Here is a song built on notes of a scale made proportionally to the fibonacci numbers. Each Fibonacci number was multiplied by 100 to get the figures in numbers of hertz that are audible.
So the frequencies we get from lowest to highest are:
100Hz, 200Hz, 300Hz, 500Hz, 800Hz, 1300Hz, 2100Hz, 3400Hz & 14440Hz. Any frequencies beyond this at this proportionality are not audible and I'm not making songs for dogs and dolphins just yet!

The first 5 notes of the scale offer nice harmony. Gets a bit if'ey above that but they are all in there, I just reduced the dominance of the higher notes for now until my ear knows and loves them enough to make them work.. These were voiced by an android frequency app and recorded to DAW from there. I then tuned my acoustic by ear (as far as I'm aware we dont have a tool to tune to this readily available) and played that open tuning along as best as focusing on the first 5 low hotes mainly. Then adlibbed a few choir like vox lines over

Note - Add golden ratio. Chinese bongo beat to this song

I purposely didn't look this up on the Internet when thinking of it. I wanted to discover it for myself and get my results. Now that I do search for it... Haven't found anyone converting it this way yet. Didn't look very hard but it seems most use it to reference existing concert pitch scale and they haven't tuned to the proportionality of it. Could be wrong and would love to be linked up to understand this a bit better if anyone knows good info on this 🙌🏽🔆

harmony frequencies to try
150Hz
250 Hz
400Hz
450 Hz
600Hz
1600Hz

Work out if these are symmetrical extensions on the Fibonacci scale... or work out what frequencies the symmetrical extensions are and see if they are harmonious and usable... although need to think about this.. proportionality is gone when talking extensions so maybe forget these for now... Need to figure out how the extensions relate to nature and not just finance...

The Fibonacci Scale

🔥 𝖜𝖍𝖊𝖓 𝖙𝖍𝖊 𝖒𝖔𝖗𝖓𝖎𝖓𝖌 𝖈𝖔𝖒𝖊𝖘 🔥
             𝚎𝚡𝚙𝚛𝚎𝚜𝚜 𝚎𝚖𝚘𝚝𝚒𝚘𝚗𝚜
             𝚘𝚙𝚎𝚗 𝚏𝚘𝚛 𝚌𝚘𝚕𝚕𝚊𝚋𝚜
           𝔾𝕣𝕦𝕟𝕘𝕖 𝕣𝕠𝕔𝕜, 𝕙𝕚𝕡 𝕙𝕠𝕡 
                  я из ᴩоᴄᴄии

     #rock #grunge #experimental

ᴍʏ ᴍᴜsɪᴄ ᴏɴ sᴘᴏᴛɪꜰʏ: https://open.spotify.com/artist/1hDO3BuG40lZxhmY2Bhjp1?si=N4yr9mXiRkaM24chaUW7Sw

ʍоя ʍузыᴋᴀ ʙ я. ʍузыᴋᴇ: https://music.yandex.ru/artist/23750546?utm_medium=copy_link


Email: vikismysticfacts@gmail.com

Based on collaborative song writing in the early 80s and a few studio projects over the years. We are reunited to create new projects after taken a longer break.

Update:
In the summer of 2022, my dear old friend Mick and longtime musical companion died of cancer.

I have agreed with him that I will continue to run our site in his spirit. Our amazing, unique music will live on forever.

Morten Jeamland 
July 2, 2022





Hey hey, my my
Rock and roll can never die
There′s more to the picture
Than meets the eye.
Hey hey, my my.*

*By Neil Young


Mick loved listening to Rory Gallagher, Ten Years After, David Lindley, Neil Young and Alan Stivell.
He let this wonderful music flow into our songs. 
So we gave our music a new genre, which we called "Desert Psycho Fusion Blues Rock".


