Name: As Far as the Eye Can See by Tea R. Sea in Mixed for Shock the Algorithm
Duration: 3 min 58 s
Description: Here is another track making heavy use of my favorite synth, the Minilogue XD

Quite, simple and nagging... beautiful atmosphere. I like the wise discretion of the melody lines :)

a groovy and unique track...........very hypnotic and alluring!!

Fantastic track. Love the filtered synths and funky rhythmic elements. The deliberate pacing and overall moodiness really works.

Mixed for Shock the Algorithm

Recorded by Joe Thorpe at Brighton Electric Studios in Brighton
Mixed by Alex Perkins
Mastered by Lawrence Biancardi

Peak Cam

MOON AND ARIES are back – with their new single "KNOTS"!
FULL VIDEO: https://www.youtube.com/watch?v=KjUReKoR1YQ
About the song: 
Having too many KNOTS can lead to a short rope. And if you want to climb a mountain, wouldn`t it be better if the rope was endless, always there to assist you with every reach? KNOTS - the new song by MOON AND ARIES. From the very first seconds, this song takes you into a confronting and liberating universe. Step by step, untying knot by knot, know you are worth what is on the other side of the mountain. This cinematic, electronic, chill, calm pop gem will throw you a rope to save you. KNOTS – release day: JUNE 22nd, 2023 on all streaming devices!

Knots

KNOTS

ambient, dance, シーケンサーと手弾き即興のミックスです, aum, xynthsizer, animoogz, korgmodule, modelcycles, nanokeystudio, 外の大雨を感じて作りたくなったトラック

DANCING IN THE RAIN

when you fvck over the wrong person, ya better watch ya self closely
That's what this track is about.

Don't Go

Synth impro from the night - I just wanted to make a quick and easy piece and its nostalgic vibe reminded of Tokyo, which I was lucky to visit 5 years ago.

Night

Title/Forest & Me
Vocals, song & lyrics/Khan
Beat, mix & prod/jigs trippin

Jigs trippin url
https://soundcloud.com/jigstrippin

Lyric
Forest and Me

When the wind lies in the west
Then it’s at the very best
When the wind lies in the east
The neither good for man nor beast

I’m always exhausted there
I go to the forest alone every day
Many monsters live in the forest
I’m always exhausted there

You should take a candle 
When you go to the forest
Keep your eyes on the candle,Monsters lose power

And Monsters lose power
Repeat 
over and over




風が西寄りに吹いてる時は誰にとっても万歳だ
風が東寄りに吹いてる時は人にも獣にもいいことない
いつもそこで私は疲れ切ってしまう
私は毎日一人で森へ行く
そこには無数の魔物が住んでいる
いつもそこで私は疲れ切ってしまう
森へ行くならキャンドルを持ちなさい
キャンドルに集中するなら魔物は力を失う
魔物は力を失う
繰り返して
何度も何度も

Forest & Me(jigs trippin. Prod）

Here is another track making heavy use of my favorite synth, the Minilogue XD

As Far as the Eye Can See

Breakdown - Is true or lie?

Breakdown - Acid Blond

BREAKDOWN - BASKET CASE ( Green Day Cover).mp3

Cast of characters:
Mysterious Decibel--@themysteriousdecibel -MD—lyrics and vocals
TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production
J.J. Terrell–@j-j-terrell– piano, keyboards, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion, minor backup vocals
Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar
This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 
  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 
  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 
  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar

It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night (The Eclectic Collective)

diM tHe LighTs Alexis

TripHop Instrumental Beat - Memphis Sessions Pack VIP

Contact - TripHop Instrumental Beat - Memphis Sessions Pack VIP (12)

BPM 135
Key Bm
Purchase / Free Download:
👉 [ https://bsta.rs/gXw8UD ]
Disclaimer:
This beat is free for non-profit purposes only.
To release on Spotify, Apple Music, YouTube Content ID or any monetized use, you must purchase a license.
Licenses Available:
👉 Check the license you need on my BeatStars profile:
[ https://www.beatstars.com/crewvo ]
Contact:
📩 crew.vobeats@gmail.com
Copyright:
© 2025 Crew.vo — All rights reserved.




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(FREE) Wasteland Crown | Futuristic Trap Beat | Melancholy Trap Vibes

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Hey friends, check out the "Smoking Trout on BandCamp" link below to get your own copy of the now complete Smoking Trout saga, The Quest for the Holy Dumpling!

New album Audio/Visual is now available on Spotify and for sale on BandCamp, features my favorite tracks from 2024-25. Releases to Spotify and other platforms on September 30th!

My genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. 

My recent tunes are produced using Ableton Live, FabFilter suite plugins, and often feature synths like Pigments, Microfreak, and Minilogue XD. I'm also beginning to incorporate guitar a lot more!
 
Some of my major artist influences include Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Pink Floyd, Modest Mouse, the Books, and too many others to list here.

As Far as the Eye Can See

Tea R. Sea

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