This song is a must be for this day, Dear Lizzie! Thank you for opening the portal to the Otherworld. An absolute spiritual journey :)

very haunting soundtrack lizzie ..reminds me of an artist called goblin that scored soundtracks to horror movies ..suspiria etc

an eerie, and not a little scary, introduction into a dark and mysterious world ... excellent work Lizzie!

an eerie, and not a little scary, introduction to a dark and mysterious world - ewxcellent work Lizzie!

It's like Gregorian chant from outer space. :)

Hypnotic soundscape, Lizzie. First song of the morning for me, and I'm now in a much calmer space. :)

@user-138663860: Ah thankyou Sandy....hope all is well, take care :)

INCUBATING A NEW DREAM

Dreaming in Colour

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

But I've Got the Wings

Cover
You started Laughing - Supertramp - Rick Davies -1975

When you're in heaven what you gonna do?
You're gonna sit around a cloud and say
"Hey what a lovely view"

Is there a reason why you're like you are?
Is there a reason you'll be leaving?
Is my love out of season?
I wouldn't mind but to me that is treason

You started laughing
When I held you in my arms
You started leaving
When I told you of my charms

I was in love with you
And then you said we're through
And then I said boo hoo

Was my tie not on straight?
Was it something I ate?

You Started Laughing

This song is actually more of a poem. But I only realized that when I tried to set the text to music after I had written it. 
"I count on you" is a song written as a heartfelt thank-you to the quiet companions in our lives — those who stand by us when times get tough. 
Sometimes, these are the people who understand us without needing many words. Sometimes, they are the loyal, four-legged friends who remain by our side through the years. And sometimes, it’s a spiritual presence that carries us through our darkest moments.

This song is about that steady, silent presence — the comforting feeling of not being alone. It reminds us how much strength can be found simply in being there for one another. Some call it friendship, others call it love — some believe it is God. Ultimately, it’s about connection, trust, and the quiet certainty: I can count on you.

A heartfelt thank-you to Andreas and Colter, who deeply inspired me in the creation of this song.

It would mean a lot to me if this song finds a place in your heart and uplifts you when you listen.



I count on you

When everything inside goes quiet,
and I don't know what to do,
when every step feels heavy,
somehow – there’s you.
You never asked for answers,
you just stood there by my side.
In a time that felt so broken,
you were my piece of light.

I count on you 
when the fire’s burning low.
When I feel like fading,
you’re the one who still knows.
I count on you –
not 'cause you're loud or strong,
but 'cause you stay,
when everything feels wrong.

You held my silence gently,
carried every flaw I had.
You saw the parts I couldn’t show,
and never said it’s bad.
You never needed big ideas,
you just showed up as you are.
And in the middle of the night,
you were my northern star.

I count on you 
when hope has gone to hide.
When the world gets smaller,
you still stay by my side.
I count on you 
no questions, no disguise.
You’re the quiet truth
in a world of little lies.

And if the day should ever come
when you can’t hold it all alone –
I’ll be the one who holds you back,
like you have always done.

I count on you 
And you can lean on me
We carry what the other can´t
And set each other free
I count on you 
and hope you feel it too.
Through every broken piece,
I’ve found a friend in you.


Lyrics/Vocals/Music: Axel Menningen

I Count On You

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

After completing the song, I found a noticeable spread between the highest & lowest notes.  So I had a hard time with the vocals.  I could have altered the notes to fit the voice but in the end I decided to go with the original.  Please bear with my singing.

The lyrics is extracted from a lengthy poem I came across on the web.
In the end, perhaps the plot doesn't make much sense anyway.  So let's assume it's just for the sake of making a song.   See what you think.

Thanks much for stopping by.

[CREDITS]
Music / Vocals / Programming / Arrangement :  Michael C. Lynn
Lyrics  :  Neruda / Merwin
Electric Guitar Solo :  Dave Cleveland @Band_in_a_Box

[LYRICS]
The memory of you emerges from the night around me
The river mingles its stubborn lament with the sea

In you the wars and the flights accumulated
From you the wings of the song birds rose

Cold flower heads are raining over my heart
I made the wall of shadow draw back,
Beyond desire I walked on

You swallowed everything, like distance
Like the sea, like time,  in you everything sank
In the childhood of mist my soul, winged and wounded,
In you everything sank

The happy hour of assault and the kiss
and spell that blazed like a lighthouse
I raise my song to you

I don't know how you could contain me
in the earth of your soul, in the cross of your arms

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank
This was my destiny and in it was the voyage of my longing,
In you everything sank

.... Solo break....

