yall rocked that shit at jam cruise - can't wait to hear more!

Man, I love your chops. You have a way of coming up with such interesting licks. Keepin' my eye out for any new releases from ya!

this is wonderful work,great audio design

New Year's Dissolution

The Marcus King Band "I Won't Be Here" Radio Edit
Soul Insight is out now on Evil Teen Records

iTunes: http://smarturl.it/SoulInsight-iTunes
Amazon: http://smarturl.it/SoulInsight-Amazon

Young songwriter Marcus King’s debut album, Soul Insight, which arrives on October 30 via Evil Teen Records, displays his stunning command of rock, blues, psychedelia, funk, soul and improvisation — all with a distinctly Southern musical accent. It also brings the 19-year-old a step closer to his musical destiny.

Call him the next Duane Allman or Jimi Hendrix, but whatever you do, don’t call Marcus King a child prodigy. Sure, the 19-year-old guitar shredder’s talent shimmers with the same resonance as his heroes, but he’s been wielding an axe since he learned to talk - he started playing when he was 2. Marcus was born into music, gifted with steel-string DNA and two generations of men before him who nurtured the boy’s musical nature.

Marcus still continues to grow, to experiment, to share his passions. He’s an engaged and engaging young man with a lifetime of experience, still coming into his own, still carrying his guitar with him, and promising us all a promising future.

Fraudulent Waffle

Performed and Written by Roslyn Moore for Borderline Musick

A Venus Suicides Creation 

Lyrics 

I wanna die tonight with Jonathan 
smoke a bowl and sail away
get a bunch of shit food at the gas station
and like young gods sail away

I wanna sing the blues to Jonathan
I don't have shit else to say
pretty little lover make me happy now
and like a hero light the way

even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
treat me mean like you know you could
even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
make me cry like you know you could

then bring me
red, red roses
bring me red, red roses
bring me red, red, red roses
bring me red, red roses

I wanna die tonight with Jonathan
when he leaves for the night
wear his favorite perfume, have a drink or two
waiting 'til the morning light

even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
treat me mean like you know you could
even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
make me cry like you know you could

then bring me
red, red roses
bring me red, red roses
bring me red, red, red roses
bring me red, red roses

no matter what you do
I'll just continue loving you
because whenever I need you
all I have to do is call

even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
treat me mean like you know you could
even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
make me cry like you know you should

then bring me
red, red roses
bring me red, red roses
bring me red, red, red roses
bring me red, red roses

Hazy

Red Roses

Follow Me

2econd Skin - Nebula

I'm really grateful and proud to have made this song with you. thank you so much steph. 
song by steph and marco.
steph: lyrics, vocals, piano, mix, mastering, magic. [@steph-sweet]
marco: guitar, bass, keyboard (mellotron/cello sound) analogue drum machine, mix. [@drunkeninstrument]

White Dwarfs And Red Giants

I can feel your heart beat when you put your hand on mine.
I can feel my hand shake, giddy and frenetic tide.
I have built my fine, strong walls, protecting me and mine.
Cut-throat in the rose-thorns, gold sickles on the vines.

You can feel my heart beat when you press your mouth to mine.
Red giants and white dwarves implode in free-fall time.
I say you can’t come in.
You laugh and smile that smile.
You and your crooked smile that drives all the girls wild.

Stood there like a worldly knight, to say you’ll wait for me.
But I try hard to resist, no more dishonesty,
Easy broken promises and practised casual charm.
But just who am I kidding?
Not you and your crooked smile.

White dwarfs and red giants
White dwarfs and red giants

I can feel your heart beat when you put your hand on mine.
I can feel my heart beat when you press your mouth to mine.
Red giants and white dwarves implode in free-fall time.
I can feel my heart beat when you put your hand on mine.
You can feel my heart beat when you press your mouth to mine.
White dwarves and red giants.
White dwarves and red giants.

