THA HOTTEST MIXTAPE (Volume 1) By @LILREMIXBABY

MXNSTER WIT A RUGER

FINGER ON THE TRIGGER

BRING EM OUT

Money Over Bitchez $$$

Of all the songs I wrote for LIMINAL, this was the first song that was fully written. I didnt quite know where I was going with this soundtrack at this time, and i was just trying to test the waters.
When I handed this song to Rowan, he told me he knew exactly where he would use this song, and I trusted him.
It only took a year for it to be used :D
This song, alongside Fermentation, were used in some of the trailers. This song, specifically, had that beginning flute solo being used to start the trailer.
I'm decently happy with where this song ended up and how it ended up sounding, even over a year after I wrote it!


...
Mother said I can't die.

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We acknowledge the support of the Canada Council for the Arts.
#bringingtheartstolife


Original Score Composed by Beagle 36 for the Resubstantiation sequence of LIMINAL for A MAZE Berlin. Human Human Machine Award Nominee

Cover Art by Rowan Wood

Instagram: https://www.instagram.com/wandertheliminal

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LIMINAL OST

Putrefaction (From "LIMINAL")

As a similar story to Putrefaction, this was the second song I had ever written for LIMINAL. I was still testing the waters and seeing what I could do to work with what had been given to me at the time. I wasn't quite proficient in other genres quite yet.
Once again, similar to Putrefaction, when I handed this song to Rowan, he immediately knew where it was going to be used, and he used it very well in the trailer for RESUBSTANTIATION
I would love to indulge in the story aspect of why this song is so dark and ominous, and why it wasnt changed in the slightest since its first revision (funny enough, the both Fermentation and Putrefaction were made in the same Cubase file), but doing so would completely spoil the story. Instead, I'll leave you with this ominous quote:

That is his function.

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We acknowledge the support of the Canada Council for the Arts.
#bringingtheartstolife


Original Score Composed by Beagle 36 for the Resubstantiation sequence of LIMINAL for A MAZE Berlin. Human Human Machine Award Nominee

Cover Art by Rowan Wood

Instagram: https://www.instagram.com/wandertheliminal

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wandertheliminal.com
theliminalvr.com

Fermentation (From "LIMINAL")

This song was probably my favorite to write. Of all the songs I have made, and I am still making for Liminal, this one is my personal favorite. There was no direction, there was no incentive, or anything when I wrote this. All I was asked was "I want you to make a song that sounds like a beacon in a stormy, pitch black night, and then I want you to rip it away painfully."
This is among the first songs I have written that was in a very light-hearted mood. As I said earlier, I'm so so very happy with how it came out. 
This song was also one of the first times I've tried using a new mastering technique to make every instrument pop out and sing in its own regards.
To describe the scene in which this is used, I'll generalize it. Pretty much, this long dragon soars in and out of the sand and flies around the desert, and once the whole orchestra steps in, it flies up and knocks stars from the sky. While this is happening, something dark and grim happens off in the distance while the audience is distracted. This, once the peace and fun gets ripped away from you is meant to jump-scare you and pull you back into the dark, grim reality of whats actually happening mid-sequence.


...
On the end of a red thread.
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We acknowledge the support of the Canada Council for the Arts.
#bringingtheartstolife


Original Score Composed by Beagle 36 for the Resubstantiation sequence of LIMINAL for A MAZE Berlin. Human Human Machine Award Nominee

Cover Art by Rowan Wood

Instagram: https://www.instagram.com/wandertheliminal

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wandertheliminal.com
theliminalvr.com

Little Olm (From "LIMINAL")

For being in the middle of the sequence, Ablution was the last song I wrote for Resubstantiation.
It was almost last second (seemingly as with everything I've written for Liminal lol), and Rowan really needed something that would hit the audience very, very hard. Its supposed to be a very emotionally gripping scene where the main character starts changing in.... not good ways. A person who you've grown attached to over the past few months suddenly changes into something you don't want to be around anymore (At least, this was my take on it when I wrote this song).
This song was heavily inspired by Ludwig Van Göransson's song Trinity, from the movie Oppenheimer. That style, with the very strong and intense buildup before the main hit was absolutely perfect for what I was trying to achieve with this song.


...
It must be done.

