Electronic MUSIC from heart <3

ॐ OPEN FOR OUTDOORS! ॐ

SubConsciousMind started making music in 1997, with no musical or technical experience and having no one to ask, he started to teach himself everything he needed to know by simply tweaking till it sounded like music. Since then he has released many albums and carefully developed his own edgy and characteristic style.

His music is unique, not only in its style but also in its intensity. From the first tone it takes the listener onto an unpredictable trip into an inner world, where moods, emotions and pictures melt into a colorful and complex artwork. Each song is a story with several movements and when a musical journey is over, the listener may suddenly awake in a different state.. shaked, touched and definitly a little more "complete". 

All his albums are available to download for free on his website.

As for the style: SubConsciousMind doesn't like the categorisation of music by styles. His opinion is, that music should be categorized by its effect not by its style. Nevertheless this much about style: scm's music has predominantly electronic roots and is very melodic. As for the effect: It is hypnotic, it may make you want to dance, it expresses genuine emotion, it leads into an inner world. Some people like it to dance, others just to sit and dream.

With my own producions i am close to Goatrance and sometimes classic Early-Trance ('90-'95). Each new track i made tells a new story. I try to compose memorable melodies, find new sounds, create a unique atmosphere. I dont use samples. All is made with hard- and software, Analog and digital synthesizers and drum computers. :)

As a DJ i played at many parties and festivals: Odyssee, Freqs, Antaris, Frühlingszaubertraum, many small parties in Berlin, some parties in Belgium, Hamburg, NRW and so on. In the past i was very focused on more hart and agressive Goatrance. Nowadays i am more open minded for different styles like Trance, Breaks and Techno as long as they are hypnotic melodic, psychedelic and/or experimental. Combine this with Goatrance its very exciting for me.

Since their first release in 2009, the Ukrainian duo Woo York has
evolved from underground origins, honing their craft with
performances in iconic clubs like Tresor and Berghain, to become an
internationally recognized globally in-demand artists who made it to
the prestigious “TOP 40 Live Acts” on Resident Advisor.
Setting themselves apart from conventional DJs, Woo York takes to
the stage armed with synthesizers and drum machines, delivering
authentic performances fueled exclusively by their own productions.
Their music pushes the boundaries of techno by seamlessly weaving
captivating trance melodies with the infectious signature groove,
crafting a sound that is unmistakably their own.
Woo York’s journey from the underground scene to the forefront of
the industry was marked by exclusive vinyl releases on highly
respected labels ranging from niche stalwarts like Soma, Semantica,
and Dystopian to the most renowned and celebrated imprints like
Afterlife, Innervisions, and Drumcode. Within these diverse
landscapes, they unveiled a multitude of successful EPs, singles, and
their debut full-length album “Chasing the Dream”, released on
Afterlife - a groundbreaking achievement that soared to the 1st place
of Beatport's release chart, securing the number one position and
solidifying their legacy as trailblazers of an era when melodic techno
was yet to be defined as a genre.

Deep in the heart of the forest, a lonely house rests hidden away from sight. Its neglected state might make it seem as though it were abandoned, but it is home to an old man and a jack-in-the-box. This toy, tattered by age, was once animated by magic, and is now a living companion to the man whom people call “the coin spinner.”

Every night, without fail, a girl wanders to the depths of the forest to visit. Tonight as she approaches the old house, its broken roof illuminated blue by the light of the full moon; she felt as she always did, as if it were from a dream. It seems so close but also so far. As always, the door was left unlocked for her, and as she slowly opens it, a loud creak breaks the silence.

Upon hearing the sound, Jester jumps out of his box and hurries to the door to welcome her. The old man remains at the table spinning his coins, completely entranced by the spinning motion and oblivious to the girl in the doorway. She picks up the little jester toy and embraces it, while closing the door. Walking towards his cube, a barely audible lullaby escapes her lips. She lowers him gently down into the box and coaxes him to sleep with her soft voice. Then, she looks up at the old man and silently watches him as he spins his coins over and over.

Tonight, she suddenly asks him, “What are you looking for, old man?” His hypnotic stare breaks, and his eyes roll towards the girl. “The Truth,” he mumbles in a low voice. “Do you seek it too, little princess?” She shrugs. Looking up through a hole in the roof her big, green eyes gaze up at the bright, blue moon. “Are the moon people still watching us?” The man spins his coin again and waits for it to fall onto one of its sides. The jester, apparently still awake, calls “Heads,” and indeed it is as he said. The coin spinner smiles. “Sorry princess, no tales for you tonight!”

As he starts spinning his coin again, a tear rolls down the girl’s cheek. “Could you please continue the story about the triplets?” she asks with a jittery voice. He heaves a deep sigh and replies, “Oh… Alright.” To his right two books lay on the table and picks up one, blowing off the dust, revealing an elegantly engraved title: “the little match sister” in gold lettering.

He opens the book, and thus the story continues…

Nyanpasu🖐

SIDE PROJECT ! : 
https://soundcloud.com/ailinproject
https://soundcloud.com/illumiexperience

In the fall of 2004 the Yata-Garasu project was born from the mind of Paul Hoeylaerts from a little village in Belgium called Olen. 

The reason why I started producing my own music is because I felt like there was something missing from our music scene.
Back in the 2003/2004 days & start of the real Darkpsy scene, I always wanted to hear something... different, something that I couldn't find & hasn't been done before. 

