Danor Quinteros plays "Pecadillo" by composer Marcos Stuardo.
Newnham College, Cambridge.
19/January/2017
Find out more about award-winning pianist Danor Quinteros here: https://www.leaf-music.ca/product/danor-quinteros/
Watch Danor playing this piece on YouTube here: https://www.youtube.com/watch?v=wLeq-RXtsHM

Pecadillo, for piano

Musician, Producer, Filmmaker;
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zimteemo.eth
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I conjure sound, experiment with vision and work at Zim + Teemo (Animation Studio) as Creative Producer and everything audio.
Open for score and remix commissions, possibly collaborations;
Serious inquiries only.

***All audio should be heard on high quality speakers or headphones for best results.***

For clarity between projects, collabs, and bands;
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posts will be labeled as such when necessary.

Each track has additional artistic and technical information, easter eggs, and links to associated videos, collaborators, etc. in its description. I try to keep an interesting and curated feed; I repost when/where things fit.

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Dr Marcos Stuardo is a Chilean/British composer based in Amsterdam, Netherlands. He obtained his 'Licenciatura en Composición' (Bachelor in Composition) with the Highest Distinction at Universidad de Chile under the tutelage of Professor Andrés Maupoint. He received his PhD in music at King's College London under the supervision of Prof Silvina Milstein.
Follow him on Twitter: @MarcosStuardito
Send an email: marcos.stuardo@post.cz

Ingeniero de grabación, balance y mastering, especializado en el registro de música clásica en formatos de alta resolución DSD y HiRes en grandes recintos.

Historia

En sus inicios como músico en la Orquesta Sinfónica Nacional Juvenil y en el Teatro Municipal de Santiago, fue desarrollando un especial interés por el sonido y el fenómeno acústico, particularmente la grabación, lo que lo llevó a estudiar la carrera de Ingeniería en Sonido después de titularse como Intérprete en Percusión, con el afán de unir ambas profesiones a modo de “tonmeister”, combinando experiencias, habilidades y conocimientos para vincular el arte y la tecnología al servicio de la música. En paralelo fue ganando experiencia al mantenerse activo como músico freelance mientras ponía en práctica el arte y oficio de la grabación.

Desde su experiencia ha podido constatar que el desarrollo discográfico de la música clásica en Chile ha estado siempre marcado por un enfoque técnico arraigado en la producción de música popular (uso de muchos micrófonos cerca de la fuente, grabación multipista, acústica de estudio acondicionada para la música popular, edición digital multipista, etc), y si bien los equipos, técnicas y conocimientos necesarios para grabar música popular y música clásica tienen la misma raíz, esta última necesita otro enfoque y el desarrollo de sus propias técnicas y métodos.

Filosofía

La búsqueda de un camino mas específico para abordar la grabación de música clásica es uno de los grandes desafíos que lo motivan, persiguiendo en cada proyecto realizar grabaciones que capturen el máximo nivel de detalle, amplitud, potencia y delicadeza, ya sea una interpretación solista, música de cámara o grandes orquestas.

Para acercarse a este ideal adoptó una filosofía minimalista y exigente en cuanto al sistema de grabación, utilizando solo los mejores micrófonos y la cadena de equipos mas corta posible, grabando audio de alta resolución (DSD y HiRes) directo a estéreo, y privilegiando la grabación en grandes recintos. La metodología incluye además la grabación de pasajes u obras completas manteniendo la edición al mínimo, convencido de que hay una audiencia importante para producciones con mejor sonido e interpretaciones, donde la suma de las partes puede generar una conexión emocional mucho mas profunda con la música.

Estudios

Licenciado en Artes e Intérprete Superior en Percusión de la Universidad de Chile, con más de 15 años de carrera como percusionista en distintos ensambles y orquestas, entre las que destacan la Orquesta Filarmónica del Teatro Municipal de Santiago, la Orquesta Sinfónica de Chile y la Orquesta Clásica USACH.

