https://pascalsavy.bandcamp.com/album/colour-fields

Originally released on Audio. Visuals. Atmosphere. https://audiovisualsatmosphere.com October 5th, 2018 (AVA62, C57, Edition of 55). 

From the original press release: 

A manifold of hypnagogic frames balancing wind, wave and star. Symmetric pearl timbres touch the seams of the three-dimensional world. 

Volcanic sound transcending its temporal limits, only to be found at the rim of the pyramid. As the wheel turns the balance is attached to the crescentic stone and snow-covered ridges. Sustained pitches acknowledge the spectral phenomena carved in chroma rooms. The mesa of the moon drains diffused energy as pastoral currents break the ocean’s vector.

Colour Fields

A Solarised Vortex

система | system presents “Profonda Oscurità“ EP by Turin-based artist XIV Orchestral.

~ ‘’Profonda Oscurità’’ in English ''Deep Darkness'' was conceived in a difficult year of pandemic where moods of discouragement, bewilderment but also hope were the order of the day.
The EP contains 6 ambient drone tracks influenced by the emotions and sensations of the artist who wanted to express his mood through dark and deep atmospheres by recreating mystical soundscapes.
In this release XIV Orchestral wants to tell a story made of personal moments that don't find a happy ending but that for better or for worse cannot be forgotten...
They have been used Korg ms-20 mini and Elektron Analog Four for most of the low frequencies, Massive VST for atmospheres and noise textures, some field recordings from Zoom h4n.
Main fx plugins: Valhalla VintageVerb, FreqEcho and Tal Chorus Lx.
All written in midi on Ableton Live 10." ~ XIV Orchestral aka Claudio Gasparini.

All tracks are composed, recorded, mastered by XIV Orchestral aka Claudio Gasparini.

Artwork by E. Braun.

Profonda Oscurità

XIV Orchestral - Il Ponte Di Una Notte

Relief By Seclusion

Ybalferran - Learning To Understand

From the e.p. Opia, releases May 7 here: https://dimensionsinshadow.bandcamp.com/album/opia

Ariette

𝘑𝘦 𝘮𝘦 𝘴𝘰𝘶𝘷𝘪𝘦𝘯𝘴 𝘥𝘦𝘴 𝘭𝘢𝘶𝘳𝘪𝘦𝘳𝘴

Je me souviens des lauriers. Du marbre blanc. Du portail bleu. De vos deux visages et mon incompréhension. De quel cœur je tiens le plus ?
Si belle, si pure : sur le moment, la haine n’était qu’une poussée d’acnée.
Tears for Fears dans la voiture. Les ceintures qui puent.
Les cris, les larmes, la violence, le départ. En avant vers le futur.
Puis l’Espagne, toujours l’Espagne. Pourquoi ? J'espère ne jamais comprendre.
S'apercevoir que les idéaux sont toujours perfectibles : ça, ça sauve.
Ô souvenirs, douceur des poignards dans ma chair. Amour, bhebik.
La beauté restera tant que je serai en mesure de l’accueillir. "

Texte et mix de Couronne de merde (@couronnedemerde)

Some production he released on :
- WANNAMARCHI.CLUB : https://wannamarchi.bandcamp.com/album/-
- WITHOUTLIES : https://withoutlies.bandcamp.com/album/les-valeurs-de-laube

Also co-founder of Etang brulant, go check their fantastic work. 
https://etangbrulant.bandcamp.com/

___
image : @t-eaux

BANDCAMP

Couronne de merde - 𝘑𝘦 𝘮𝘦 𝘴𝘰𝘶𝘷𝘪𝘦𝘯𝘴 𝘥𝘦𝘴 𝘭𝘢𝘶𝘳𝘪𝘦𝘳𝘴 .(?).



Meditations to align every energy center with high frequencies. Awaken Kundalini, unlock new potentials in your life. 🌌✨

Sasha Malkovich presents Base Healing—a project of sacred audio for deep soul & body restoration. Featuring:
🔹 Original binaural beats (composed on Sasha’s custom synthesizer)
🔹 Nature sounds, harmonic layers & immersive melodies
🔹 Accelerated attunement to enlightened vibrations

How to practice:

Meditate on each chakra, visualizing it glowing with light.