So I took inspirations from all kinds of music, from Sigur Ros, Boards of Canada, Air, Aphex Twin, to Paolo Conte, Franco Battiato, Amadeo Minghi, to Chopin, Handel, Bach, Stravinsky, to a couple of my favorite psytrance producers from back in the days like Penta, Dark Soho & Cosma.
And last but not least, I always took the most inspirations from Anime & Anime music. 

I decided to combine my real knowledge of music, atmospheres & sounds and create my own 2 sub-genres 
EmotionPsy/Core & AnimePsy/Core.
And as the pioneer for PsyCore.
I can say proudly that there isn't a single artist that sounds like me, that makes what I make.
Originality is key, and this is important to me.
To never sell out
To never do what others want you to do
To do your own thing
To stay original
Keep it real 100% of the way. 

Always remember to : 
Open your mind, Close your eyes, Press play & fly away. 

Keep it real
STAY ORIGINAL.
That's how you'll build a legacy.
This is how listeners will immediately know it's you! 

I care about MY art.
Furthermore, I care about True art.
Nyanpas 👋 
--
Yata-Garasu Signed/released on these labels since 2004 :
-terpsichora records (owner)
-horrordelic records (vice president) (albums) (compiler)
-darknox records 
-sonic tantra records
-Psychoscillation Records 
-quantum digits records (album)
-jellyfish frequency records
-skitzophrenik lifeform records (vice president) (compiler)(ep)
-hippyflip records (album)
-H.S.S records
-warromaja records (compiler)
-the dark circle (crew)
-I.C.C records
-luminati records
-popol vuh records (ep)
-A.R.W records
-hellchedelic records
-apuruami records
-biomechanix records
-brain collapse records
-anomalistic records
-mind expansion music
-black magic records
-twisted mind records
-bloodsuck records
-scared evil records
-rootwork records
-shamanicaros records
-Shaman electro records
-sacred sound
-spacefriends Records
-plasmashere productions
-Horsepower Productions (album)
-voodoohoodoo records
-galactic crew
-draweedian records
-Zen-o-void Records
-paradelika records
-unwashed records
-black out records
-shamanism records (album)
-nocturne noises records
-absolute shit records
-infernal family crew
-samana records
-rudra mantra records
-dark mystery tribe
-discordia crew
-badgers records
-mighty vibrations records
-Asterseed Record
-metacortex records (ep)
-triplag music
-phrnetic tales records
-trisulam tribe
-Santo grau records (ep)
-Manic Dragon records
-Xibalba records (album)(ep)(compiler)

Emotionpsy/core, Animepsy/core & Psycore founder 'Anno 2004' <3
Nyanpas ^_^

Basilisk is a veteran multi-genre DJ, co-founder of the psychedelic techno label @Techgnosis-Records alongside @benramamusic, founder of the iconic @Ektoplazm free music portal and label group (including Ektoplazm, Drumlore, and Omnitropic), lossless audio enthusiast, and dedicated archivist and electronic music curator. Originally hailing from Toronto, Canada, he is now based in Taipei, Taiwan.

Psytrance, techno, electro, house, trance, acid, breaks, bass, IDM, ambient—you name it, I probably spin it. My mixes fluidly combine different genres into harmonic journeys that defy convention. I encourage you to browse around and get lost in some of the many sonic microcosms I have meticulously curated over the years. Nearly all mixes posted here are available for download on my homepage.

I am open to invitations to provide guest mixes in a variety of styles as long as the details are interesting. Drop me a line if you have more reach than I do, just be sure to articulate your concept!

Properly mastered promos are welcome. Also accepting professional demos for my work with Ektoplazm and Techgnosis.

For bookings, demos, and other inquiries, email me at: basilisk(at)ektoplazm.com

Ghora is no longer on Soundcloud
come to bandcamp.com & hearthis.at

I started writing music in trackers on 8-bit Atari in early 90s, then continued on 16-bit Amiga and PC - funk, techno, trance - in late 90's and had a break from it for almost 18 years. 

Now I'm back, learning the new, overwhelming world of modern DAWs: synthesis, sound design, MIDI, VSTs :)

got into electronic dance music in the late 80s doing the full rave experience 4.4 hardcore,techno,house,hard house,garage,nuenergy.
then i went to a future productions party (enlightenment) boom i found my scratch psycadelic trance.
as a dancer and psycadelic explora/
got very involved making free party's in the arches(Brighton) ovingdeen,warehouses, squats, ash-down forest and finally my own back yard.
had to leave went to India varshish ware i connected with the fins and started the standing wave project making party's in manarli,kesharl,shnarg,varshish,rajestarn,bombay,goa and copang gang.
thought a twist of life went to Israel in 97 and started psycotropiccarmel making hit and run party's in the forest up until 2006 (never busted)/
specialised in trance weddings(only in Israel?)
helped to release new artists like insect sun,dark soho,atain(injection,dna).
inspireing others like ultravoice,star x .
now after a 4 year break ive got new ears (432hz) to break the 440hz demon and bringing some fresh ideas to the scene to help our evolving conciousness
big love.
ps.ime a dancer dj so i only play trance to dance to.
we now have a page on Facebook ware we are advancing ideas on the free use of sound to create a new dawn new tunings and 432hz healing join us in the army of fun 432hz


http://www.boomfestival.org
Boom sees itself as amplifier and a converter of concepts and we take that responsibility dearly in every single step we plan. Within this vast “ocean” of consciousness Boom is a lighthouse of sanity, ethic responsibility and a building block for the future to come. 

SubConsciousMind is following