Ingeniero en Sonido del Instituto Profesional AIEP, con mas de 12 años de experiencia en grabación, mezcla y mastering de música popular y clásica, fundador e ingeniero del Estudio de Grabación Infrasonido e ingeniero freelance para distintos proyectos musicales.

Jefe de las carreras de Ingeniería en Sonido y Técnico en Sonido del Instituto Profesional AIEP durante 7 años, y actualmente Subdirector Académico de la misma institución.

Miembro de AES (Audio Engineering Society) desde 2014.

Paul Max Edlin's music is published by Composers Edition. 

Paul Max Edlin, 2016/2017 Composer in Residence for the London Chamber Orchestra, has a career that combines composing with higher education, artistic direction and performing.  

His works have been performed by many leading artists including Alison Balsom, Arditti Quartet, Britten Sinfonia, David Campbell, Cantus Ansambl, Dame Sarah Connolly, Dame Evelyn Glennie, Rolf Hind, Johannes Möller, London Chamber Orchestra, London Sinfonietta, Olga Pasiecznik, Psappha, Silesian Quartet, Southbank Sinfonia, Gabriella Swallow, John Wallace and The Wallace Collection and Bede Williams. 

He studied with Edwin Roxburgh, Richard Blackford and Joseph Horowitz (Royal College of Music) and Michael Finnissy (University of Sussex). He has won many prizes including Premio Internazionale Ancona, Harriet Cohen Memorial Award and United Music Publishers Prize. His music explores symbolism and often derives its inspiration from extra musical material. From the mid 80’s to mid 90’s many works were inspired by the art and architecture of South-East Asia, especially Indochina. From 2000 onward symbolism of a wider range of sources guided his music, from the chiastic structures of J.S. Bach to the writings of Gabriel García Márquez and Federico García Lorca and visual work of Frida Kahlo.

Paul Max Edlin is former Director of Music at Queen Mary University of London. He was Artistic Director of Deal Music & Arts (formerly Deal Festival) from 2004 to 2021, Sounds New (2007 to 2013), Director of International Composer Pyramid (2008-2013) and was founding Chair of the Board of Trustees of Ora Singers. He is current Executive Chair of W.E. International Music Festival, which brings eastern and western cultures together.  From 2012 to 2013 he was President of the Independent Society of Musicians (ISM), the UK's leading association for professional musicians.

I enjoy composing piano pieces. My music is recorded acoustically without any further mixing or mastering.
I'll be happy about any comment, like or follow.

I'm an Australian multi-instrumentalist, music creator, and producer

R.A. Moulds studied music at the University of Southern Mississippi.

Markku Klami's music has been described as delicate, elegant and both fragile and powerful with strong emotions. He is fascinated by the magical power music possess in affecting one’s experience of time and surroundings around themselves.

Born in Turku, Finland, Markku spent his early years singing in the boys choir of Turku Cathedral and later on around Europe on the choir’s tours abroad. Markku has composed instrumental works ranging from solos to works for orchestra with soloists and vocal works including two operas. The use of electronics is a recurring feature in his instrumental works. While being a classically trained composer at Sibelius Academy in Helsinki, Markku has a background in electronic music as well with his projects in the late 1990’s.

Markku has worked with musicians and ensembles including Timo Korhonen, Shin-ichi Fukuda, Thomas Müller-Pering, Patrik Kleemola, Lauri Sallinen, Henrik Sandås, Lucy Abrams, International Contemporary Ensemble, ensemble mise-en, Uusinta Ensemble, Avanti!, Pori Sinfonietta and conductors including Nils Schweckendiek, David Searle and Atso Almila. His music has been heard in cities from New York to Taipei and Buenos Aires to Cape Town in festivals including ISCM World New Music Days, MISE-EN FESTIVAL, Nordic Music Days, Musica nova Helsinki, Zagreb Music Biennale, Taiwan International Guitar Festival and Atlantic Music Festival.

Residing in Helsinki, Markku draws inspiration from both urban areas and nature. The arid sceneries, the vast seashores and forests serve as an important counterweight for him in our fast-paced culture.

Artist portrait of Klami is by Laura Karlin (www.lkarlin.com).