New Linear Music
Code SACEM :111568208867

EPHEMERAL TIMES

so far,so high - romain deschamps - septembre 2025

2025 Derrok's message: "Thanks a lot for visiting this old gem, there's a new album coming this year and I would love to have you on board. Please stay tuned on my socials:
Instagram: https://www.instagram.com/derrok/
Record label: https://soundcloud.com/quintofuego

Love you"

Dedicado a Mía.

AVISO PARA DJs: Este track está en 3/4, por lo tanto le creé una entrada y salida en 4/4 para el que quiera mezclarlo.
DJs ADVICE: This is a 3/4 track, so I created a 4/4 entry and outro for mixing.

Share it for Mía. :)
Compartánlo por Mía. :D

DL: https://www.dropbox.com/s/n5r69lnnp5y6al8/Derrok%20-%20Larva%20De%20Araucaria%20%28Para%20M%C3%ADa%29.mp3?dl=0

https://www.facebook.com/derrokoficial

Larva de araucaria

Derrok - Larva De Araucaria (Para Mía)

 released @serafinaudio

"Healing doesn't mean the Damage never existed. It means it no longer controls our Lifes."

Native Speaking


Buy on Bandcamp

Native (out now on Serafin Audio)

Organismo é o segundo EP do projeto Atimos, de Pierluigi Papaiz, seguinte ao EP Trindade. 
Átimo é a menor fração de tempo que pode ser vivida. Uma partícula indivisível do momento, de forma que não se reparte mais. 
O projeto Atimos foi criado a partir dessa ideia, com base e vontade de reproduzir experiências até o ponto que sejam puramente essência, ínfima. 

https://soundcloud.com/atimos

Atimos - Organismo (Tropical Twista Records - 2016)

Atimos - Organismo

Free Download

02 - Atimos - Organismo

Reversed strings and low-pitched drums oppose a rolling baseline and sharp percussions, only to get elevated into perfect harmony through addition of the dreamiest of melodies.

Digital Release: 26. February 2018

Vinyl Release: 01. June 2018

Preorder Vinyl

B1 - JAJA - Illmani (Original Mix) [TAL004]

He’s been around. Having already an active involvement with electronic music and beyond managing his own label Karakter Records (@karakter-records) or playing in all corners of Europe, the Portuguese Amsterdam-based DJ and music producer Pedro Martins (@pedro-martins-music) has released previous works on labels such Areal, Submarine Vibes & Blankhaus; tracks which represents different faces of his musical apprenticeship. But after taking two years off from production, he returns with refreshed ideas and insights channeled into his brand new EP entitled ‘Kerala’, featuring the clarinetist Martin Grozdanoski.

In point of fact, this work is the first in a series of four ‘chapters’, from whence the original idea was to create an epic sonic from India to Portugal via Morocco. This is due, mainly, to the huge amount of material collected when Martin came to play the clarinet in Pedro’s studio early this year. Together, they realized that to juggle things around it would be better to approach the recordings in sequential EP’s, therefore, taking full advantage of the whole material which has been recorded. At this very moment, Casa Caos proudly releases the beginning of this saga.

Bathed by the Arabian Sea in the extreme southwest of India, Kerala is one of the 28 states of the country, well-known for its coconut palm-lined coasts, a lethargic ensemble of backwaters, stately houseboats and tea-covered hills. Under this laid-back scenario, they put together an intense tropical soundscape blended in quite mysterious timbres and melodies. Pedro played the djembe & congas while the theme in the clarinet was heavenly leaded by Mr. Grozdanoski. 

Despite many instances in which they’ve exploited the composition, there is a continual tenseness curving around, which nicely contrasts with the receptive atmosphere between wind instruments and reverberating elements. To complete the package for an all-around downtempo experience the EP includes a trustworthy multi-layered remix by the ancestral futuristic Portuguese producer BirdZzie (@birdzzie).

