Indie Rock & Pop 2021

Part song, part experimental tech-art piece, Toronto’s cinematic indie-pop/rock duo W I N C H E S T E R reveal their debut single Last Day of the Year taken from their forthcoming EP, “If Time is Not Linear Why Can’t I Forget the Past?”. The high-tech visual and audio experience is the product of the unbridled collision of the pair’s backgrounds in architecture, classical music, coding, visual art, DJing, and design. Together, Canadian artists Lauren Austin and Montgomery de Luna forge an atmospheric sonic pallette brought to life by an equally hybrid video art piece that blurs the line between computation, projection mapping, photography, and still life.

A refreshing, genre-bending composition of dark-alley dance beats, pop hooks, luscious synths, and ferocious guitars, songs from the W I N C H E S T E R debut have been described as, “epic tracks” by Velvet Rope Magazine’s editor Care Finch, stating, “this is certainly a band that I can get into”. Despite only releasing their first single now, their informal demos have already garnered the attention of Velvet Rope, the Indie Rock Playlist, ongeKunsteld, 88.3 CJIQ’s Indie Rock Invasion Show, Bells Brigade, Coast2Coast Mixtapes, Music of the North, and 89.5 CIUT’s Unsigned Radio.

Fully self-produced in domestic secrecy, Last Day of the Year is the first in a series of art pieces to be released later this year through Label Labs Records, an emerging grassroots recording club based out of Toronto. With each release the group will carve out another piece of the W I N C H E S T E R universe, methodically developing the visual companion to each song. This combination of sonic and visual elements as one integrated work advances the duo’s vision of a holistic concept realized through multiple media which will define their place in the music scene.

Last Day of the Year Written and produced by Montgomery de Luna
Performed by Montgomery de Luna and Lauren Austin
Mixed by Shayn Hotton
Mastered by Emily Lazar at The Lodge, assisted by Chris Allgood
Released by Label Labs Records recording club
© Copyright 2016 Montgomery de Luna, ℗ 2016 Montgomery de Luna
All rights reserved

Last Day of the Year (single)

Last Day of the Year

W I N C H E S T E R - Last Day of the Year

Part song, part experimental tech-art piece, Toronto’s cinematic indie-pop/rock duo W I N C H E S T E R reveal their latest single Field Day taken from their forthcoming EP, “If Time is Not Linear Why Can’t I Forget the Past?”. The high-tech visual and audio experience is the product of the unbridled collision of the pair’s backgrounds in architecture, classical music, coding, visual art, DJing, and design. Together, Canadian artists Lauren Austin and Montgomery de Luna forge an atmospheric sonic pallette brought to life by an equally hybrid video art piece that blurs the line between computation, projection mapping, photography, and still life.

A refreshing, genre-bending composition of dark-alley dance beats, pop hooks, luscious synths, and ferocious guitars, songs from the W I N C H E S T E R debut have been described as, “epic tracks” by Velvet Rope Magazine’s editor Care Finch, stating, “this is certainly a band that I can get into”. Despite only releasing their first single now, their informal demos have already garnered the attention of Velvet Rope, the Indie Rock Playlist, ongeKunsteld, 88.3 CJIQ’s Indie Rock Invasion Show, Bells Brigade, Coast2Coast Mixtapes, Music of the North, and 89.5 CIUT’s Unsigned Radio.

Fully self-produced in domestic secrecy, Field Day is the third single in a series of four art pieces to be released later this year through Label Labs Records, an emerging grassroots recording club based out of Toronto. With each release the group will carve out another piece of the W I N C H E S T E R universe, methodically developing the visual companion to each song. This combination of sonic and visual elements as one integrated work advances the duo’s vision of a holistic concept realized through multiple media which will define their place in the music scene.

Mixed by Shayn Hotton
Mastered by Shawn Hatfield at AudibleOddities

Field Day (single)

Field Day

W I N C H E S T E R - Field Day

Performed by The Forever Now, formerly known as "W I N C H E S T E R"
Mixed by Shayn Hotton
Mastered by Shawn Hatfield at AudibleOddities

Throw It Down

DUETS AND STUFF - Serve Somebody

https://www.facebook.com/duetsandstuff
https://www.instagram.com/duetsandstuff/
https://twitter.com/duetsandstuff
https://open.spotify.com/artist/3UZdGLpglDpFvKyLF6m05s
http://www.duetsandstuff.com

www.bolerorecords.se
© 2018 Bolero Recordings

Serve Somebody

Melody Mortal

Bad Man Sam

Single#2, 'Pretend'💛

"We are what we pretend to be, so we must be careful about what we pretend to be" - Kurt Vonnegut, Mother Night

💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛💛

Pretend

Flutter

Flamingo (feat. Jordan Rakei)

Fear

Ready For More

Birds

Weeks feat. Tuvaband

At Some Point

Secrets

Jess Chalker - Secrets

"Cool To Be Unhappy" is about a girl I once loved who thought it was cool to be unhappy. Needless to say, it didn't work out. 

