Progressive rock and metal band based out of Los Angeles, California. Formed on July 4th, 2011. Debut album “A Night for the Troubled” released on August 5th, 2016. 

Currently in the process of mixing album #2!

REQUESTS / LABEL / PRESS / DEMO
gangstahouselabel@gmail.com

IN THE SPOTLIGHT

G-House / Indie Dance / Nu Disco
Bass House / Deep House / House 
Future House / Melodic House / Various House
Future bass / Trap/Twerk / Riddim/Dubstep / Garage House / Dnb [futurestep, jump-up]

Composer
Music Producer
Sound Designer
Audio Engineer

Ellson Graywell is Dwayne Slack. Dwayne has been creating music for most of his life. He likes things a bit on the weirder side. He used to participate in the sport of curling. This has no relevance to his music whatsoever. Enjoy.

Lead guitarist/backing vocals for progressive rock/progressive metal band Aeonic Impulse. 

Formed on July 4th, 2011, we released our debut album “A Night for the Troubled” on August 5th, 2016. We are currently in the process of mixing our follow up. 

I also do solo acoustic covers on the side.

bookings: david@transatlantic.earth
contact: softmatter.x@gmail.com

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—  select past shows  —

Oct 19, 2024: Creamcake, Berlin
Apr 21, 2024: Abadir, Chago, Tufi, Isaka; Berlin
Jul 07, 2023: Soulfeeder x Club Sirens, Berlin
Dec 16, 2023: XO Noir: Live set w/ Nthng and Blue Hour, Montreal
Aug 20, 2022: World Creations Studio, Montreal
July 7, 2022: SUBSTRAT Festival at Société des arts technologiques
May 7, 2022: Andy Stott at Newspeak, Montreal
Dec 12, 2021: unrar.me w/ Bloomfeld, Personal Brand, Neutralized, Berlin
Aug 25, 2021 : MUTEK https://montreal.mutek.org/en/artists/softmatter
Mar 13, 2021: COMMON MULTIVERSE by Currents.fm x Infinite Machine w/ Swan Meat, Laughing Ears, Bungalovv, Benfika, Koi, Fausto Mercier & Bonebrokk
May 2, 2020: Club Quarantine w Nkisi, Minimal Violence, Countess Malaise, Korea Town Acid & Venus In Foil
Dec 22, 2020: Untitled: Holiday Edition w/ Reka, Toronto
Nov 2, 2020: SOAKed w/ Korea Town Acid, Honey Drip & Venus in Foil, Toronto
Aug 14, 2019: Solo Show Klub CH25, Warsaw, PL 
July 14, 2019: I Love Promise w/ Fred P (NY), Cherry Beach, Toronto
June 18, 2019: Showcase w/ Cucina Povera & Raf Reza, June Records, Toronto
May 30, 2019: Showcase w/ Bénédicte, Khedo, Embassy Bar, Toronto
Jan 31, 2019: Showcase w/ Korea Town Acid, Embassy Bar, Toronto
Jul 01, 2018: ACT! (FKA Egyptrixx), Così e Così & Cares, Baby G, Toronto
Apr 26, 2018: Showcase w/ Joanne Pollock, Leucrocuta & Sages, Handlebar, Toronto

New Album 'La Belleza' Out Now On @antirecords https://lidopimienta.ffm.to/labelleza

Sounds from Toronto and beyond.

Check out the full show on CIUT 89.5 FM, every Wednesday from 10pm - 11pm EST.

Barry Prophet www.pomer-prophet.com
Recording artist with The Sublunar Society. "Sound As Instrument & Art" Vol. 1 & 2. www.sublunarsociety.com/

Sound Sculpture, Sound Art by Barry Prophet
I’ve been making custom sounds since 1979, first exploring micro-tonally tuned glass lithophones, moving into the Percussion Performance Sculpture Series: the Glass Box, Revolving Tone Door, Transparent Tone Arch and Sonic Hereafter and more recently, public sonic interactive sculptures Gathering of Quivers, Black Quiver, Synthecycletron (seasonally permanent interactive cycle powered electronic sound sculpture) and Sound Booth. The Chain Reaction Project is an on going exploration of materials, mechanisms, microcontrollers and their applications to interactive, portable and public sound sculptures. The goal with all these works is to make interesting looking objects that make interesting sounds.
Running parallel, and often in conjunction to making sound sculptures has been the activity of making music and Sound Art. Just as I’ve explored novel ways to make sounds acoustically, I also look for expressive ways to manipulate and trigger electro-acoustic sounds. My electric setup includes HandSonic and WaveDrum percussion synthesizers and Absynth softsynth loaded with sound samples of my field & studio recordings. Until a few months ago the softsynth was triggered by just a padKONTROL & pedal. Now I have two AudioCubes and find the level of sonic diversity has grown significantly.
My Sound Art & Environmental Music incorporates sounds gathered from the environment, interior/exterior, urban/rural. These sounds can be used as they are found or can be enhanced through effects processing or manipulated beyond recognition of the original sound source. Inferences of time, place and narrative seem to be intrinsic. I work from as broad a palette as possible. 

Ellson Graywell is following