There and Back Again: Part One

The journey began at dawn, the father and daughter standing side by side, gazing at the towering mountains ahead. Snow-capped peaks stretched endlessly into the sky, their path winding through rugged trails and shadowed ravines. She clutched a satchel filled with tokens of home, while he adjusted the straps of his pack.

“Are you afraid?” he asked.

She shook her head. “No. Are you?”

He chuckled. “A little.”

Days passed in a rhythm of trudging steps and whispered stories. She marveled at soaring eagles and winding rivers below, while he spoke of distant lands—golden temples, ancient forests, markets brimming with spices. At night, they traced constellations, writing their own story in the stars.

Then, one morning, they crested the final ridge. Below them stretched a vast valley, lush and untouched, shimmering with warmth and rich with the scent of an ancient world.

Her father placed a steady hand on her shoulder. “We have arrived.”

“What do you think is waiting for us?” she asked.

He smiled. “Only what we are brave enough to find.”

They took their first steps downward. Their journey had only just begun.

There and Back Again: Part Two

The valley stretched before them, shrouded in mist, the towering cliffs behind them now silent sentinels. Gnarled trees loomed on either side, their twisted branches reaching like skeletal fingers. The air was thick with whispers, rustling through the tangled undergrowth.

The girl clutched her father’s hand. “It feels... wrong.”

He squeezed gently. “Stay close. Fear is loud, but we don’t have to listen.”

Shapes stirred in the darkness, glowing eyes flickering between the trees. Strange calls echoed through the valley. The girl pressed against him. “Are they watching us?”

“Perhaps. But watching isn’t attacking.”

The path narrowed, tangled with vines and roots. A low growl rumbled nearby. She froze.

“You are brave,” he whispered, draping his cloak around her. “Fear does not own you.”

Something scurried past. She stifled a gasp. “What if we don’t make it?”

His smile was small but warm. “We will. Together.”

They pressed on, deeper into the valley, where the darkness breathed and the unknown lay waiting.

There and Back Again: Part Three

The trail twisted through the valley, the shadows thinning as they pressed forward. Then, as they rounded a bend, the mist began to lift. The girl gasped, gripping her father’s arm.

Before them, rising beyond the clouds, stood a city of light. Spires of crystal and gold pierced the heavens, towers shimmering as if woven from the sun itself. The air was filled with music—mighty chords echoing through the valley, a choir of voices vast and powerful, swelling like a tide.

The girl’s breath hitched. “It’s beautiful…”

Her father stood silent, awestruck. The mist curled away, revealing bridges arched over flowing rivers, terraces brimming with strange and vibrant flora. Domes of silver and glass reflected the sky, and banners in unknown symbols fluttered in the wind.

“Where are we?” she asked, eyes wide.

“A place beyond dreams,” he murmured. “And we are its guests.”

They stepped forward, the weight of their journey fading as the music carried them toward the unknown.

Written by me & ChatGPT

There and back again Part 1-3

Wer hier "moderne" Musik erwartet oder gar einfordert, muss sie anderen Ortes suchen. Ich fühle mich ganz und gar der romantischen Musikausrichtung des 19. Jahrhunderts verpflichtet und versuche ihr wieder Leben einzuhauchen.
Oder auf Englisch:
I see myself in the continuation of classical traditions and try to create music in the style of romantic composers of the 19. century. So I regret to let miss any modern style or understanding of present tastes... look for them please at other places. 
Like an old saw, all is already said, but not by everyone.
Was nicht heißt, dass ich nur in der Vergangenheit umherstreife.....

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

I'm just a self-taught musician and piano player who tries to express his mind and thoughts through the black and white keys.

There is a great community here. I really enjoy listening to your music. I'm also happy when someone listens to mine :)

Music is the greatest invention of humanity, the only language that speaks to us all. It would be a shame not to share my share. Just for fun, just for mere survival of one man's mind. Thank you for listening!

My tracks describe my Bio.
See more on my social media.



For all inquires: 
✺clesio.redfox@gmail.com
✺Record Label: https://soundcloud.com/opski

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

In addition to SC - tracks available on 
Spotify: http://bit.ly/3sGsCG8
iTunes: https://apple.co/2RAe9DU
Apple Music: https://apple.co/40TPePO
Youtube Music: https://bit.ly/40Uky0W
Amazon Music: https://amzn.to/3QZhU5C

Composing using PC, Cubase Pro, Reason and various orchestral libraries among others. Focused mainly on orchestral, atmospheric, cinematic soundtrack style.

For licensing queries and commision work contact Sturle on Sturlestrausscomposer@gmail.com

There and back again Part 1-3

Sturle Strauss Lisaeth-Composer