ART V3 06.04.23

O que eu quiser

Diffusion/Disintegration

Diffusion

HIV+ interferencias CDr 3''
3patttes005
limited to 101 copies
June 2004

1. Une chienne andalouse (part2)
2. Interferon. (vs EPIDEMIA)
3. Conspiracy
4. Une chienne andalouse (remix by planetaldol)

http://3patttes.free.fr
https://hivmusic1.bandcamp.com/
https://soundcloud.com/unknownpleasuresrecords

GIAG (may 2005)

" It's not a complacent, easy on the ear piece as it's too full of foreboding and tension for that but it does allow the listener space to wind down. A very interesting release in it's darkly catchy way..."

Merje Lõhmus (a.k.a. Mad Sister)

Interferencias CDr

interferencias

Un Chienne Andalouse (HIV+ Remix by Planetaldol)

krank

SenSen - The Organist

https://soundcloud.com/wavefold (Filippo Nunziale) is a producer and deejay based in Padua, northern Italy, active since 2015. Deeply into sound and music since childhood, absorbing mostly hip-hop and alternative as a kid, his first electronic productions floated around Ambient and IDM, a sound expressed through few releases on Chevel’s Enklav label. He later developed a Uk-bass leaning sound, based on recombining sonic elements from Dubstep, Drum and Bass, Dub and Breakbeat to assemble a new, evolved audio DNA. In 2021 he founded with fellow producer Coeden Wetware Echo, an imprint focused on exploring the bass continuum through sci-fi, techno-folklore and cyberculture contaminations. The two also produce and perform together as Aural Stream. 

Q:"What was a crucial sound experience in your life?"
A:"One of the most crucial audio-experiences in my life was hearing a blasted and chopped Amen Break during Roll The Dice’s live set at Atonal 2017, the first time I was listening to electronic music on a proper, good sounding sound system. From that moment on breakbeats re-surfaced in my music consciousness, becoming a central element in my sonic practice. (the mentioned sound is featured in the mix)"

LINKS:
IG: https://www.instagram.com/wavefold/
X: @wavefold_
Bandcamp: https://wavefold.bandcamp.com | https://wetware-echo.bandcamp.com

Tracklist:
Radiohead - I Am Citizen Insane
Mumdance & Logos - Café del Mar
Kelela - Washed Away
[Darius from Atlanta on the simulation theory]
Bowery Electric - Beat
Deftness - Be Quiet and Drive (Acoustic)
Shlohmo - I Can’t See You I’m Dead
Boom Big - Last Walk Around Mirror Lake (Boards of Canada Remix)
[Deleuze on the danger of other people’s dream]
Kendrick Lamar - Swimming Pool (Drank) [Extended Version]
Nothus & Sensational - Ezkemin
Autechre - Recks On
Regents - Sherry
Butu Yard - Bun Dem Alla (Nothus Pressure mix)
[Morpheus from The Matrix on reality]
Roll The Dice - Inward Spiral )Live @ Berlin Atonal 2017)
[William Gibson on urban sprawls]
Burial - Kindred

MNEMOSYNE #057 - WAVEFOLD

mtion

🎄released December 19, 2023
Available on Bandcamp: x4records.bandcamp.com/album/--5

Mastered by Danny Playamaqui
Artwork by Jerohme

Tracks:
1. Jerohme - Dance of the Lumpy Sugar Fair
2. Anitta - Cut the Mustard (Feat. Tom Sine)
3. Greystar - New Friends
4. utopia cloak - all I want for Christmas is Velum Break
5. Florian Förster - Weg durch den Sumpf
6. lee - Festive AF M8
7. Dollarstore Keyboard - Dolby Dragon 2
8. The Simian - The Cold Visitor of Glass and Phoshor
9. Danny Playamaqui - Hi-hat
10. love horses - brianv2

Dolby Dragon 2

Dies & Das

Unheimlich –
When mismatching modes of intelligence, cognition and communication confront one another.

As Mark Fisher writes in The Weird and The Eerie, it’s not a simple case of 'enjoy[ing] what scares us'. Rather, ‘it has … to do with a fascination for the outside, for that which lies beyond standard perception, cognition and experience', an affect that involves terror and distress, but isn’t wholly described by them. 

Freud's believed that what we find the most eerie or scary originates not from the exotic or foreign, but from what was originally familiar then repressed and subsequently remanifested in an uncanny/ unheimlich guise.

It is not often that we come by experiences that threaten to disturb these patterns. Given the choice, most of us would deliberately avoid them. ‘It makes sense’, writes Freud, that ‘repetition, the re-encountering of identity [or sameness], is itself a source of pleasure’ — for pleasure, as Fisher helpfully glosses, ‘alway[s] refer[s] to previous forms of satisfaction’ — it is defined by familiarity. But what if this situation were inverted — the heterogeneity and diversity that can be sustained by rhythm preceding the necessary homogeneity of the tempo? What if objects didn’t work how you expected them to? What if the framing logic of time and space was different? What if the beat was … eerie?

Unheimlich

Syntax Erika works with electronic sound patterns, layering field recordings and synthetic noise into immersive sonic strata. Her practice fuses dark ambient, industrial drones, art-techno, noise, and experimental synthesis, creating soundscapes that mixed between natural sounds and synthetic noises.