All submissions to Haiku 340:

https://www.naviarrecords.com/2020/07/15/naviarhaiku341-a-fragrant-breeze


To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #341: A fragrant breeze / Is blowing from China / Over these seven strings

helen toft: guitar, voice, composition
david dhonau: cello, guitar, voice, ambience

Birds

Momenti felici

Im Frühtau

Original version for film & T.V. 

Also available on the album EMOTION (IN MOTION) here :- 

https://srdmusic2.bandcamp.com/album/emotion-in-motion

TWR (ODE TO J) PART 2 - Written, Recorded &  Produced By S R DHAIN (C) S R DHAIN

Hoshiko Yamane electro-acoustic Live set(50min)

concert: WORM(camera Japan Festival) on 26th Sep. 2018

Electro-acoustic Live set

This piece is part of a series of several solo instrumental pieces from the 1980s called RSRCH. In these pieces the Canadian composer and recorder player Peter Hannan focused on one specific aspect of new instrumental playing techniques. RSRCH 12/84 is written for a tenor recorder and completely dedicated to multiphonics, exploring their quality, strength, and fragility. In the beginning of the piece the multiphonics are introduced carefully. The main part plays with rapid virtuosic changes, from natural sounds to multiphonics and back again. This creates a polyphony on a monophonic instrument in such a fascinating way that it puts both audience and performer into a kind of trance. Thus, also the subtitle Dream.

Susanne Fröhlich21

Peter Hannan: RSRCH 12/84 - Dream

Treasuremp3

A fragrant breeze
Is blowing from China
Over these seven strings

https://www.naviarrecords.com/2020/07/15/naviarhaiku341-a-fragrant-breeze/

Samples from https://github.com/abalone1969/tiochatopiano
Photo by Joshua Fuller: https://unsplash.com/photos/9Ng6mvu7ZNg

Stochastic piano

Stochastic piano (naviarhaiku341)

Kaoru kaze ya morokoshi kakete nana no o ni

A fragrant breeze
Is blowing from China
Over these seven strings

[trans. Fumiko Yamamoto]

haiku by Tagami Kikusha https://wkdhaikutopics.blogspot.com/2007/03/tagami-kikusha.html

picture by zhu wei https://unsplash.com/@zhuwei5021

For more information visit http://www.naviarrecords.com/about/naviar-haiku

blah freeze

halF breezE [naviarhaiku341]

This track was created for the Naviar Haiku group.
341week haiku
naviarlab.tumblr.com/
https://www.naviarrecords.com/2020/07/15/naviarhaiku341-a-fragrant-breeze/

2020-07-16

A Fragrant Breeze Is Blowing From China Over These Seven Strings ( Naviarhaiku 341 )

a fragrant breeze
is blowing from China 
over these seven strings

naviarhaiku341: a fragrant breeze

I was mad at the world…and then I let it go. 
This song represents the process of recognizing an automatic negative thought and eliminating it mindfully.

Ends With Hope

Ends with Hope (NaviarHaiku341)

Ambient piece with generative elements inspired by the following haiku by Tagami Kikusha (1753-1826):

Kaoru kaze ya morokoshi kakete nana no o ni

English translation by Fumiko Yamamoto:
All across the sky
A star has burned itself out
Above the cold sea

www.naviarrecords.com/about/naviar-haiku

A Fragrant Breeze of Strings (naviarhaiku341)

track 3 or Ozed

feuillemort 
the colour of a dying leaf

feuillemort

Contraband:
Steve Cartwright, Dan Britton, Neil Segrott featuring Elektra Stavrou
https://steve-cartwright.bandcamp.com/album/nobodys-free

Nobody's Free

Cracker Man

https://steve-cartwright.bandcamp.com/album/listen-to-the-rain

Listen to the Rain

We Are Eagle

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

I've been recording music in some form or other since 1990 and have involved myself in Leicester's thriving (and unusual) underground music scene since 1997. Chris Conway's monthly Quadelectronic events at Leicester's Quad Studios have opened more doors to new friends and new musical experiences, for which I want to express my gratitude.
I work in a variety of musical forms, both solo and with friends: notably the currently-reawakening Leicester band Muted Fnord with multi-instrumentalists David Dhonau, Ola Szmidt and Andrew "Johnny" Johnston; also with Chris Conway as Memory Wire, with Alto Stratus as Endgame and also percussionist julian Broadhurst, vocalist/musician Victoria Bourne and others. Both composed and improvised (often an intuitive combination of the two), my music spans a range from the conventionally melodic to the most abstract avant-garde soundscaping, with many possible crossover points inbetween. Whatever the form, I make music I'd like to hear.
In addition to the electronic soundscaping I also play cajón in Leicester-based psychedelic rockin' outfit Multimorph and ethnic fusion four-piece Jaipur School Orchestra.

A Fragrant Breeze of Strings (naviarhaiku341)

synoneiro

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