@Knobs-1 's music label.
Moths are creatures of the night, creatures that go
through metamorphosis to become complete and unique 
individuals.
We will go through metamorphosis in sound moving forwards and 
seeking perfection through each artists individuality. 
We are creatures of the night, creatures that do not stumble in the dark but embrace it.
We believe in sound as being an art as well as a physical 
presence in nature, being alive sound is nature at its best, 
Moth Records.

j peter schwalm, born 1970, founded the experimental jazz band slop shop in 1993 before establishing the record label poets club records whose releases include slop shop "makrodelia I", "makrodelia II" and "interpretations" including remixes by jimi tenor, sensorama and brian eno. other recordings include "music for onmyio-ji" together with brian eno (jvc japan, 2000) and "musikain" (musikain records, 2006). peter has enjoyed a long collaboration with the producer brian eno. their many projects together include performances of peter&#180;s former project "slop shop" (also with holger czukay) in bonn, germany, 1998; the album "drawn from life" (virgin uk/astralwerks usa, 2001); a sound installation, 4D music, in the crater of a volcano in lanzarote, (2001); the soundtrack for nicholas winding refn&#180;s film noir "fear x" (2003); and two tracks for brian eno&#180;s new album "another day on earth" (2005). other work includes original music for: "the disneykiller" (state theatre, darmstadt 1995); the ballet "impaired ground" (state theatre, stuttgart,1999); "don&#180;t look now" (lyric hammersmith/sheffield theatres 2007) and numerous television documentaries (arte/spanish/catalan tv). he has toured extensively in portugal, spain, italy and japan and recently completed a remix of "tristan and isolde" by richard wagner (gateway4music, 2006). peter is also a guest lecturer at guildhall school of music and drama. ------- brian eno about playing with j. peter schwalm: when we first played, it was an immediately comfortable and synthetic playing relationship. My biggest problem with improvising with people generally is that they retreat into a safe place too quickly for me, and he didn't do that. Sometimes we would get into rather a strange musical place, some emotion that hadn't really been felt before. -------brian eno about j. peter schwalm&#180;s music: "sometimes you hear something and think: "now this is how the modern world feels to me". peter's music is like that, capturing excitement and speed and ambiguity and even wistfulness and melancholy ...a complex emotional palette which feels to me like real life." ..

Greta Aagre / Erik Honoré's web single "Shelter from the Storm" (April 2013), 2 live tracks from Punkt 2012, and 2 tracks from the album ”Year of the Bullet” (Jazzland Recordings 2012). 

Greta Aagre: vocals, samples
Erik Honoré: samples, various instruments

Guest performers: Bjørn Charles Dreyer (guitars), Arve Henriksen (trumpet), Dai Fujikura (string samples), Jan Bang (samples), Jørgen Rief (guitars), Tom Rudi Torjussen (drums). 

"Year of the Bullet" cover designed by Chris Bigg, with photography by Luís Filipe Cunha. 

Shelter from the Storm
Music and lyrics: Erik Honoré

Year of the Bullet
Music and lyrics: Erik Honoré

Before Betrayal
Music: Almedal/Leh/Honoré
Lyrics: Honoré

Birth Mark
Music: Honoré / Aagre. Lyrics: Honoré

Strangeness
Music and lyrics: Honoré



CONTACTS: music@dadubstudio.com

Dadub is a project formed by Daniele Antezza and Marco Donnarumma, dedicated to combine Sound Design and Audio Engineering Experimentation with the aesthetic and musical heritage of Bass Music, Voodoo, Ancient Alien Rituals, Chaos Magick.

After several years of collaboration with the groundbreaking label Stroboscopic Artefacts – whose aesthetics and musical output they profoundly infuenced, Dadub reached a peak in 2013 with the release of the Debut Album “You Are Eternity”, whose critical and audience acclaim brought the duo to perform in festivals and clubs worldwide.

After some years of silence and countless hours experimenting with new dub techniques inspired by obscure science fiction material and the physical force of low frequencies, Daniele and Marco have been evolving the signature Dadub sound into a new auditive universe.

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

Why Steintiger:

“General Li Kuang was once known as a mighty warrior. When his mother was devoured by a tiger he shot an arrow at a stone that he believed was the tiger. The arrow penetrated the stone all the way up to its feathers. When the General realized that it was only a stone that he had shot at, he was unable to pierce it again. Later he came to came to be known as General Stone Tiger.”

management:  ceciliacaliari@gmail.com  
booking:  bookingsteintiger@gmail.com
info: 
steintigersound@gmail.com

Økapi is Filippo Paolini, an Italian turntablist and sample cutup artist. Filippo has recorded several solo albums, as well as recording in the duo Metaxu and with the trio Dogon. He has performed live for national Italian State radio broadcasts (RAI) with renowned avant-turntablist, Christian Marclay and collaborates with numerous international artists such as Mike Cooper, Peter Brotzmann, Mike Patton, Matt Gustafson, Zu, Damo Suzuki, Andy EX, Kawabata Makoto, Metamkine…
            ØKapi's album releases illustrate his unique and edgy use of turntables and computer beyond the hip-hop school of chopped up music, creating music that veers from orchestral to lounge with quirky experimental electronics that maintain a delicate and spacious sound throughout.

            His amazing skills at sample mixing are simply outstanding and during Okapi live sets he mixes: techno/broken beat/electro-/8-bit with melodies from Klezmer, polka, children's music, idiot pop and hawaiian classics to name but a few.....

Økapi shop/download:
http://slappress.bandcamp.com

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            The Økapi is a mammal which was only discovered in 1901 by an acousmatic engineer. It lives wild in the forest of the Itur Region in Upper Zaire. It was named the Okapia Johnstoni and it also commonly known as the "Daft Giraffe of the Forest". One of its strangest characteristics is that it is the only known mammal to wash out its own ears with its tongue: just to catch the weird melodies of nature! He adores those ferocious and vindictive chants that make him sway like ... and he fights relentlessly for the domination and hegemony of incorrect and unlistenable music. He hates talking about music and certain music purists of the Forest are definitely not his friends! In recent years he has played for Dogon tribal rituals and for those more intimate Metaxu deliriums, but he is   considered a solitary mammal and consequently has only published one anthem to protophony for a small label of the American prairies.

Steintiger is following