Great Conjunctions

Excerpt from 22:12 length single track: "Cementerio Central Bogotá" (2019)*music by Sábila Orbe. *vocals by Mist Spectra.
 Listen/ Free download full track from 3 alternative links:
- https://archive.org/details/cementerio-bogota-single
- https://humanfobia-official.bandcamp.com/track/cementerio-central-bogot-single-2019
- https://hearthis.at/humanfobia/01-cementerio-central-bogot/

Humanfobia - Cementerio Central Bogotá (Excerpt)

This song is about connecting, the intensity of sensations. I hope your ears enjoy... :)

Intensity

808 re-mix of blackbird.
might have to re-mix this someday, but ah well...

blackbird 808 mix

blackbird 808 Mix

there is no highway to Heaven for you (just a helter skelter to Hell)....
when will you understand that
however clever you think you are
at hurling insults/put-downs and abuse
these arrows only serve to
give away your position in
The Viper’s Nest
Which is why we avoid you
and take the High Road
You could catch up
if you took a ride on
the Love Machine
Empathy, not criticism
whats so wrong with peace, love and understanding...
follow the signposts follow the highway to heaven
and get off the helter skelter to hell
What matters most is the Love
You leave behind....
(The Grand Conjunction 21/12/20)

Conjunction Song

last track for the year 2020,
#industrial, #noise, #korgvolca, #theremin

you already know-staring into the abyss-your eyes staring back

The Passenger 2013 featuring Agosto y lo Innombrable

Freundlich sein

Paul Amlehn - Direction, Compositional System, Compositional Strategies, Catalyst Texts and Vocals for Musicians, Catalyst Texts and Vocals and Music for Julie Dupraz, Reverse-Scream Vocal (Inhaling Rather Than Exhaling Through the Vocal Cords), Unconscious On-the-Fly Mixing for First Two-Thirds of Composition, Conscious Mixing for Final Third of Composition, Editing, Production
Reinier Van Houdt - Piano, Bass, Radios, Synths, Computers
Susan Stenger - Field Recordings of Bees and Starlings, Alto Flute, Baritone 
Guitar, Organ, French Horn, Incorporation of Paul Amlehn's Reverse-Scream Vocal Into the Composition
Robin Storey - Mini Grand Piano, Electronics
Julie Dupraz - Text, French Spoken Vocal
Pierrick Drochmans - Sound Design
Nick Wilson - Audio Engineering and Production on First Two-Thirds of Composition
Laura Schuler - Live and Studio Violin
Isambard Khroustaliov - Real-Time Manipulations of Laura Schuler's Violin, Electronics
David Lynch - Visual Art

Mother (Wading through the Shoals of Time Possessed by an Inverted Love)

Wenn ein Jazzmusiker einen Countrysong für eine Schülerband arrangiert...

Garden Party

Dararat Chemnasiri - Alto  Sax
King Imagine  -   Sampler  ,  electronics

King Imagine  & Dararat Chemnasiri -  Flash

music . Tot. @user-288513022 & @tot-beat
instrumental is here: https://soundcloud.com/user-288513022/sweet-volt
lyrics, vocals & their mix, cover design . Mariam Zohra D : Myrh

WORKIN OVERTIME
sittin’ on a barrel that was hard to find
and i’d been working overtime

sitting on a barrel - i see people holding hands…

hard to find… it was hard to find
- holding holding holding
it was hard to…

oh, hard to find - i miss you

all i want - working - i miss you so
i miss you so

sittin on a barrel that was hard to find
and i’d been working overtime
working working working

tapping tip tap your wheels and barrels
i miss you
working
i miss you
tip tapping your wheels
tip tap tip tapping on your wheels and barrels
on your wheels and barrels


tip tapping tip tapping
hey! hey!
tap in! tap in! i miss you i miss you i miss you

Workin Overtime | Tot. & Myrh

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Nobody Else

Single

🎧 Stream/📥 Download

Shabboo Harper - Nobody Else (Original Mix)

music & art . EnigmaCurry @enigmacurry
instrumental: https://soundcloud.com/enigmacurry/auspice
lyrics, vocals & their mix, cover design . Mariam Zohra D : Myrh

UNDERGROUND
there’s a road , there's a road that's beyond
beyond - tender ground

holding
holding it all

there's a
there's a 
a place beneath
holding 
a place
underground

beyond, a place
beyond beyond, a place a place

a place underground

underground | myrcury

Infinite Thingz

Picture: JA Roebling & Sons Kinkora Works

Motions

open the world map, 
find the place you want to go ＆ what you want to do, 
and start right away.

https://youtu.be/dP0GRkqD2PI

take it

30 Janeiro 2021
Tocado "ao vivo" em livestream através do Facebook, em parceira com A Alma Merece (espaço terapêutico em Queluz) e Sandra Brito.
João Svayam - Voz, Guitarra, Composição