Updated May 17, 2023
Morten Jeamland


Mick Bolt:  vocals //rhythm guitar & lead guitar//furious slide guitar// 6- & 12- string acoustic guitar & keyboards


Morten Jeamland:  lead vocals & harmony & backing vocals//bass & double bass // keyboards//additional electric guitars//sitar//6- & 12- string acoustic guitar//drum programming// recording//mixing & mastering// producer//sound design//near field recording

Cover design by Jeamland & Bolt
©2013-2025 Jeamland Music Production

ᵁᵖˢᵉᵗᵗⁱⁿᵍ ₜₕₑ 𝔸𝕡𝕡𝕝𝕖 ℂ𝕒𝕣𝕥 
ᴡɪᴛʜ 𝗛𝗼𝘁𝗱𝗼𝗴𝘀 Ø₣ TᖇᑌTᕼ

We are switching gears, 
learning new instruments, 
have a new producer,
and are in a new environment! 
We're planning some big stuff 
for the future. 
Someone may actually learn to sing..

We still have 𝕟𝕠 𝕚𝕕𝕖𝕒
who is in our band,

ʙᴜᴛ ᴡᴇ'ʀᴇ ALWAYS 𝟙𝟘𝟘% ⒻⓃⓄⓇⒹ

ᴀʟʟ ᴍᴜꜱɪᴄᴋ ᴡʀɪᴛᴛᴇɴ ᴀɴᴅ ᴘᴇʀꜰᴏʀᴍᴇᴅ ʙʏ
 ᴛʜᴇ𝔣𝔫𝔬𝔯𝔡 (pǝʇou sɐ ʇdǝɔxǝ)
ᴜꜱɪɴɢ 𝕐𝔸𝕄𝔸ℍ𝔸 𝔾𝔼𝔸ℝ 
and ꜱᴛᴇɪɴʙᴇʀɢ Software
⁽ᴺᴱⱽᴱᴿ ᴬᴵ⁾

We love ᴇᴄꜱᴛᴀᴛɪᴄ ʀᴇᴀᴄᴛɪᴏɴꜱ 
or 𝐯𝐢𝐜𝐢𝐨𝐮𝐬 𝖍𝖆𝖙𝖊𝖋𝖚𝖑 reactions!

Special Thanks to Chris Onstad for song titles for about the next year or so...

ᗩᖇ𝕋: 
ₐ 𝕔ₒₘ𝕓ᵢₙₐₜᵢₒₙ ₒ𝕗
ₘ𝕪 ₒ𝕨ₙ ᵢₘₐ𝕘ₑₛ
ₐₙ𝕕 ₐᵢ 𝕘ₑₙₑᵣₐₜₑ𝕕 ᵢₘₐ𝕘ₑₛ
𝕔ₒₘₚₒₛᵢₜₑ𝕕 ₐₙ𝕕 ₑ𝕕ᵢₜₑ𝕕 
ᵢₙ ₚᵢₓₗᵣ 𝕗ₒᵣ ᵢₒₛ

I'm a sound engineer at Woods Studio that mixes and masters songs.  Check out my web page: https://woodsstudionorway.com, I only charge $50 US Dollars per song.  For only mastering, I charge US $25 per song
10 songs I charge $475 $25 dollar discount
if you are interested. Email me to:
woods.studio.mail@gmail.com

At Woods Studio, we specialize in creating high-quality mixes and masters for your music. We work closely with you to understand your unique style and vision, and tailor our mixes to bring out the best in your tracks. With years of experience and a passion for music, we are dedicated to delivering exceptional results that exceed your expectations. Our team of experienced engineers use only the latest technology and techniques to ensure that your music sounds its best. From EQ and compression to reverb and delay, we have the skills and expertise to craft a mix that perfectly captures the essence of your music. Whether you're a solo artist or a band, we can help take your music to the next level. Contact us today to learn more.

I have attended an audio school and worked several years at a concert hall named Olavshallen https://www.olavshallen.no/arrangere/store-sal I followed Khaliq Glover’s courses and webinars. I've been into sound engineering since 1991 and mixed over 1000's of songs. I have previously mixed for One Time Records and have released a vinyl with Koalra. I also have mixed "Where Do I Go" with Chris TR that was airtimed on the BBC radio

I use Universal Audio, fabfilter, soundtoys, autotune, melodyne, ozone and Plugin Alliance plugins and have a Uad apollo interface .

 I also use outboard gear like the RME Fireface, Universal Audio 2-1176 stereo compressor , An Avalon channelstrip, a space echo RE-201, a Drawmer 1968 mkii, and a Lexicon Pcm92. Also a dual ssl eq 

If you have the session files I would be happy to mix your song. Let me know if you’re interested.

