it has always been there, you just have to discover it.
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L.I.E.S. RECORDS
APRON RECORDS

Bookings: beatobooking@gmail.com

WE DONT CHECK MESSAGES HERE!

BOOKINGS: infoATglobaldarknessDOTcom

We R here

R-Zone. Who is involved isn't exactly a secret, those who feel so inclined can piece the information together quite easily. It is however irrelevant to the concept of R-Zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs; in the lap of the music.

The sounds exhibited across each track are fresh offerings that combine brightly coloured synths, swirling pads and non-standard beats into captivating and kaleidoscopic soundscapes that constantly evolve from start to finish. A cosmic, intergalactical energy pervades each release, transporting you to a world far away from here. The rest of the tell can be told by R-Zone themselves:

“Have you ever stood in a traffic jam in the middle of nowhere with complete strangers desperately looking for a party that may or may not exist? Have you ever wandered around a bombed out illegal warehouse rave at X in the morning on an E come-down? Have you ever stood in limbo between the click of a strobe or between the shards of a dense orange haze that emanates from a fog machine? Floating away on never ending waves of music and substance induced - we may as well call it - LOVE? Where for one brief moment it didn't matter who you are and what you do and how you look or how many scene-points you have? If so then you will remember the R-Zone as a shadowy place that never fully exists yet is always waiting. “

“In the whip of a snare, the beat of a kick, the wail of a string or the rush of an arpeggio, in those heart pounding moments of anticipation and in the glorious release of a drop. And then, as those frozen moments echo out and fade into a corner of space-time where nothing seems quite real, you descend among your peers, feeling somehow richer and more enlightened - as if you have been touched by something. You know it can make the world seem an empty place, a barren wasteland devoid of endorphins, where neurotransmitters merely twinkle but never shine. Just remember you are not alone. Others have entered the R-Zone with you and together we may embrace its infinity - as we enter into a new age.”

@Wilson-Records head honcho Fabio Monesi has quickly carved out a solid reputation through a unique, ruff-n-ready sound that land somewhere between vintage, dusty Chicago house and analogue-driven hardware techno.

Most of his releases have landed on his own Wilson Records, a vinyl only imprint that has also housed records from Chicago pioneers Gene Hunt and Jordan Fields, as well as a few select important releases on labels that share his aesthetic like L.I.E.S. , Craigie Knowes or Creme Organization.

The fascination and the attraction for all the different shades of electronic music brought Fabio to explore new territories, and to release music under different aliases constantly, making Fabio one of the most prolific producers of the recent years.

Whether it be via a no bullshit DJ set or his own take on a live set, Fabio remains consistent in drawing his audiences back, time and time again, Assuring to be constantly in-demand as a DJ at some of World’s best clubs.

Bookings:
erica@oltrebooking.com

Outlander aka Marcos Salon is a name that should ring a bell with any discerning house and techno lover. Figurehead of the glory days of R&S, creator of ‘The Vamp’, which sounds just as fresh today as it did upon release 26 years ago, and allround studio wizard involved in such diverse projects as Liasons-D, In-D, TZ, Telepaticos and the man behind the mastering of cutting edge house label We Play House Recordings. Marcos has never stopped being busy with music, and recently he decided to bring his Outlander sounds back on stage with a killer live set consisting of a bunch of his gems from the last 25 years. Energetic, raving, musical and utterly danceable, the Outlander live is just what you need to get the dancefloor into a state of raving bliss. A revival of things past? As far as Marcos is concerned the spirit of the oldskool has never left!

I began making music in my late teens, round 1988, with a casio sampler and a tape machine. 

Initially I wanted to make electro pop similar to Kraftwerk and Depeche Mode. 

Then Detroit Techno hit. 



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