Composed by Roberto García.

The Big Bang theory is well known to everyone, but if it expanded in time and space, who created time and space?

All of Roberto's music and much more content on www.garciabrothers.es

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The Architect of Time and Space

There and Back Again: Part One

The journey began at dawn, the father and daughter standing side by side, gazing at the towering mountains ahead. Snow-capped peaks stretched endlessly into the sky, their path winding through rugged trails and shadowed ravines. She clutched a satchel filled with tokens of home, while he adjusted the straps of his pack.

“Are you afraid?” he asked.

She shook her head. “No. Are you?”

He chuckled. “A little.”

Days passed in a rhythm of trudging steps and whispered stories. She marveled at soaring eagles and winding rivers below, while he spoke of distant lands—golden temples, ancient forests, markets brimming with spices. At night, they traced constellations, writing their own story in the stars.

Then, one morning, they crested the final ridge. Below them stretched a vast valley, lush and untouched, shimmering with warmth and rich with the scent of an ancient world.

Her father placed a steady hand on her shoulder. “We have arrived.”

“What do you think is waiting for us?” she asked.

He smiled. “Only what we are brave enough to find.”

They took their first steps downward. Their journey had only just begun.

There and Back Again: Part Two

The valley stretched before them, shrouded in mist, the towering cliffs behind them now silent sentinels. Gnarled trees loomed on either side, their twisted branches reaching like skeletal fingers. The air was thick with whispers, rustling through the tangled undergrowth.

The girl clutched her father’s hand. “It feels... wrong.”

He squeezed gently. “Stay close. Fear is loud, but we don’t have to listen.”

Shapes stirred in the darkness, glowing eyes flickering between the trees. Strange calls echoed through the valley. The girl pressed against him. “Are they watching us?”

“Perhaps. But watching isn’t attacking.”

The path narrowed, tangled with vines and roots. A low growl rumbled nearby. She froze.

“You are brave,” he whispered, draping his cloak around her. “Fear does not own you.”

Something scurried past. She stifled a gasp. “What if we don’t make it?”

His smile was small but warm. “We will. Together.”

They pressed on, deeper into the valley, where the darkness breathed and the unknown lay waiting.

There and Back Again: Part Three

The trail twisted through the valley, the shadows thinning as they pressed forward. Then, as they rounded a bend, the mist began to lift. The girl gasped, gripping her father’s arm.

Before them, rising beyond the clouds, stood a city of light. Spires of crystal and gold pierced the heavens, towers shimmering as if woven from the sun itself. The air was filled with music—mighty chords echoing through the valley, a choir of voices vast and powerful, swelling like a tide.

The girl’s breath hitched. “It’s beautiful…”

Her father stood silent, awestruck. The mist curled away, revealing bridges arched over flowing rivers, terraces brimming with strange and vibrant flora. Domes of silver and glass reflected the sky, and banners in unknown symbols fluttered in the wind.

“Where are we?” she asked, eyes wide.

“A place beyond dreams,” he murmured. “And we are its guests.”

They stepped forward, the weight of their journey fading as the music carried them toward the unknown.

Written by me & ChatGPT

There and back again Part 1-3

Far away

"The Last Dawn of Eloria" is a vibrant and emotional orchestral piece that captures the grandeur and mystery of a long-lost civilization. Driven by flowing arpeggios, dynamic harmonies, and soaring melodies, the music paints a vivid picture of a culture's final, awe-inspiring sunrise — both majestic and bittersweet. With its exotic undertones and cinematic energy, it invites listeners into a forgotten world full of wonder, pride, and farewell.

The Last Dawn of Eloria

I am hugely grateful to Stefan Kraft, an incredibly talented musician and composer, for enriching my music with his stunningly beautiful arrangement & orchestration. It has been a great honour and pleasure for me to collaborate with Stefan.

You can hear more of his wonderful music here: @stefankraft_music.

Thank you very much for listening —  we do hope you will enjoy this piece!

Credits:

Piano: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft


The video made by Stefan for our music is available via the following link:

https://youtu.be/BFBwKQEJkTY

All (Ft. Stefan Kraft)

Melancholy Dream

100 - Ending Theme Part II

JUNE (composer/performer)

The Dwarves of Iron Mountain

Seesaw

Sing in Blue  for the Voice of the Sea….    

Like a bird on the road, that has flown too far
feathers stiff, stuck in the gun-metal tar
like a ship out to sea where the people have fled
leaving food warm and waiting, words left to be said

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

There are faces there dreaming, just beyond reach
voices crooning in golden on a dream-shadow beach
It’s a calling, a drawing, it’s a pink spiral shell
whisper ocean, I hear you in a far away bell

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

Draw in deeper my darling, draw in wild, draw in wet
for there’s things here a-thriving, that you’ve tried to forget
And they watch as you pass, your body moves by
The yellow-head gannet slides clean through the sky
to the belly of sea and the beat of the sun
running faster we dance as the water colours run..

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

This is essentially an acoustic track – I was in a bit of a ‘dark celtic’ mode and I’ve been exploring how to play a wooden bass recorder (plus descant and alto) and have also included the ocean as an instrument… I recorded the waves/gulls on the beach where I originally wrote the song – how’s that for synergy??   it was a tricky mix I can tell you!!  The cello added some more grunt… well,  no synths in this piece!!  
That big recorder sure takes a lot of air to play it… but I love that hooty haunting sound… what do you think?  


Sing In Blue... for The Voice Of The Sea

In addition to SC - tracks available on 
Spotify: http://bit.ly/3sGsCG8
iTunes: https://apple.co/2RAe9DU
Apple Music: https://apple.co/40TPePO
Youtube Music: https://bit.ly/40Uky0W
Amazon Music: https://amzn.to/3QZhU5C

Composing using PC, Cubase Pro, Reason and various orchestral libraries among others. Focused mainly on orchestral, atmospheric, cinematic soundtrack style.

For licensing queries and commision work contact Sturle on Sturlestrausscomposer@gmail.com

There and back again Part 1-3

Sturle Strauss Lisaeth-Composer