Short but not forgettable, sounding warm and intimate, the creative spirit is clearly heard throughout ‘Kerala EP’. And as a result, each listening holds a new discovery on this tropical symphony. Even if the sequencing still has to be tabled, this first of four chapters certainly provides an assertive starting point.

Artwork: Peter Witt 
www.facebook.com/peter.witt.33 

Music: Pedro Martins feat. Martin Grozdanoski. 
soundcloud.com/pedro-martins-music 

Masters: André Torres @ RD Stúdio, Brazil 
www.facebook.com/andre.luis.18294053

free_download

Pedro Martins feat. Martin Grozdanoski — Kerala (Birdzzie Remix)

My interpretation of https://soundcloud.com/nillocr fantastic track.

https://nillo.bandcamp.com/album/nacimiento-de-los-diablitos

Artwork: Mostros (facebook.com/mostrosinside)

Sample: flute, seashell & vocal extracts from traditional "danza de nacimiento los diablitos" from the Boruca tribe // Costa Rica

The traditional dance is a representation of the colonization days where the Spanish conquerors (represented with bulls masks) chase the indigenous who wears the handcrafted devil masks.

The day before the celebration, at midnight, bombs are thrown into the air announcing the birth, that is, the birth of the little devils. These begin their journey in the hill Brugrá, in Boruca, or in the hill of King Curré, according to the town where the festival takes place. The little devils sing a traditional song called saloma and they sound snails of cambute and horns, after which they pass from house to house, where they are greeted with chicha and meals, while they continue to sing and dance intertwined with their arms to the rhythm of the music.

The morning of the celebration, the bull appears, whose objective is to kill the little devils. They face him led by the Elder Devil, in three contests throughout the day, during the three days of the celebration. These contests are trips around the community: the bull attacks the devils to throw them to the ground, where they can even break the mask. On the part of the little devils, the essential idea of ​​the game is to face the bull and provoke it. Finally, the bull defeats and kills the little devils, symbol of the Spanish victory during the conquest. The last to fall is always the Greater Devil, who represents the cacique. All the little devils are lying on the ground, an act that is known as the Tomb, which takes place on the last day of the party. After this, the bull flees and takes refuge in the mountain, after which, the Greater Devil sounds a snail and returns the life to the devils (in what is known as the Diabla), who go out to look for the bull. When he is finally found, he appears dressed in leaves and branches, and furiously tries to kill the little devils again. They defeat the bull and sacrifice it in a bonfire. The death of the bull is repeated several times throughout the day. The "corpse" of the burning bull is paraded by the community, and its pieces are sold or given symbolically to the attendees, representing their flesh, while the chicha represents their blood. Finally, his remains are burned in a bonfire, and a great party is celebrated celebrating the victory of the little devils over the bull.

<a href='https://theartistunion.com/tracks/0582bb'>Download for free on The Artist Union</a>

Nacimiento de los Diablitos

NILLO - Nacimiento de los Diablitos (Da Iguana Remix)

@da-iguana
https://www.facebook.com/DaIguana
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Beatport: https://beatport.com/release/caribestial---random-collective-records/2443356
Spotify: https://open.spotify.com/album/0zTyr4PAQkTiJIANBE4xcx

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Da Iguana is both urban and organic. Instrumentalist ever since he was a kid, Da Iguana has explored many styles until Hip Hop and its instrumentals invaded his life for good and gave him that passion for loops and samples. 
Da Iguana fell for electronic music 4 years ago, revisiting the way he composed and mixed, adding a dosis of his other passion: travelling. From 60 to 140 bpm, from jungle to desert, from ethnic grooves to electronic loops... 

