система # 163 | DIGITAL HIMALAYAS
No tracklist.
This livecast was composed & recorded especially for the система | system livecasts serie by Odessa-based project Digital Himalayas.
Project web. ^ https://www.facebook.com/digitalhimalayas/
~ "This livecast, live recording, is a new method of interaction between the Digital Himalayas members. We used Ableton as a basis for improvisation, moving along familiar patterns, but always interacting in unpredictable ways. We recorded this livecast at the presentation of the "P-BRANE" exhibition by Elsa Quintin / Le dessin Observé.
Guitar, virtual synthesizers by Andrey Kostyukov.
Bass, samples - Emil Asadov.
Filling and recording of samples - Gennady Boychenko.
During the performance, the visual component of the concert consists mostly of ancient archaic images, which very accurately convey the sound of the group. atmospheric guitar sequences, pulsing bass, and eclectic synths and rhythms" ~ Digital Himalayas (translation from russian)
*
~ "Этот лайвкаст это новый метод взаимодействия между участниками Digital Himalayas. Мы использовали Ableton как основу для импровизации, двигаясь по знакомым паттернам, но при этом взаимодействуя всегда непредсказуемо. Это лайвкаст мы записали на презентации выставки "P-BRANE" by Elsa Quintin / Le dessin Observé .  
Гитара,  виртуальные синтезаторы Андрея Костюкова.
Бас, семплы - Асадов Эмиль
Наполнение и запись семплов -  Геннадий Бойченко.
В процессе выступления визуальная составляющая концерта состоит в большей степени из древних архаичных образов, которые очень точно передают звучание группы. атмосферные гитарные секвенции, пульсирующий бас и эклектичные синтезаторы и ритмы." ~ Digital Himalayas (авторская грамматика, пунктуация и стиль сохранены без изменений)

SYSTEMNAPOTVORA.LIVE # 163 | DIGITAL HIMALAYAS

International digital Music Label and Live Cast serie, Art and music events organizer/in situ projects conceptor working on the relationship between architecture and live music. Odesa-UA based project, active worldwide. We work against the GATEKEEPERS in the music scene and industry and give space to newcomers, unheard and forward thinking music.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Dj Superelite (Odessa/Kiev, Ukraine based Dj and Producer) make new groove format for war time on like House/Jungle/Juke styles

audio\visual invader mind in a full range of light