Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

YACHT—Young Americans Challenging High Technology—is a post-pop trio based in Los Angeles. They are neither young nor all American. 

YACHT are new wave radio rejects; perpetual outsiders; canny observers; dreamer-prophets who average seven years ahead of their time. Founded in 2002 in the Pacific Northwest DIY scene, they’ve since released seven full-length albums and dozens of singles and EPs, always supplementing their releases with multimedia projects and high-concept experiments. 

An unplayable compact disc, a philosophical handbook, an eyewear collection, a fragrance, an app, a 62-foot video installation: their ambition to make exceptional things is voracious, playful, and limitless. For YACHT, music is a world and everyone is invited. 

YACHT’s seventh album, Chain Tripping, which was composed in collaboration with Artificial Intelligence, was nominated for a GRAMMY Award for Best Immersive Audio Album in 2020. A feature documentary about YACHT’s work with AI, The Computer Accent, was released in 2024. New Release is the first studio album from YACHT in five years. Recorded at their home in Los Angeles, the album is a slice of sly post-pop, playfully occupying a parallel timeline somewhere between 1983 and infinity.

World Circuit Records has made its reputation by producing some of the finest albums of the past three decades. The label’s prestigious roster includes the Grammy-winning Buena Vista Social Club and associated solo artists (including Ibrahim Ferrer, Rubén González, Omara Portuondo and Orlando ‘Cachaíto’ López), Malian blues pioneer and Grammy-winner Ali Farka Touré, Malian divas and social activists Oumou Sangaré and Fatoumata Diawara, master kora player Toumani Diabaté, the illustrious Orchestra Baobab, musical iconoclast Cheikh Lô, and Fela Kuti’s legendary drummer and co-creator of Afrobeat Tony Allen. 
 
With reissues and brand new releases coming soon, World Circuit continues to bring diverse, genre-defying music to a wider audience.

TechZing is an informal bi-weekly chat show aimed at entreprenures and hackers interested in creating their own web app startup. The show is both educational (with practical advice) and conversational.

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London based record label, home to Beach House, Father John Misty, Midlake, John Grant, The Flaming Lips , Susanne Sundfør and many more...

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