Blossom Season (2024 Version)

Our Fast Descent hail from Liverpool, UK.  Concept albums are used to drive our stories, delivered through the realms of Pink Floyd/Bowie like atmospheres, spanning from haunting piano/acoustic compositions to guitar based progressive rock and blues.

m@tro-music is my life I grew up in Yucaipa CA. My musical influences are the rolling

Stones,faces,Ronnie,wood,also men at work, Colin hay and Bruce Springsteen.Colin hay and Bruce Springsteen are my favorite song writers.Another artist I enjoy is j.mascis I grew up in the 80s so i had a lot of music in my life.Im just a working class guy making music from my heart my solo stuff can be found @ https://share.amuse.io/jSUEL2CnWzqz
also my m@tro YouTube link👇
https://www.youtube.com/@matro951


STH (band)-STH-(small town heroes) 2 best friends,matt hanson aka m@tro  (vocals) and Jeff pippin aka p@radigm(guitar)write songs and play music together since 2004 with long hiatuses in between we just started playing together again most of our songs where recorded in 2004 and 2008.STH project acoustic album can be found @ https://share.amuse.io/QIuo-GJgsVnK also on bandcamp@ 
sthmusic3.bandcamp.com
YouTube link------👇
https://www.youtube.com/@sth8453
Donations 
https://www.paypal.com/donate/?hosted_button_id=JB3T2ZU6PLUX8
to buy our CDs here is our store
http://Kunaki.com/MSales.asp?PublisherId=189585&PP=1

KRT Production is not just a label.
It’s a creative machine that has been shaking the scene since the 1980s. Behind projects like NUR, Funkle Ace, BBAM, Atomium, and more, KRT is the underground spirit that refuses to fade.

Electronic, rock, experimental, alternative — style doesn’t matter as long as there’s raw energy and the drive to make an impact.
Recording studio, mobile production, SoundCloud launchpad: KRT is both playground and battleground, where artists become larger than their tracks.

Joining KRT isn’t just “being part of a label.”
It’s stepping into a family, a free and untamed showcase, ready to make noise in a world that plays too safe.

KRT Production. Here, music isn’t just heard. It’s lived.

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce new generations to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

LATEST INSTAGRAM PROMO VIDEOS
JOYBOT
https://www.instagram.com/p/DI6YrdNtML3/
https://www.instagram.com/p/DI6YEvEgwav/
https://www.instagram.com/p/DI6Xg71R4lX/
https://www.instagram.com/p/DI6W_ewNPje/
I WANNA FEEL BRAND NEW
https://www.instagram.com/p/DGpTqlWtuPr/
ROBOT DREAMS
https://www.instagram.com/p/DGOn3-IMzzl/
BROKEN GENERATION
https://www.instagram.com/p/DF_cUIDsPnW/
MOTORPSYCHO
https://www.instagram.com/p/DFj1tULRjjI/
WIDE AWAKE
https://www.instagram.com/p/DFRMsQqMK50/
BOTOX BABIES
www.instagram.com/p/DFHN_rItT0a/
ROCK'N ROLL STAR (2nd)
https://www.instagram.com/p/DFDGvGENUie/
SHINING
https://www.instagram.com/p/DFDGFuwxuB9/
FAST LIFE
https://www.instagram.com/p/DEnHX7RsKgy/
QUEST FOR PEACE
https://www.instagram.com/p/DDyEPGTsqT-/
TURN AROUND
https://www.instagram.com/p/DCFNWa7t1Ve/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/DA9ES3ZtTWT/
LOVE'S THE LAW
https://www.instagram.com/p/DAhE0DLOMq-/
SKINNY JEANS
https://www.instagram.com/p/DAeOLnIu6bx/
WAR DOG
https://www.instagram.com/p/DAc2xbFMJ8_/
https://www.instagram.com/p/C_80BNQs7wh/
https://www.instagram.com/p/C_4NfF0Rdwh/
I AM A PUNK
https://www.instagram.com/p/C_mTDqvNwTF/
GLOAMING
https://www.instagram.com/p/C_l8esMsElC/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/C-EjErMuerv/
CYBERNETIC LAMA
https://www.instagram.com/p/C9-5-2dO85a/
CRASH'N BURN
www.instagram.com/p/C9-43u3NvVT/

CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

🎸 Calling All Rock Music Enthusiasts! 🌟

We’re thrilled to announce that our journey has led us to the brink of releasing our very first rock album! This is more than just music; it’s the heartbeat of our passion, the melody of our dreams, and the rhythm that unites us all.

But to bring this vision to life, we need your support. We’ve set up a fund where every contribution will pave the way for our tunes to reach your ears. Whether it’s the price of a coffee or the cost of a concert ticket, every bit helps us rock harder and louder.

🔗 Join our rock revolution and be a part of music history! 🎶

https://www.leetchi.com/c/album-pcd555-1765381?utm_source=native&utm_medium=social_sharing

Let’s make some noise, let’s shake the ground, let’s rock this world together!

#RockAlbumDebut #CrowdfundingMusic #SupportLocalBands #pcd555

36 | Experimental Pop/Psychedelic/Plunderphonics

INFOMANIA

Control • Consume • Don't Worry

Everything is a Series of Pipes.

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Kayak tour guide, couch musician, grandpa.

Blossom Season (2024 Version)

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