Wonderful performance, love the combination of instruments

Prachtig Stan en wat een vlekkeloze productie. Petje af.

Are you talking to me?! how do you know what I'm thinking about?!!

beautiful track, love all the changes, well done

Superb progression and production, it sounds awesome !

my YouTube channel:
https://www.youtube.com/@siamaksarmadian

Life

duet with cello

Memories - Till Indy and Pamela Illanes-Tatsuoka

I extend my sincere gratitude to Pamela for her invaluable support and the inspiring compositional ideas that contributed to this piece.
https://soundcloud.com/user-315009621

Composed by Till Indy and Pamela Illanes-Tatsuoka
© Till Indy / Pamela Illanes-Tatsuoka 2021

Memories | Till Indy and Pamela Illanes-Tatsuoka

Conversations with mom. March 2023
Antonio Picado guitars http://guitarraspicado.com/site/

Fragile

f r a g i l e

Follow me also on Spotify:  https://open.spotify.com/artist/2G3gYHbQ46UPckIS7nrjk4?si=cG1_GQ-xSkaeS2BFt1dbSA&nd=1

Listen also to the other songs in this song trilogy ''Vibrations of Change"
Act 1:  The Arrival: https://soundcloud.com/stanleonard/arrival
Act 2: Retrospection: https://soundcloud.com/stanleonard/retrospection
Act 3: Time to Go:  https://soundcloud.com/stanleonard/time-to-go

Composed, played, written and produced by Stan Leonard

Poem:
Now its time to let it go
Pick up your bags and lonely soul 
and leave your world behind

Take a deep breath, and face the unknown
Hear the winds that blow and moan 
Trust the path that's yet to be shown.

Time To Go (Act 3)

Big Shadows written for Piano Day 2023
inspired by "Go to the Limits of Your Longing" by Rainier Maria Rilke
read the poem here:  https://www.jeffchipman.com/allposts/2023/3/29/big-shadows 
www.jeffchipman.com

Big Shadows

Ondine is a girl's name of Latin origin. This name translates to “little wave” and is an alternate spelling of undine, classified as a category of elemental water-dwelling creatures.

Ondine

"Halo Bias" is a solo piano piece that captures the mysterious and intricate nature of cosmic phenomena. The composition opens with a soft, resonant motif, evoking the vastness of space and the subtle beauty of dark matter halos. The initial theme is ethereal and contemplative, inviting the listener into a realm of quiet wonder.

As the piece unfolds, it introduces more complex harmonies and rhythmic patterns, mimicking the gravitational clustering and the dynamic interplay of celestial bodies. The music crescendos and decrescendos, creating waves of tension and release, much like the ebb and flow of cosmic structures forming and evolving.

The middle section features a series of cascading arpeggios, symbolizing the intricate dance of galaxies within dark matter halos. These arpeggios are both delicate and powerful, highlighting the contrast between the immense scale of the universe and the fine details of its underlying patterns.

Towards the end, the piece returns to its initial motif, but with a richer and fuller texture, reflecting the growth and complexity of the structures over time. The final notes fade gently, leaving a lingering sense of awe and curiosity about the vast cosmos. "Halo Bias" is a musical journey through the cosmos, blending scientific inspiration with artistic expression to create a deeply moving and contemplative experience.

Halo Bias - Francesco Adornetto

They were traveling for almost 8 years after death of the Knight and his daughter...The old Wounded Healer and The Young Man.
Long years of fighting dark creatures and curing people from the cruel illness brought both of them deep under ground, almost to the center of the world.

There, as if far from the very last soul of the earth, was a giant garden.
It was a garden of white flowers and colossal trees with white leafs. It felt like this place was the frozen in time memory of the past somewhere very far from the world they both knew for the whole time. It was so beautiful...

For some reasons, The Young Man and The Wounded Healer both understood that it is the end. They finally found the source of the problem. All that was left is to find where it comes from.

They were breaking through every dark creature they see on their way. Every last one of them was weak against our heroes, driven by one and only purpose. They were unstoppable after all they've been through.

And far away, somewhere in the end of the Garden, there was a giant Heart, patiently waiting for someone to find it here, deep under ground, in the center of this world. To tell them the bitter truth, they both was afraid of to find out in the end...

Truth That Lies Ahead

#slowcore #midwest #shoegaze #sludgemetal #alt#alternativerock #shoegazemusic #heavyshoegaze #rock #indiemusic #indierock

grey/wash.

Depressingly (demo)

Sing in Blue  for the Voice of the Sea….    

Like a bird on the road, that has flown too far
feathers stiff, stuck in the gun-metal tar
like a ship out to sea where the people have fled
leaving food warm and waiting, words left to be said

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

There are faces there dreaming, just beyond reach
voices crooning in golden on a dream-shadow beach
It’s a calling, a drawing, it’s a pink spiral shell
whisper ocean, I hear you in a far away bell

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

Draw in deeper my darling, draw in wild, draw in wet
for there’s things here a-thriving, that you’ve tried to forget
And they watch as you pass, your body moves by
The yellow-head gannet slides clean through the sky
to the belly of sea and the beat of the sun
running faster we dance as the water colours run..

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

This is essentially an acoustic track – I was in a bit of a ‘dark celtic’ mode and I’ve been exploring how to play a wooden bass recorder (plus descant and alto) and have also included the ocean as an instrument… I recorded the waves/gulls on the beach where I originally wrote the song – how’s that for synergy??   it was a tricky mix I can tell you!!  The cello added some more grunt… well,  no synths in this piece!!  
That big recorder sure takes a lot of air to play it… but I love that hooty haunting sound… what do you think?  


Sing In Blue... for The Voice Of The Sea

Follow me also on Spotify🙏🏻🙏🏻
I tell my stories through my own composed (and improvised) instrumental guitar music, using a combination of acoustic guitars, sometimes supported by orchestral instruments. Some have described my music as meditative, relaxing, and introspective, with a touch of melancholia and a distinctly Spanish flair. Listen for yourself and let me know what stories my music tells you.
If you want to support my music, thank you | PayPal: stan@stanleonard.com
My music has a Creative Commons Licence, so you can use it for non-commercial purposes.

Time To Go (Act 3)

Stan Leonard

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Pamela Illanes-Tatsuoka Composer

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