This is Rowan's other favorite song from the Liminal OST

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We acknowledge the support of the Canada Council for the Arts.
#bringingtheartstolife


Original Score Composed by Beagle 36 for the Resubstantiation sequence of LIMINAL for A MAZE Berlin. Human Human Machine Award Nominee

Cover Art by Rowan Wood

Instagram: https://www.instagram.com/wandertheliminal

liminal-vr.com
wandertheliminal.com
theliminalvr.com

Ablution (From "LIMINAL")

There's actually a pretty funny story about the origin of this song. I'll go more in-depth with the story in the extended cut's description.
In this one's description, I'll talk about the scene in which this song is played.
This, of the two versions, is the version that was used inside of the Resubstantiation sequence.
Once we deal with the ugliness that was Ablution, we get to see our friend and main character rise again, and appear in front of our eyes, brighter than ever before, and when we walk back out into the desert... there's nothing. It's new. Everything we had gotten used to prior is no more, and its just a blank, bleak, and sandy desert. Everything is gone except the atrium, where we had just been.
We're left only with this last quote:
The Cycle begins again.

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We acknowledge the support of the Canada Council for the Arts.
#bringingtheartstolife


Original Score Composed by Beagle 36 for the Resubstantiation sequence of LIMINAL for A MAZE Berlin. Human Human Machine Award Nominee

Cover Art by Rowan Wood

Instagram: https://www.instagram.com/wandertheliminal

liminal-vr.com
wandertheliminal.com
theliminalvr.com

Resubstantiation (From "LIMINAL")

If you want to read about the version of this used in Liminal, please see the non-extended cut version of the song, it has the description
Here, I'll talk a bit about how this song was made, and why its so funny.
This song was actually made *before* Rowan asked me to be part of Liminal. I was sitting in a world with a few buddies in Neos (predecessor to Resonite, Neos is dead now), watching a meme compilation. This one meme popped up with some kid singing a song in very poor Chinese. Summarized by another friend who translated it: 

""In the majority of the translations it was "I speak the words of the wild boar" or "I must purge the words of the wild boar" or "I must clear the words of the wild boar". Its not very clear.

"Wisdom"  was paraphrased from "As an old man", "with age", "with growth".

The "iron" refers directly to the heart but it also says in translation that it is "heavy" or that it is "weight" and only with "age" can it be "carried".""

This was completely coincidental that we used this for Liminal as the song fits very very well into the story-line. 
Anyway, I said something along the lines of "I can really hear this being made into a full song," and my buddy immediately replied "No the hell you cant." So I did.
Rather, I made a way simpler and less involved version of the current song. Sometime later, when Rowan had reached out to me, I sent him the wip that I had sketched up just to get another pair of ears as input and suggestions for how I can improve it. He told me that it would fit perfectly inside of Liminal.
So, over the course of a few months, I kept chipping away at the song until this version right here.
The other version, the non-extended cut, was cut down and changed a little bit with more dramatic pauses in places to make the scene more emotive, and fit within that 2-2.5 minute time-span for keeping attention (We figured this out after having playing the entirety of the 5.5 minutes of Recursion).
This is my second favorite song that I wrote for Liminal, as its the one that got the most attention from me on, alongside the most support in its development from friends and family.


...
The Cycle begins again.

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We acknowledge the support of the Canada Council for the Arts.
#bringingtheartstolife


Original Score Composed by Beagle 36 for the Resubstantiation sequence of LIMINAL for A MAZE Berlin. Human Human Machine Award Nominee

Cover Art by Rowan Wood

Instagram: https://www.instagram.com/wandertheliminal

liminal-vr.com
wandertheliminal.com
theliminalvr.com

Resubstantiation - Extended Cut (From "LIMINAL")

@LILREMIXBABY "Dollasign Remix" Is A Recording Artist/Producer From Phoenix, Arizona Who Started As A Young Kid Writing Music In His School Notebooks But Didn't Start Recording Until His Early 20's. LIL REMIX BABY Started The Record Label SUPERSTAR MONEY GANG Which Connects Rappers/Producers That Make Music For The Streetz.

He ls Known For His Exclusive Style And Raw Explicit Lyrics Which Are Made For Ages 21+.

Being So Skilled And Versatile With His Music, He Likes To Mix Up Anything From Rap/Trap/Metal to Slow RNB Songs. Remix Has A Big Passion For Music and Spends A Lot Of Time In The Studio. The Best Thing About Remix Is That He Has Dedicated His Life To The Rap Game And Wont Stop Making Music Anytime Soon.

LIL REMIX BABY Has Music Streaming On Your Favorite Platforms Like Spotify, Apple Music, SoundCloud & MyMixtapez. He Also Stays Active On Social Media. Stay Tuned For New Music! @LILREMIXBABY

★★★★★★★★★★★★★★★★★★★★

Some guy who makes music with the few tools he has.
Raindance, FIVARS, and A MAZE Berlin award nominee (https://theliminalvr.com/)

New tracks tagged #CUBASE