Name: Поливокс echoes by Talbok
Duration: 4 min 41 s
Description: Soviet frequencies colliding with japanese space technology.

I recently picked up a really nice condition AKAI reel to reel from the 70s and have been messing around recording the TR-808, i know its been done before but why not. Anyway I've set the track for downloads, since at the end I recorded some one shots for the sample heads. So go ahead and grab the file, its worth it for the clap sample alone ;-)

AKAI-808

LABEL: ⚔ RDLXLVII RECORDS ⚔ www.facebook.com/RDL47
CATALOG: RDL002
ORIGINAL ARTIST: ONTAL
REMIXERS: AIRSILK, KRIS GOAD
GENRE: TECHNO
RELEASE DATE: 2014-08-17 http://www.beatport.com/release/visible-spectrum/1356282

⚔ EP PREVIEW / ONTAL / VISIBLE SPECTRUM + REMIXES / RDL47 RECORDS ⚔

live one take of a dubby patch i have going with the eurorack modular

RoyEGamble - YouAreDub

Lots going on.  Left channel is demoing my new RYO Aperture build, CV'd by an LS1 lightstrip I'm 'playing,' klang coming from a G8, VCO is a Z3000 triangle, cv'd at random with slew.  Right channel has the same Z3000, but square wave, fed into an A-124 with the self-osc mod on a switch (switched in and out about halfway through) CV'd by a mikrophonie with LP/HP output VCA'd by a Z4000/G8. SD and BD 808 drums. There is also a slice from the Phonogene running on the left, and the 'gene's EOS is the clock source.

Aperture And Wasp Self-Osc Mod Demo

This is a demo of using my DIY Mikrophonie contact mic/preamp to slam into the Klang input on the RYO Aperture.  It's not intended to be musical nor necessarily pleasant.

The audio path of the patch is RYO CV Seq -> Pitts Generator (Osc 1) -> Aperture In -> Synthrotek mixer -> Zoom recorder

At the beginning, I have the trigger output from the TrigXpander into the CV input on the Aperture, but remove this about halfway (when the regular hits stop). The Mikrophonie gain is about halfway and the output is into the Klang input. The wildest hit are direct pressure on the lexan faceplate under which the piezo is glued. You can also hear some tapping on the case, unplugging of the CV input, and even some light stomping on the floor - the Mikrophonie is quite sensitive. Resonance on the Aperture is set about 3 o'clock - right at the raunchy point. Drive is set just past overdrive. 

Aperture Mikrophonie Klang Demo

Soviet frequencies colliding with japanese space technology.

Поливокс echoes

recorded straight out the box, no eq or compression (not even internally)

just learning how to use it

Поливокс echoes

Talbok

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