Techno Taxi.
Just an Uber driver makin bangers.

Sol Sonidos is a Barcelona based music collective. We are a record label, events company and booking agency. It was created by international producer and performer Analog Sol.
 
Our sound is Afro House meets Melodic Tech, with a big scoop of good vibes and a dash of 80s nostalgia. 
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Our music has been supported by Solomun, Black Coffee, Pete Tong, Armin Van Buuren, Axwell, Benny Benassi, Gorgon City, EDX, Sunnery James & Ryan Marciano, Dirty South, Nic Fanciulli, Kryder, Steve Bug, Tim Green, Rodriguez Jr, M.E.M.O and many more.

More than 30 years in business, over 800 catalogue releases, over 8000 songs + remixes and still going strong!! Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and its sublabels Compost Black Label, Compost Disco, Drumpoet Community, Derwin Recordings and rumpelmusig standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop. XLR8R wrote: "...top address where electronica meets musicality". Besides internationally respected artist like Robert Owens, Trüby Trio, Koop, Beanfield, Christian Prommer, Felix Laband, Karma, Ben Mono, Kyoto Jazz Massive, Marsmobil, Eddy Meets Yannah, Sepalot, Alif Tree, Shahrokh, Wigald Boning a.o. the label is also well known for its praised compilation series V.A. "Elaste" (Vol.1-4), "Future Sounds Of Jazz" (Vol.1-14), "Partykeller" (Vol.1-3) or "Glücklich" (Vol.1-5). Like Gilles Peterson once said: “With great pleasure I pronounce Compost the most consistent and forward thinking record label of continental Europe.“

NEW LP — IN DAYTONA YELLOW — OUT NOW
OUT NOW - https://bfan.link/in-daytona-yellow
enquiries - jp@atcmanagement.com
DJ UK/EU - matt@octopus-agents.com flip@octopus-agents.com 
North America/ROTW - lhughes@teamwass.com

Melbourne’s Queens Of Club is comprised of Akaysha Rose (Ok Sure), Sal White (Osopho) & Hannah Millar (Hai Priestess). Every element of this outfit comes from the blood & sweat of the ladies of the queendom - from songwriting and production to the visuals, regal costumes and choreography of the live show. It is the expression of a group of three women who have found a unique concoction with their mix of pop-techno-witch-doof.

Like a potato that has received too much rain, Damon Walsh quickly outgrew his hometown of Ireland. With nothing but his records, 1210’s & an unbridled enthusiasm he joined the first fleet - setting sail for the fair shores of Australia. Not knowing what to expect when he arrived, he spent his first weekend in Melbourne at Revolver and knew he was home.
As a DJ, Damon’s versatility could be likened to that of a potato, he can mash/bake/fry/steam/boil tunes like few others. With almost 20 years’ experience in the industry there aren’t many genre’s that have alluded him. Nowadays you’ll find him playing mainly deep house and techno – but don’t be surprised when he throws an old spanner in the mix. He is predictably unpredictable! Often taking unwitting dance floors and paddocks on glorious journeys. Also keeping himself busy heading up Events and Promotions for Thick As Thieves, it’s amazing he finds the time to play!
His sound is as unique as his laugh! His friendly approach to music easily transfers from the dance floor to the bar. Not one to break a stereotype, this leprechaun is no stranger to a barstool. Many young DJs owe their careers to the great man – with him regularly taking chances on young’uns who share his passion and love for all things house music, the industry and potatoes.

Damon has achieved what many aspiring DJs dream of – holding down residencies and regularly appearing at some of Australia’s finest clubs and festivals.
Career highlights include:
• Monthly residencies at Revolver Upstairs with Mi Casa & Thick As Thieves
• Market Stage on Saturday night at Rainbow Serpent Festival
• The girls ‘Dunny Disco’ at the now infamous Honky Tonks closing party.
• Jay Ivany’s 21st bday party at his parent’s house

Spend 5 minutes listening to and watching Damon play and it becomes evident he loves what he does; his unbridled enthusiasm transforming dance floors for across the galaxy for decades.

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.

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