Trance feat. Ryder
Vocals and Lyrics:
Ryderofficial:
https://www.looperman.com/acapellas/detail/22300/trance-travis-scott-type-vocal-160bpm-trap-acapella
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Trance feat. Ryder - Paploviante

after school
runaways
was just the two of us
babe

leave our homes
leave our friends
see where the highway
ends

flying
trying

you never come around now

ever gone
here to stay
you live inside of me
Maeve

in my dream’s
shadow play
until tomorrow comes
stay

crying
trying

you never come around now

until tomorrow comes
stay
-------------------------------------------------------------------

thanks to Janine Levinson, Cheesemont Paisely-Paisely, Wheelwright and Wodwo for patient support and great ideas.

image by Alexander Grey via Unsplash

Evergone

Farewell Summer

"Starting Over" (demo v2)

Made and played by me on August 16 and September 12, 2024, using sounds e.g. from Yamaha Montage 8 (TX816 Electric Piano), Keyscape (Roland MKS-20 EP sound), Arturia Jup-8 V and UVI SonicPass (Emulator II, Marcato Strings sound).

Edited a little on September 12, 2024 (changed melody a bit & added and modified some chords, added some chorus etc.). Mastered with Ozone 11 on September 12, 2024.

I'm also working on an instrumentalized version. Also, this song could maybe use some lyrics, and it is still something I have to look into. All comments would be more than welcome, especially regarding the melody (it seems that good melodies are pretty challenging to develop).

As two sources of inspiration here I could name Luis Miguel's versions of the songs "Toda una vida" (by the great Osvaldo Farrés) and "Ese momento" (by the great Armando Manzanero).

Starting Over (v2)

Here is a little "conversation" between various keyboard instruments (I am not sure if they can talk).

Keyboard Conversation

Slo Burn (but Getting Faster)

The camper was making dangerous chemicals...💊🩹
I was inspired by foreign dramas!!📺✨
thank you for listening！！
DAW: Cubase pro 13

Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817

Science Camper

16.12.2024 Nopro 2

An introduction to the next track, The Wolves 🫶🏼

Eh I meant to say .. Most powerful song of mine ever ✅

Introduction to The Wolves

Lyrics
Well, your folk rocks
Pristine
Just over the channel
Brightoned two sheen

Salt Fire looped by the hour
Teachers of tuned tone harmonious flower
Guitars for me cornered still
Their voicings will tend to your will
New musical pathways the pill
Everytime, ears getting that fill

Salt Fire go hear their higher
Salt Fire Lo-fi classical attire
Salt Fire Go hear their higher
Acoustic crumbs of grandeur
Harmonies. The biggest aliens have landed...

So come, let's all fly away in a song
We do it cause we are it
This is where we belong
Good tempered bones
Some tension tones
Utopian homes
Fly away in Salt Fire song
Good bye dystopian drones
We're aligned 
Our staves are long

This song is about the artist Salt Fire across the pond in Brighton. Superb music worth a permanent rabbit hole & I think worth more ears...

Check out Salt Fire on #SoundCloud
https://on.soundcloud.com/MVWEVjwQKrcNBTCGA

Ok so track filled. Added Celtic Harp, Classical Guitar and strings via Keyboard 

Theres a nice point here. So I used the phone recording, imported to the daw and it became the base and click track for the song. It's a nice way of locking in your human time but still filling over it and getting a full tune with more instrumentation. For those ideas your not at the studio and plugged up... 

Android I end up with an m4a - convert to wav for free online (usually fixes bitrate issues) - import to daw audio track - turn off tempo and click track - Your jam just became the click track. Playing to this only then allows you to lock into your feel again as opposed to recreating the whole thing to a click track from scratch...



On the human time... I was chatting with my best friend Anto the other day. He's a fabulous photographer. He shoots only film and uses an eye piece view finder still. He says it feels more instinctual to him. I feel similarly recording things on the spot in random places... You're playing to your instincts which can be spiritually way more creative I think then sitting down and doing it by sums. Both have their merits but starting more regularly in the former more natural way may offer more instinctual goodies. The method part of the process can always iron out and perfect the unusual things you find instinctually in hindsight when further along the process and it's all getting stitched.


To give the phone recording sufficient presence I add reverb 80%20%/compressor for acoustic guitar/EQed for Vocal/Light Stereo Spread for LF & HF. Then I double tracked it each panned slightly either side. The difference is actually a pretty cool example of cleaning something up for use. Recording wasn't changed aside from the dynamics

Salt Fire (Session #2)

"Dernier baiser" LIVE UNCUT GPTV https://youtu.be/ew9HXT3QH0I?si=FT8kM1U0Z0hLJDVF&t=1313

Produced and arranged by Shane Watt and Marie-Noëlle Reyntjens
Mastered by Fran Ashcroft
Music and lyrics by Marie-Noëlle Reyntjens except for "secretly": written by Len Arran and Skin

Marie-Noëlle Reyntjens: vocals, back-up vocals, piano, keyboard, glockenspiel and percussion
Shane Watt: bass, acoustic and electric guitar, drums, percussion, glockenspiel, keyboard, programming and back-up vocals
Blaise Watt: electric guitar and back-up vocals

No heart feelings

dernier baiser

Hello, Welcome to TBD.
All these creations are made by hard work and years upon years upon years of practice and trying to explain this world and the human condition to myself in the process through poems & songs. Thanks for all of your wonderful support.
Peace and Love to Everyone,
Carl Culliton

Introduction to The Wolves

The Beautiful Dark