An eclectic mix of polyrhythmic electronic music. Filling the spaces in our world with leftfield sample-rich excursions. An album that aims to surprise, move and invoke a sense of anemoia. "Full Spaces" includes international contributions from unexpected sources melding sounds and words to create a beat-driven journey into the familiar and new.

Sheffield producer Audus returns with another epicurean eclectic mix of life.

So It Goes

Welcome to the official Muff Dada SoundCloud page.

Relax and chill to the soothing sounds of Muff Dada music.From cinematic hip-hop to dark trip-hop, every track leaves you with a haunting feeling of deja vu - something you should remember vividly, but the memory eludes you. 
Muff Dada is an Athens-based musician and artist born in 1980. He is passionate about synth sounds, mellow guitars and drum machines…Always giving you a touch of his soul…a sublime, mind-altering venture somewhere between dreams and reality. 

Latest album “Entropy” out now via NOWHERE TO GO records.

https://linktr.ee/audus

Continuing the misspelt cacophony of absurdity

Music has always been in my life, playing guitar in the school music room to headlining the Leadmill.

To solo sets at some of the biggest clubs in the ’90s.
I maintain my creative sanity by composing in my back-room studio, collaborating and remixing.

With age and a little arrogance, it’s time to share my music with a wider audience, instead of just my long-suffering friends

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

Hidden away in the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the quiet strangeness of the everyday. Acoustic warmth, blues-stained guitars, jazz-streaked piano, and dreamlike textures fold into each other, creating music that drifts between clarity and haze.

His track In Parks Of Tall Trees found its way to Tom Robinson’s BBC 6 Music Introducing Mixtape, a small ripple in what has become a steady tide of restless ideas. From first picking up a guitar in the late 90s and stumbling through those formative songs in the early 2000s - many of which later resurfaced on Apprentice Green - flakebelly’s path has been one of constant diversion and reinvention. The early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in the pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Now comes The Boy In The Diving Bell - out now - a 17-track reckoning with past ghosts, unfinished business, and the fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human.

The Boy In The Diving Bell is only the beginning - the first of three interconnected albums, the demos for which are already written. Yet even as that arc unfolds, flakebelly has begun detouring into a very different landscape: a new project built from vinyl samples, drum loops, and dirty guitars driven through vintage outboard gear, cassette recorders, and battered mixers. It is dark, abrasive, and deliberately uncomfortable - sound pushed to the point of collapse, distorted tape glued together with transformer saturation, live mixes through old delay units, dials twisted until frequencies scream. If The Diving Bell trilogy is haunted by memory, this parallel work dives into raw sound destruction and the strange beauty of degradation.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio. The result is music that feels lived-in and handmade - always shifting, never fixed, and forever searching for new shapes in the sound.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

So It Goes

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