Observe shifts in your energy and surroundings.

Caution: Respect your body’s limits. Contraindications may apply.

📢 More info:  https://t.me/sasha_malkovich/539

author, producer, mixing & mastering = Sasha Malkovich
cover design, inspiration = Kate Barsky  https://soundcloud.com/katebarsky

Beatport

Sasha Malkovich - SVASTISTHANA

https://evelynluvtell.bandcamp.com/track/life-rehearsal

life rehearsal

Emma Grace(https://soundcloud.com/emmaline-ginger-1), born in Assisi, 1994 is an American-Italian musician. She started studying cello at the age of 8, then continues studying violin for three years until she decides to proceed on her own independent way.  She lived in Paris and continued her music research in Venice with different projects and various artists and genres, involving music therapy studies. She attends Violin and Electronic Music at Conservatory, giving in to new creative experiences and collaborations, but the school structure it’s too tight to integrate all the rest of the projects, so she continues otherwise. At the age of 22, her first album "Backgrounds" is out, giving birth to her new chapter of raw compositions combining violin and vocals with the simple objective of being true to what she can give. On February 2020 she releases her latest work, Wild Fruits and Red Cheeks. She continues independently, searching for new material, and performing arts involving creativity and community. Now she is based in Nido, a place away from modern cities, an open house, in the middle of Italy, always chanting, always working on new stuff.

What was a crucial sonic experience in your life?

Listening to marbles. I must have been 6-7 years old. I remember I use to keep them in a jar inside the living room's wardrobe and I was going there to listen to them every once and a while, in some occasions, very often, as if it was the highest pleasure of the day. That sound of marbles hitting each other is the first sound where I actually felt almost a sexual pleasure just by listening. Sound as an isolated pleasure, separated from memories, from genres, from ideas and expectations. To stand still, and to listen. And i still love that marbles sound.

Link 
emmagraceofficial.bandcamp.com/
open.spotify.com/artist/3QEPnEDjS…J1T_ig4UdfvFeYMQ
www.instagram.com/ewmagrace/
www.facebook.com/emmagraceartist/
ewmagrace.tumblr.com/
soundcloud.com/emmaline-ginger-1/

Soundlist
Humming at a coffee machine— (00:00)
Acoustic family tree—
Venice walks—
Wooden lullabies—
Archive 1996, cassette of me at two years old—
Unknown piano session, Chiny, France 2015—
Sailor’s View—
Acoustic Family tree continues—
“Animated” raw slow take—
The Submarine Choir / interferenze corali (part1)—
Unknown piano session, Venice 2019— (15:40)
Climax 1— (17:20)
Rickshaw beat and Tibetan bells
Ahmednagar Streets
U. p. s., Chiny, France 2015—
Kindergarden—
U. p. s., Venice 2019—
“On top of out words” + harmonics— (24:40)
Climax 2— (25:20)
Violon Cave avec Léo, Paris 2016—
Harmonics + “On top of our words”—
Marbles—
Archive 1996, cassette of me at two years old—
Wooden lullabies 2—
The Submarine Choir / interferenze corali (part 2) — (34:00)
Latin Saint Marc’s Square
Climax 3 — (37:40)
Unknown guitar session —-
U.p.s. (unknown piano session) Venice 2018—
U.g.s. (unknown guitar session) Umbria 2019—
U.p.s. Chiny 2015—
The Submarine Choir / interferenze corali (part 3)
Vocal Memos Berlin 2018—
Shells — (45:15)
U.g.s. Venice 2017—
Vocal Memos, Venice 2016 —-
Rain + Harmonic- Climax4 (48:20)

MNEMOSYNE #009 - EMMA GRACE

Night Foundation - Hold That Thought

Ybalferran - Anthem For Lost Souls

From the forthcoming Noir Age release, Escombros.

Drowning the Virgin Silence - Hand To Mouth

International digital Music Label and Live Cast serie, Art and music events organizer/in situ projects conceptor working on the relationship between architecture and live music. Odesa-UA based project, active worldwide. We work against the GATEKEEPERS in the music scene and industry and give space to newcomers, unheard and forward thinking music.