You swallowed everything, like distance
Like the sea, like time,  in you everything sank
In the childhood of mist my soul, winged and wounded,
In you everything sank

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank
This was my destiny and in it was the voyage of my longing,
In you everything sank
Ah haaaa

In You (Everything Sank)

Spending summer by the lake in the forest


Forest Lakeside

MISSING YOU  (From Open Collab Paploviante)
Backing Track:
https://soundcloud.com/paploviante-and-friends/turn-of-time-open-collab-offer
Vocals Leslie (Ghosthack) Missing you
Lillithe:  Mix, Arrangement and Production

Missing you (From Open Collab Paploviante)

The Way

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter
note by jo: for very real, material reasons, some people describe living entities as "stardust" and "all vibration". in our current, mentally largely dissociated state, it would make as much sense, though, to describe us as "stellar noise". It will take heartfulls of kindness and mindloads of understanding and nuances of acceptance of letting go and so much more to individually evolve into more harmonic states.

it is time, he said, to address the cosmic egg
the liquid consistency of what it holds
and the fact that insects and crusteceans
are clad in terrean space suits of their very own
and human skin can crack and bleed and peel and heal
and their minds are similar to that in more than one respect

it is also time, he put forth in further understanding
that the very nature of awareness, sentience and connection
to the entities we cannot smell or touch in our tuesday state of mind
and our wednesday protocols and even in our sunday suits
and unprotected glowing selves - unless that little voice trails off

and there is nothing left to win or lose or be or presuppose
and see the inside out in four dimensions, to welcome the upside
round and fingers that can shape the world without a tool

or a machine or automated processes and institutions and free
of data that informs the abstract mind but starves the living tentacles
of kindness and a self endowed with all the silence held to listen

that's why you will have to make a bold decision
to overcome your dizzy spinning sputtering state
of fuzzy feeling and self-involved confusion made
and all that fruitless pro- and inhibition
and turn that little voice off in your head
turn that little voice off in your head

(instrumental, including free static noises)

even in the southern realms and climes
the mongrels at the helm and lost in rhymes
tell wicked tales encumbered only by
some long forgotten memory
buried to the burnished hilt
while in a building built by lords and ladies of the cosmic court
while all the scouts appear as tiny lights
of white and red and blue and green
in smokey dreams of sorcery...........

scalar field pt 8: hide and Seek ---Sonic Structures and Silent Stretches

Enter...

This Track was a long time unfinished due to missing inspiration, until I found the missing final piece on the site of the phantastic Nathalie B20:
https://soundcloud.com/nathalie-b20
Nathalies vocals and text were fitting perfectly to the atmosphere in the second part and that shows that sometimes you just need to wait for the right moment and  for coincidence to get important things done :-)
So please enjoy the journey, it´s again a long one (10 min), which I hope you will spend with joy and fun.

Vocals: Nathalie B20
Bass, guitar,keyboards: Norbert Meyer
Production, Mix and Mastering: Norbert Meyer

Travel Through The Night Feat. Nathalie B20

the man & the myth

James Stotts's Album

Troubador

Track shows a very delicate theme and a quite hard-riffed part, both alternating and finally flowing up to an endless symphonic dream (words are half a poem I wrote previously (not these, but lyrics below)).

Letra  /  Translated lyrics:

No despiertes (Sólo un sueño)  /  Don’t you wake up (Only a dream)

No... despierta... no... no despiertes  /  No ... wake up ... no ... don’t you wake up
no, cuidado... no despiertes, na na na na na...  /  no, take care ... don’t you wake up, na na na na na…
... despierta al fin y date cuenta  /  ... wake up at last and realize
de que todo ha sido un sueño, na na na na na...  /  everything has been a dream, na na na na na...

Una vez más, nervios y resentimiento,  /  Once again, nerves and resentment,
todo en mi vida es sueño, sólo ha sido eso.  /  everything in my life is a dream, it has only been so.

Y de nuevo, con el tiempo,  /  And again, with time,
incubando un nuevo sueño,  /  incubating a new dream,
me voy hundiendo en mis propios brazos,  /  I am sinking in my own arms,
me acuno, me canto y me voy acostumbrando...  /  cradle myself, sing to myself and get used...

Otro escenario, otros personajes,  /  Another stage, other characters,
la misma historia, na na na na na...  /  the same story, na na na na na...
que durará un día, un milenio,  /  which will last one day, a millenium,
toda mi vida, na na na na na...  /  all my life, na na na na na...

Pero sin duda vendrán a despertarme  /  But undoubtedly the laughs of people
las risas de la gente, alguna tarde.  /  will come to wake me up, any evening.

Y entonces, con miedo...  /  And then, fearfully...

No... despierta… no… no despiertes (…)  /  No ... wake up ... no ... don’t you wake up (…)

No despiertes (Sólo un sueño)

(Don't follow me here, best on my main page ;)

Enter...

Lizzie Taypen

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