𝘗𝘭𝘢𝘺𝘦𝘥 𝘰𝘯 𝘭𝘪𝘷𝘦𝘴𝘵𝘳𝘦𝘢𝘮 𝘰𝘯 𝘍𝘢𝘤𝘦𝘣𝘰𝘰𝘬, 𝘢 𝘤𝘰𝘯𝘤𝘦𝘳𝘵 𝘴𝘱𝘰𝘯𝘴𝘰𝘳𝘦𝘥 𝘣𝘺 𝘈 𝘈𝘭𝘮𝘢 𝘔𝘦𝘳𝘦𝘤𝘦 (𝘵𝘩𝘦𝘳𝘢𝘱𝘦𝘶𝘵𝘪𝘤 𝘴𝘱𝘢𝘤𝘦 𝘪𝘯 𝘘𝘶𝘦𝘭𝘶𝘻) 𝘢𝘯𝘥 𝘚𝘢𝘯𝘥𝘳𝘢 𝘉𝘳𝘪𝘵𝘰.
𝘑𝘰ã𝘰 𝘚𝘷𝘢𝘺𝘢𝘮 - 𝘝𝘰𝘪𝘤𝘦, 𝘎𝘶𝘪𝘵𝘢𝘳, 𝘊𝘰𝘮𝘱𝘰𝘴𝘪𝘵𝘪𝘰𝘯.

Uma luz espalha-se no chão
Vejo a mão que se estende firme
Soa entre nós uma cantiga breve
e um sopro leve trazendo o teu nome

Caminhando abre-se a clareira
Vejo o trilho que devo seguir
Tenho em mim toda a confiança
E vejo a criança que pede para rir

Eu estou tão longe, e logo perto de achar
Um nome novo para o que não tem forma de chamar

Era só ter mais fé em mim
Ver que aqui tenho a resposta
Nos meus olhos estão também os teus
E são teus estes meus reflexos

Fecho os olhos e abro o coração para amar
Um novo mundo para o qual não há nome para chamar

Era só olhar para dentro de mim
Tal como olhar através de ti
Somos um, somos Todos
E seremos sempre enquanto formos Um
Era só olhar para dentro de mim
Tal como olhar através de ti
Somos um, somos Todos
E seremos sempre se assim o que quisermos

Somos Um (Live)

Finding the Balance

A recent astronomical event was, quite obviously, at the root of this odd musical piece. I accidentally came across a few posts on the social networks conveying a certain degree of confidence in this astrological occurrence, but I honestly couldn't afford to share their flaunted optimism. I couldn't recall any idyllic connection between Jupiter and Saturn, so I thought that a recording of an acapella singing performed by my wife about 10 years ago might have best fit my initial sonic atmosphere. It was an improvised sung rendition of an Arabic poem composed by Said Bin Ahmad al-Busaidi (d. 1803, feel free to check https://en.wikipedia.org/wiki/Said_bin_Ahmad for a short bio) that seems to have been used as lyrics by several modern Middle Eastern artists. I thought of it as a suitable fictional outlet for a broken hearted Saturn.
On the other hand, my everyday life subsequently offered me a chance to observe this "great" conjunction from a socio-political perspective in the country where I'm living in. I had the opportunity to take a field audio recording of a riot that took place not so far from my home in mid-January (feel free to check https://www.youtube.com/watch?v=4dI90RFsEF4 for a short account of the current situation), and I thought that it would perfectly give expression both to the disappointment of local people against those who have been managing political power since the so-called Arab Spring in 2011 and to the sympathetic, balanced reaction shown by law enforcement and the government itself. In order to sound politically correct, I thought it was appropriate to give voice to the establishment as well, to "Jupiter" if you like, so I googled around and found an awesome video (https://www.youtube.com/watch?v=BpJVq78A4Y0) starring the guy who's been behind the scenes of this brilliant democratic experience in Northern Africa during the last 10 years. I extrapolated a few audio samples from his declarations and used them in the first sequence of this piece.
I finally added a few instrumental and vocal parts, then I processed all of the audio recordings through a heavy, meticulous sound design work. Hope you'll appreciate the result.
EDIT: One year after its original release, I created a video for this track… You might like to check it out at https://youtu.be/0c9fyvCDqiU

Aroussia Riahi : vocals
Teth Sin : bağlama, bass guitar, samplers, background vocals, field recordings, sound design, vocal arrangement/mix

Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin

LYRICS (a partial rework of Said Bin Ahmad al-Busaidi's "Ya Man Hawah" ; sadly this text field doesn't seem to properly support RTL scripts, but I guess most of the listeners will only read the English translation I provided below):

JUPITER:

We try to avoid any sort of exclusion.
We opt for the dialogue... Consensus.
We faced many problems.
All our policies are based on the notion of consensus.
I don't deal with "if", I deal with reality.
We try to go to the consensus.
There isn't any paradox.
To avoid any sort of extremism, democracy is the solution.
We need international cooperation, regime cooperation, development, democracy, dialogue, consensus... Consensus.

SATURN:

يا من هواه
أعزه وأذلنـــي
كيف السبيل إلى وصالـــــك دلني
أنت الذي حلفتني
حلفتني وحلفت لي
وحلفت أنك لا تخون وخنتني
فلأدعين عليك في غسق الدجى
يـبـلـيـك ربي كـمــا أبلـيـتـنــي

Oh you who love
Oh you who passionately love
May you be cherished and may I be humbled
Show me how shall I ever find the way to get back to you
It was you who made me swear, and you swore to me
You swore you weren't going to betray me, but you cheated on me
So I'll pray against you in the dark of the night
May the Lord afflict you just like you afflicted me

The Great Conjunction

With My Good Eye Closed

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Great Conjunctions

Teth Sin - Reposts, Collaborations & Covers