Hi Jim, welcome to the haiku challenge - very nice first offering! :)

All submissions to Haiku 325:

https://www.naviarrecords.com/2020/03/25/naviarhaiku325-true-tranquillity

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #325: true tranquillity / hiding underneath creased sheets – / unknowable blue

helen toft: guitar, voice, composition
david dhonau: cello, guitar, voice, ambience

Birds

Momenti felici

Im Frühtau

Original version for film & T.V. 

Also available on the album EMOTION (IN MOTION) here :- 

https://srdmusic2.bandcamp.com/album/emotion-in-motion

TWR (ODE TO J) PART 2 - Written, Recorded &  Produced By S R DHAIN (C) S R DHAIN

Hoshiko Yamane electro-acoustic Live set(50min)

concert: WORM(camera Japan Festival) on 26th Sep. 2018

Electro-acoustic Live set

This piece is part of a series of several solo instrumental pieces from the 1980s called RSRCH. In these pieces the Canadian composer and recorder player Peter Hannan focused on one specific aspect of new instrumental playing techniques. RSRCH 12/84 is written for a tenor recorder and completely dedicated to multiphonics, exploring their quality, strength, and fragility. In the beginning of the piece the multiphonics are introduced carefully. The main part plays with rapid virtuosic changes, from natural sounds to multiphonics and back again. This creates a polyphony on a monophonic instrument in such a fascinating way that it puts both audience and performer into a kind of trance. Thus, also the subtitle Dream.

Susanne Fröhlich21

Peter Hannan: RSRCH 12/84 - Dream

Treasuremp3

true tranquillity
hiding underneath creased sheets –
unknowable blue

https://www.naviarrecords.com/2020/03/25/naviarhaiku325-true-tranquillity/

Samples from Tape Haze III by BlankFor.ms

Photo by Kayle Kaupanger: https://unsplash.com/photos/EJksqmj1pPc

Overgrowth

Overgrowth (naviarhaiku325)

26Mar20

My naviarhaiku325 submission
https://www.naviarrecords.com/2020/03/25/naviarhaiku325-true-tranquillity/
:D

Boson Spin - Unknowable blue [naviarhaiku325]

This track was created for the Naviar Haiku Music Challenge in March 2020. The haiku that inspired it is by Mark Morris.

Naviar Haiku Bicadeideias

Deep Blue

Deep Blue 2 (naviarhaiku325)

This track was created for the Naviar Haiku group.
325week haiku
naviarlab.tumblr.com/

2020-03-26

true tranquillity ( Naviarhaiku 325 )

made for the naviar haiku challenge #325 by @naviar-records

to participate:
www.naviarrecords.com/about/naviar-haiku

waves (naviarhaiku325)

Ambient piece with generative elements, inspired by the following haiku by Mark Morris:

true tranquillity
hiding underneath creased sheets -
unknowable blue

https://www.naviarrecords.com/about/naviar-haiku

Unknown Blue (naviarhaiku325)

track 3 or Ozed

feuillemort 
the colour of a dying leaf

feuillemort

Contraband:
Steve Cartwright, Dan Britton, Neil Segrott featuring Elektra Stavrou
https://steve-cartwright.bandcamp.com/album/nobodys-free

Nobody's Free

Cracker Man

https://steve-cartwright.bandcamp.com/album/listen-to-the-rain

Listen to the Rain

We Are Eagle

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

I've been recording music in some form or other since 1990 and have involved myself in Leicester's thriving (and unusual) underground music scene since 1997. Chris Conway's monthly Quadelectronic events at Leicester's Quad Studios have opened more doors to new friends and new musical experiences, for which I want to express my gratitude.
I work in a variety of musical forms, both solo and with friends: notably the currently-reawakening Leicester band Muted Fnord with multi-instrumentalists David Dhonau, Ola Szmidt and Andrew "Johnny" Johnston; also with Chris Conway as Memory Wire, with Alto Stratus as Endgame and also percussionist julian Broadhurst, vocalist/musician Victoria Bourne and others. Both composed and improvised (often an intuitive combination of the two), my music spans a range from the conventionally melodic to the most abstract avant-garde soundscaping, with many possible crossover points inbetween. Whatever the form, I make music I'd like to hear.
In addition to the electronic soundscaping I also play cajón in Leicester-based psychedelic rockin' outfit Multimorph and ethnic fusion four-piece Jaipur School Orchestra.

Unknown Blue (naviarhaiku325)

synoneiro

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