leonard

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