Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Stavros Potamitis (aka Stevie R) conjures emotion and weaves sonic tales by combining the rebetiko folk music of his Greek homeland with analogue electronics. Working with a range of collaborators he offers forward thinking, avant-garde music and daring, theatrical live performances that freely blend and cross over between musical styles. As well as being a musician, producer and performer, Stevie is a lecturer at Point Blank Music College in London, runs his own record label Inside Out Records and is A & R of Chapter 24 Records. Always looking to push musical and sonic boundaries, he is just as relentlessly focused on moving things forward in his own work as he is committed to supporting the next generations to break through.

Few things people said about his music:

Mixmag: “Melt is a mesmerising collection of organic sounds and esoteric themes from a creative force of nature”

DJ Mag: “It’s goofy, hefty and fierce and has more bass and hand-held percussion than you ever knew you needed. Massive stuff”

Disclosure: Chugger!

Andrew Weatherall: “A right pair of dirty shunters!"

When We Dip Magazine
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Dance Music Magazine | Montréal

https://www.whenwedip.com/

Founded in Dublin, Ireland, and now having its main office in Montréal, When We Dip has become a respected magazine for supporting both established and local talent in the arts. The WWD network strives to bring its readers unique and engaging content as we descend over the horizon in search of both great innovation and audio-visual stimulation. 

Label: @wwdxyz

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Please submit track, mix, repost, and Spotify request to : http://tinyurl.com/wwdsubmission

(We listen to everything, if you don't have an answer after two weeks, the submission has been declined)

New single out now // Dopamine
https://weval.lnk.to/dopamineSO


Critically-acclaimed Dutch act Weval (AKA Harm Coolen and Merijn Scholte Albers) arrive on Ninja Tune’s Technicolour imprint with their new EP Changed For The Better. The duo hail from Amsterdam, where they have been cultivating a unique sound that balances high energy electronic funk and emotive synth arrangements with bold, beautifully composed melodies and songwriting. The duo recently embarked on a mission to rediscover themselves and what truly drives them, in a process of liberation from self-imposed constraints. Their creative process was reinvigorated with an uninhibited approach and Changed For The Better represents Weval unfiltered, accepting themselves for who they truly are. It’s sincere and heartfelt and unashamedly positive.

Bookings: naomi@earth-agency.com (EU / RoW) / sgoodgold@teamwass.com
Management: mb@285.group / am@285.group

Hippo Sounds for Hippo People
nothing new here...
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Ort, Zeit und Raum für Tanz, Spiel, Performanz, allerlei Kunst und Kreativa.

next event: relax - you got plenty time left

promos and audio material:
struppie@talderverwirrung.de

booking inquiries:
booking@talderverwirrung.de

Music with meaning. Storytelling house and techno with heart and soul above all else.

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