Unheimlich –
When mismatching modes of intelligence, cognition and communication confront one another.

As Mark Fisher writes in The Weird and The Eerie, it’s not a simple case of 'enjoy[ing] what scares us'. Rather, ‘it has … to do with a fascination for the outside, for that which lies beyond standard perception, cognition and experience', an affect that involves terror and distress, but isn’t wholly described by them. 

Freud's believed that what we find the most eerie or scary originates not from the exotic or foreign, but from what was originally familiar then repressed and subsequently remanifested in an uncanny/ unheimlich guise.

It is not often that we come by experiences that threaten to disturb these patterns. Given the choice, most of us would deliberately avoid them. ‘It makes sense’, writes Freud, that ‘repetition, the re-encountering of identity [or sameness], is itself a source of pleasure’ — for pleasure, as Fisher helpfully glosses, ‘alway[s] refer[s] to previous forms of satisfaction’ — it is defined by familiarity. But what if this situation were inverted — the heterogeneity and diversity that can be sustained by rhythm preceding the necessary homogeneity of the tempo? What if objects didn’t work how you expected them to? What if the framing logic of time and space was different? What if the beat was … eerie?

Unheimlich

04.06.2021 @ electro.adventures / District 27
19.08.2021  @ Signal Music Residency Community live / Mobius
20.08.2021 @ Signal / Mobius
01.10.2021   @ electro.adventures / 16tonns
02.10.2021  @ SAK / Erring bar
02.10.2021  @ Signal Music Residency Community live / Mutabor
09.10.2021  @ Dissonance x Kruzhok / Erring bar
14.11.2021 @ Neoterica / WIP
19.12.2021 @ Ton / WIP
22.01.2022 @ Pobegi / Basmanny dvor 
29.01.2022 @ Ton / WIP
26.03.2022 @ Skarn 1 Year / WIP
Sound Design:

Ecomorf @ Stains
Connect @ Sila Sveta
Schweppesgame @ Coca-Cola
Язык музыки @ JBL

Sound artist, Musician, Lo-fi film maker...

A/V creator, ½ from https://soundcloud.com/deserticgarden & radio host in https://soundcloud.com/viadeacceso (ﾉ◕ヮ◕)ﾉ*:*✧

LP5 «Plaza Internacional» OUT NOW!: https://enternetboy.bandcamp.com/album/plaza-internacional

Also part of taRka+ expanding space on the showcase section: https://soundcloud.com/myrhyum

You can know more about the project here: https://enternetboy.wixsite.com/enternetboy

PayPal.Me: https://www.paypal.com/paypalme/jorgecrl

Darkstar83 is a Greek ambient artist blending emotion and minimalism into atmospheric sound

For the best experience, headphones and flat equalization are recommended to capture the subtle textures and soundscapes.

My bio does not matter at all.
Just listen. 
Be the sound. Be music.
Just be.

Curated by Mickaël Halley

US001 - Various
US002 - Various
US003 - NOSUN - NOSUN
US004 - Mickael Halley - Panorama
US005 - Société Moderne - Compilation Bleue
US006 - KöSHRiMP - Lubrisolarium
US007 - SpunOff - Kinetic
US008 - Second Age - Summer Of Hate
US009 - M-O-R-S-E - Vanités
US010 - Private Grief - Appropriate Care 
US011 - Mieszko Bavencoffe - Ah mince :) 
US012 - Marine Froeliger - Solstice (Improvisation Solaire)
US013 - Tyler G. Holst - A Paradise Called
US014 - Mickael Halley - Reworks
US015 - Ufo Nurse - Màquina Indignada
US016 - Neuromancienne
US017 - Various Artists
US018 - Miss Bean - Business Wuman
US019 - Delfine - Five Arrangements For Architectural Forms 
US020 - gogabriel - rassemblement national
US021 - Somaticae - Sanai
US022 - Multipolar - Ghost Of My Life
US023 - Glass Can - We Are Lichens
US024 - Tina Schwizgebel-Wang & Mickaël Halley - 对不起
US025 - Aesthesis - Spellbound
US026 - Florence Cats - first steps in the nebula

Syntax Erika works with electronic sound patterns, layering field recordings and synthetic noise into immersive sonic strata. Her practice fuses dark ambient, industrial drones, art-techno, noise, and experimental synthesis, creating soundscapes that mixed between natural sounds and synthetic noises.

ΩM.AIRA...making acoustic landscape records

Most of these recordings are made in the Doñana National Park for the Integrated sound and landscape  project: ('Estudio integral sobre Sonido y Paisaje -2020.06 ). Support from Vienna Academy of the Fine Arts provided a research grant facilitated through Cristina Lammer and the Superior Council of Scientific Investigations [CSIC] provided material and technical support during various visits.

The project took place in time blocks over 2 years and is focused on making 24 hour 'drop' recordings in six carefully pre-selected points. It also involved developing a practice of first hand 'being in the field' as an audio and sound-field oriented research group. We were then able to return for an extra year as a result of Covid-19 restrictions disturbing our original schedule. We are especially grateful to the park administration for this extra support . 


 🎧  J, Rojas Routon, development and principal investigator (Spain)

 🎧  Cristina Lammer, digital-analogue theory, visceral themes (Vienna Academy of Fine Arts/CorpoRealities)

 🎧  W. Lee Allen, Artist, Composer, audio and visual themes. 'Liquid Vinyl' painting are Lee's work.

Material and technical support: CSIC/Doñana [2020.06 Estudio integral sobre Sonido y Paisaje] and Vienna Academy of the Fine Arts through Cristina (Visceral/Assemblage).

Get in touch through email soundandlandscape [@] gmail.com