This EP moves between lightness and darkness, gathering Da Iguana’s sonic memories from the jungle & its wildlife (Corcovado), Cuban vibes, Caribbean tropical storms and his encounter with the Surinamese community in Amsterdam… 

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Da Iguana es tanto urbano como orgánico. Instrumentalista desde pequeño, Da Iguana ha explorado muchos estilos hasta que el Hip Hop y sus instrumentos invadieron su vida para siempre y le dieron esa pasión por los loops y los samples.
Da Iguana se enamoró de la música electrónica hace 4 años, lo que cambió la forma en la que componía y mezclaba, agregando una dosis de su otra pasión: viajar. De 60 a 140 bpm, de la jungla al desierto, desde ritmos étnicos hasta loops electrónicos ...

Este EP se mueve entre claridad y oscuridad, reuniendo los recuerdos sonoros de Da Iguana de la selva y su vida silvestre (Corcovado), las vibraciones cubanas, las tormentas tropicales del Caribe y su encuentro con la comunidad de Surinam en Ámsterdam ...

Vamos!

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Master: Nathan Hall
Artwork: Möstros (www.instagram.com/mostrosinside)

Da Iguana - El Jaguar Caza Feat. Sāgarā (Original Mix)

Here is new EP @ our label, coming from AGVA, including remix from Aleceo, (Russia)
This is what happens when Russian folklore with the soul meets the dance of Baghdad & downtempo electronic music. Result is beautiful music which makes you wanna move smoothly. And it's not surprising because AGVA is the face of Sergi Kampanella, not only talented musician multi instrumentalist, but also advanced yogi and teacher. 
We are happy for our new musical friendship. <3

Bandcamp

AGVA - Crossing A Bridge (Aleceo Remix)

Chacaltaya (Mollo language for "bridge of winds" or "winds meeting point", Aymara for "cold road") is a mountain in the Cordillera Real, one of the mountain ranges of the Cordillera Oriental, itself a range of the Bolivian Andes. Its elevation is 5,421 meters (17,785 ft). Chacaltaya's glacier — which was as old as 18,000 years — had an area of 0.22 km2 (0.085 sq mi) in 1940, which had been reduced to 0.01 km2 (0.0039 sq mi) in 2007 and was completely gone by 2009. Half of the meltdown, as measured by volume, took place before 1980. The final meltdown after 1980, due to missing precipitation and the warm phase of El Niño, resulted in the glacier's disappearance in 2009. The glacier was formerly one of the highest in South America, located about 30 kilometers (19 mi) from La Paz, near Huayna Potosí mountain.

https://soundcloud.com/udasa
https://garasadahrecords.bandcamp.com
https://www.beatport.com/search?q=Garasadah+Records
https://soundcloud.com/garasadahrecords
https://www.facebook.com/Garasadah-Records-1229727910467600/
https://www.hilfefuernepal.org/

Udāsa - Chacaltaya (nan Remix)

David Darling - Stones Start Spinning (Moontide Edit)

Harmonic Field weaver and Sonic Alchemist dedicated to creating transformative sonic experiences that elevate consciousness and promote coherence & remembrance.

Ki
 • Echoes “Qi” or “Chi”—life force, prana, scalar breath.
 • In Japanese, “Ki” represents energy or spirit.
 • It also reflects a vertical axis (Y-prime in Codex geometry)—the implosive feminine vector of reception, presence, and coherence.

Thus, “Ki” encodes the field of life energy, the vertical harmonic that receives and anchors cosmic breath into form.
 
One part of ALUNA @alunaritualmusic

Curator for the Medicine Music Label  NUMA (www.soundcloud.com/numamusica)

Teacher for Sonic Alchemy & Sound Healing with Ableton Live
www.harmonic-resonance.com


Releases on:
@numamusica
@ki-records
@serafinaudio
@monada-project
@casacaos
@drosssel
@frentebolivarista 
@akumandra 
@wonderwheel-recordings 
@resuenomusic 
@cosmic-awakenings 
@deepbalirecords  
@akasharecordsmx 
@echoesfromvenus
@hugrecords
@baikalnomads

Native (out now on Serafin Audio)

Steffen Ki