White Dwarfs And Red Giants by steph sweet and drunkeninstrumentcorporation

Thirteenth song from the free album "WESEN"
music: Tonchirurgie; voice and lyrics: Prof. Dr. Morpheus
video: https://www.youtube.com/watch?v=9wPAtfh-LLI
forever darkness, forever missing you, for ever lonely winds blowing in my soul ...
Bye 2016!

Many people left this world in 2016.
This sad song is dedicated to all of them!
But we are are also looking forward and wish you a wonderful 2017! <3

Team Tonchirurgie

Abschied!
Von einem Jahr und von Menschen, die diese Welt verlassen haben. Privat und prominent - sehr viele auch aus unserem Umfeld.
Wir haben allen dieses Lied gewidmet.
Wir schauen aber auch nach vorn und wünschen allen Freunden auf diesem Weg ein gesundes, glückliches 2017! <3

Team Tonchirurgie

Wesen

TONCHIRURGIE - YOU

Young six-string virtuoso and songwriter Marcus King’s debut album, Soul Insight, which arrives on October 30 via Evil Teen Records, displays his stunning command of rock, blues, psychedelia, funk, soul and improvisation — all with a distinctly Southern musical accent. It also brings the 19-year-old a step closer to his musical destiny.

“I guess I knew I was born to play guitar when I was seven,” King says.  “That’s when I got my first electric guitar, and while all the other kids were outside playing, I’d be inside on that guitar. When I got in trouble in school, my daddy said I could choose between a spanking and getting my guitar taken away for a week. I took the spanking.”

Soul Insight is the explosive result of that dedication, magnified by another dozen years and more than a thousand nights playing in clubs — initially alongside his father, bluesman Marvin King — since the age of 11, just two years before Marcus formed his own group and stepped into the role of leader. 

King’s talents and trajectory have already led his band across the country, and he’s opening shows for the Foo Fighters, Johnny Winter and, of course, Gov’t Mule and its leader, Warren Haynes. King emerged from his native Greenville, South Carolina, and its sister city Asheville, North Carolina, where Haynes was born. King hit Haynes’ radar thanks to the reputation the young artist has earned with his incendiary live performances. In December 2014, King and his band were invited to perform as part of Haynes’ annual Christmas Jam benefit, which occurs in Asheville’s U.S. Cellular Center Arena, the prestigious club the Orange Peel and other rooms around the musician-and-artist-heavy mountain city. A few months before that, the Marcus King Band had recorded Soul Insight at the Compound Studio, just south of Los Angeles in Signal Hill, California.

“Recording the album was a really organic experience,” says King, who also produced Soul Insight. “Whether I wrote the song or, in the case of the instrumentals, we developed them together as a band, we’d played them long enough so we were really comfortable with the material. And we lived at the studio while we were recording, so it was really laid back and comfortable. That let me relax and play my best.”

How good is King’s best? Good enough that Haynes picked up the album for his Evil Teen label and has signed on to produce its follow-up. 

The proof of King’s developing virtuosity and vision is in the tracks. Soul Insight opens with “Always,” a riff-driven rocker about a spurned lover that brings King’s big burnished tone to the fore. “Boone” displays King’s acoustic side and reveals his talents as an arranger, opening with his singing slide resonator guitar and voice, and building to an explosive crescendo that echoes the influence of his own guitar heroes, including Haynes and his Allman Brothers Band foil Derek Trucks, and Jimi Hendrix. Soul Insight’s first single and album’s closing song, “I Won’t Be Here,” also echoes the Allman’s in King’s gorgeous, arcing vocal melody and the blend of King’s acoustic and electric guitars as he sings about the bittersweet experience of moving past an old romance into a new relationship.

“Warren and Derek were big influences on me,” King relates, citing the 2003 Allman Brothers’ album Hittin’ the Note and Trucks’ Grammy-winning Already Free as particularly inspiring. “That’s the level I aspire to with my own music,” King adds. 

Fraudulent Waffle

The Marcus King Band

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