Written and Produced by Phil Danyew
Drums by Zac Farro
Mixed By Carlos de la Garza
Mastered by Dave Cooley at Elysian Masters

3/27/2020

Cool To Be Unhappy

2nd single off of the NRVS LVRS ep "Cult Lite"

Produced & Engineered by Eric Palmquist
Music + Lyrics by NRVS LVRS
Mastered by John Greenham

Far Away

Dallas-based Indie Pop artist Logan Prescott returns with his 80’s vibes in “How We Wanted” after being selected as Editor’s Pick on music blog IndieShuffle. In times of quarantine and isolation, “How We Wanted” yearns for better days and resolves to its frank reality with the help of plucky guitars and dreamy synths, while being swept up in the “what ifs” of vocoders and poppy melodies.

Look for Logan this summer on the front page of Splice for his game-changing Modern Pop Vocals sample pack.

How We Wanted

Download

Juno Francis: Queen´s Athem
Single
SOL-113
April 24th 2020

Disco infused retro synth pop with a touch of nordic melancholy...

Juno Francis invites you to a Scandinavian landscape, where all seasons are joined by cold ocean kissed winds. A musical trip to the woods in Småland and the west coast town Göteborg.

Queen’s Anthem is a nostalgic swim in the memory river back to the roots in the north. A longing for moving back to a place left behind mixed with a thirst for exploring what might be hidden behind the next corner…


Juno Francis:

The lovechild of a 60s gentleman and an 80s lady.
Psychedelic and glamorous, haze and glitter, hypnotic and dramatic.
Her voice flow into your heart and melt it like ice in scotch. As you feel weak in your knees and faint out of pure love you land on his bed made out of silky smooth synth pads. Enjoy your interaction…

Queen´s Anthem

Juno Francis - Queen's Anthem

Spin

Routine is out NOW:
https://sptfy.com/4Trp~s

Limón Limón:

Spotify: sptfy.com/8TP3
Youtube: youtube.com/limonlimonmusic
Facebook: facebook.com/limonlimonmusic/
Instagram: instagram.com/limonlimonmusic
Twitter: twitter.com/imonlimonmusic
Soundcloud: @limonlimonmusic
Email: limonlimonmusic@gmail.com

Routine

#pop #commercial #rnb #chill #sad #duet #synthpop #indie #indiepop #indierock #synth #synthrock #synthpop #beat #beats #chillbeats #aurora #lapsley #ohwonder #oh #wonder #underground #independent #popmusic #danish #dansk #canadian #rnb #filipino #vibe #vibes #getmoreplays

Reciprocals

Reciprocals (feat. Lauren Austin & W I N C H E S T E R)

Reciprocals - Outro

Tires screech as a car packed to the ceiling pulls away, urgently longing to get out of California. The passenger seat is empty—a warm glow grows stronger among the hills in the distance. This is the world of “Grounded Satellites”, the triumphant return of Copenhagen based indie rock outfit The Forever Now. The band has come a long way since BIRP.FM referred to Throw it Down as, “an atmospheric sonic palette brought to life”, and Indie Obsessive awarded it a “contender for ‘The Summer Hit of 2017’,” marked by their relocation from Canada to Denmark.

Combining cinematic elements with indie rock, synth-pop, and singer-songwriter music, The Forever Now carve out a filmic experience with each release. Defined by their genre-defying style and relentlessly do-it-yourself approach, The Forever Now have been on critics’ radar from their debut, when, according to TEEZ FM, “they have impacted the music scene with their proper debut single ‘Last Day of the Year’”.

The project has often drawn comparisons to artists such as M83, The Naked And Famous, MGMT, Chvrches, and Oh Wonder. The Revue described their work as: “Incredibly beautiful. It is part cinematic, part cosmic, part operatic, and completely dazzling. The production work is sublime, radiating of the spatial pacing of Anthony Gonzalez’s (M83) work on Oblivion. The song, however, reaches sonic heights that Gonzalez wasn’t able to achieve … Simply spectacular.” With Grounded Satellites, The Forever Now mark a return to form, finally achieving the soaring heights of an explosive indie rock single they always dreamed about.