April 12th, 2021
Vague Culture 3
JWR040

Artwork by Get Face
Mastered by Colin Moir

https://soundcloud.com/bedoublensound
https://soundcloud.com/dreamgoth
https://soundcloud.com/theuropeancanon
https://soundcloud.com/mxntrxss
https://soundcloud.com/porqueria
https://soundcloud.com/dannyhelll
https://soundcloud.com/rvincenzo
https://soundcloud.com/SunshineVendetta
https://soundcloud.com/symdk
https://soundcloud.com/rougeh0tel
https://soundcloud.com/ravencomptonparis
https://soundcloud.com/softieseason
https://soundcloud.com/poly-armour
https://soundcloud.com/wifeof_lot
https://soundcloud.com/djturian
https://soundcloud.com/iamxato

Softie - Rotting Orchids

Cross-Lateral

This is the last project I will publish with this artist name. 
Extreme density and control. 
No silence. 
I want to learn how to breath and listen quietly. 
I want to encounter again the fragility of the gesture. 
I want to tear apart from tendre ael. 
She helped me to hide thought.  

Hope some people will enjoy it !!! 


C'est le dernier projet que je publierai avec ce nom d'artiste.
Densité et contrôle extrême.
Aucun silence.
Je veux apprendre à respirer et à écouter tranquillement.
Je veux retrouver la fragilité du geste.
Je veux déchirer tendre ael.
Elle m'a aidé à me cacher. 

J'espère que certains apprécieront !!!

Taken from LOYALTY by Nocturnerror, out on June 23th.

LOYALTY

WHY YOU?

(DAWN018)QOSO - MEDUSA
50 limited copies
CD
Mastered by Lastrack
Photos by Melchior Tersen
Design by Studio Janiaut
Type Design by Isia Yurowski
Dawn 2023

Qoso - Top Boy Feat Omaar

CLAM017 | TONYPEDIA

Free Forbidden Knowledge From The Dumb to The Dumb.
Pray Your Prayers.
Punch Your Punches.
Face Your Faces

clam-pressure.bandcamp.com/album/tonypedia

@t0nyp3re

TONY PEREZ - PLEX

TONY PEREZ  - BORN AGAIN

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Pollute Bold

Vocals: Jack Ü - Where Are Ü Now (with Justin Bieber)
dl enabled

WHERE ARE Ü NOW (CRRNT MIX)

Written by Emme Dalla Dea Worthy
Produced by Emme Dalla Dea Worthy
Mastering by Lorenzo Targhetta
Cover by Raphaël Moreira Gonçalves

emme - secret garden rmx // i still believe

✦ SWINE PREMIERE ✦ >> @tothbar - "ceramic tears" EP via @exiles-electronics

kukorica (Barnabás Tóth) is a Budapest-based musician and sound artist, and an alum of the Electronic Music and Media Arts program at the University of Pécs. After contributing his work to compilations such as ‘EZMVA’ by 111records (‘bukdácsol és megérkezik’) and ‘Healer’ by EXILES (‘how i found my peace today’), he returns to our label with his debut album ‘ceramic tears’, a 7-track collection that came to be in the autumn-winter period of 2023.

The main focus of kukorica’s work is recreating nature-like behaviors using artificial sounds, and this effortless aim to merge the organic with the synthetic is evident.

‘ceramic tears’ is a deeply personal, matured record, one that is also an experiment in observing: after setting up generative systems and stochastic processes, kukorica tries to only step in as gentle arranger, to guide sounds rather than force them in a certain direction. By blending volatile ambient textures with synthesized frog croaks, imperfect choirs with metallic cricket chirps, feedbacked percussive elements with deep roars or quirky vintage synths with the airy rustle of leaves, the artist creates (or allows?) digital imprints of nature-like states that are unique in their imperfections – and that reward deep listening.

― Dávid Gerlei

[Swine Premiere] Kukorica – Spiky Thoughts (EXILES)

An independent blog and open platform dedicated to music and visual arts / Established in 2015 ▶ We are based in Slovakia + Czechia, Central Europe.

☗ "Swine Daily DJs" is a DJ collective consisting of Swine Daily editors (Krištof, Viktor, Sasha, Natalie & Jan + changing) ☗

Pre-Order our second SWINE RECORDS release by JLZ via Bandcamp!
➠ https://swinedaily.bandcamp.com/album/tumba-ep

SWINE DAY FESTIVAL FOTO-REPORT
✦ bit.ly/SwineDayReport2021 ✦

[Swine Premiere] Kukorica – Spiky Thoughts (EXILES)

Swine Daily

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