E-mail: woods.studio.mail@gmail.com
Web page: https://woodsstudionorway.com
Youtube page: https://www.youtube.com/@stereosonic5182
Instagram: https://www.instagram.com/woods_studio_mixing/
Facebook page: www.facebook.com/Woods.Studio.Norway/
Donate: https://www.paypal.me/woodsstudio

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

No AI. None at all. Hello!   If I was good enough, something would have happened by now…maybe it  did and I just didn’t pay attention. Maybe I’m in the midst of something.

I’m primarily a Songwriter and play and sing too. 

I used to  perform with various talented artists. Im now returning to writing and recording.  Theres some evidence of this…

Theres always someone new to hear . 


Thanks for listening and providing inspiration via your own beautiful art.

email :   liggettservices@gmail.com

Side Note :  My goal here is to upload my catalog to date... thats something ….right?

I am humbled by your kind and generous spirit and your willingness to share it.

I’ve been ignored by some really talented people.. it is my claim to fame.

Howdy. Carl Culliton here from Ireland. Artist name The Beautiful Dark. I toyed with the idea of changing it but doesn't feel right after 24 hours so... Back to TBD.. Thanks for all the support and inpiration. It's infinitely appreciated

Personally I don't play the SoundCloud game of equal reciprocation. Every time my life as a Dad allows me to listen to a song... I listen to the whole song as I want to give genuine feedback and also learn as much as I can whilst here. So sorry if I don't listen and like and repost loads of your songs. Id prefer to support people by actually helping with the skills I've developed and give less frequent yet valuable feedback where possible then just playing the game of likes. That said I completely understand and appreciate people that decide to do that, that's you and you are as amazing as I am so no judgement. I just want to be clear with you that you won't get any artificial spreading of your music from here but you'll get my honest opinion based on what I imagine you were aiming for. This has helped me transcend musical taste in a way. I'm always imagining what you wanted as opposed to what I like. This has opened up some serious musical doors for me, embracing music that way instead of pre judging it based on what I've already heard... Lose the taste and expand your horizons is maybe what it is suggesting... I've always been a multi genre artist but this has activated multiple genre from an artistic point of view on steroids for TBD! A musical tri sexual.... The Get to Down! 🫡
Love will win ❤️‍🔥🎶🧬🙏🪶🔆🫛🧠🤘🏽

Let's let the music do the talking!

😆...

Speaking of the music doing the talking. Make sure you use AI to enhance the development of your skill. Getting a result delivered to you that doesn't reflect your ability isn't soulful. Be honest with yourself and be honest about what technology is and how it has come to be. There is a very questionable built in theft of our spirited art works that has been used to build current LLMs so the onus is on each of us as individuals to decide both whether or not we feed that beast at all and how we let that technology feed and enhance or limit our beings...

I've had mine and I decided for now... Only my fingers and voice will feed my music. AI needs to be made conscientiously for me to embrace it at all. I may look at it for DAW automation in the future as that will free up my fingers to make better songs but I'll wait until politicians do their jobs (we'll be waiting a while no doubt) and clean it up for all of us!

Regulate AI NOW so we can label music properly

I am an university professor of history who enjoys playing (guitar and piano/keyboard) and composing: unpretentious, just for fun. As a consequence, the most of my recordings (made with KorgD8 / Audacity and also Reaper now, for MIDI and the Spitfire Audio sound libraries) are handcrafted and largely imperfect.
My stuff consists of old songs (all wrote in the past century; here are only those I have redone in these last years) and old and new instrumentals (usually in various versions, some of which are removed at some point because they're unlistenable). 
Thank you in any case for stopping here to listen to something; in the description area you can find often explanatory notes or lyrics translations.

Here I found a community of great musicians and songwriters and a lot of beautiful music to listen to; you can be sure that any liking, commenting or reposting by me is a consequence of careful listening to the tracks. Obviously, for this very reason, I am not interested in collecting free ‘likes’ without real listening. I will not answer any messages from possible promoters: the number of followers does not interest me in the slightest. 
By popular demand (well, exclusively my daughter's — she says it's the "cooler" platform), I'm finally starting to put some of my stuff on Spotify too...

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/