This version slept on my harddisk for some weeks, and I worked on it a few days ago. Again, with the principles of endless recycling and re-using existing material, this version seems to be quite fresh, but including some familiar sounds at the same time.

The good thing about this series is that with each track, the possibilities and ideas strongly potentiate themselves upwards, since in each new version the merged sound material of different older versions is brought together, which in consequence is again the ground for a new version and the spectrum is enlarged again - that's why there are so many aspects in the Wanderer's Path series. 

From a certain number of tracks, it is simply impossible to exhaust all resources in this diversity. I still have ideas for 10 or 20 further titles, but I'd like to finish the series now and publish it in a big release with several CDs. Therefore, when I make new versions or finish old ones, I try to keep the spirit of the piece in which it was forged, even if one or the other was started long ago. In a way, this also shows how my musical fingerprint has evolved and changed over the years, and which remained the same as my own principles, since the WP has now emerged as my biggest ongoing project since 2012, to illustrate the diversity of the stories and to emphasize aspects. 

Still, I am very excited about the idea of ​​recycling music in nature and of using old vintage equipment and synthesizers with the right spice on the one hand and sampling my own works over and over again because working with samples is one thing very nice thing.

Wanderer's Path [Farewell Version]

Official SoundCloud page of The Nautilus Project, electronic music producer from Lusatia (Germany) since 2008 and co-owner of the Forest Roots label since 2012 to this day ~

~ I Deleted too Many Post'd-[] {Cauldronations} of
Mine Due to \x\Psychosis ]]Hittin'[[ Me Highnight)

*For Everything Else + Previous = [Bandcamp Site]

{{{A Bleeding Star}}} Is A {Dark-Ambient/Gothic/Experimental/Drone} Project Created In {MMVIII} ...Although the Aesoteric Count Only Usually Works With His Personal Gathering of Ghosts, Specters, Spirits {&} Wraiths...A Few Chosen {ABS} Chapters of His {Cauldronations / Sombre Creations} tend to Ask for 'Certain Gift'd Skills of Other Fine {Good-Dark} Soul'd Artists | {{{ P A S S I O N }}} | {^-. .-^}

Hypnotic, deep melodic riffs surrounded by bigroom techno kicks, metallic percussions,
acidic basslines and trancy atmosphere.
Hybrid sound design between organic warmth and digital precision.
Epic analog synthesizer anthems flashing through distant underground rhythms.

The Munich-based techno DJ and producer with Bulgarian origin has started his career
at fragile age of 14 with his tech house parties under the nickname "Zon".

After quitting school, his spent next few years living in sound studios and collaborating
with local DJs to create parties which brought his first vinyl appearance at the age of 16.
Beatport's minimal charts immediately react upon Dimitrov's first single "Duh".
His successful remix of the "Let's Go Outside - You Make Me Struggle" contest showed up on Soma records.
A decent part of his grooves back then was contributed to the first Bulgarian Label - USB Digital.
Still underage, Martin was already behind many electronic chart entries as a ghost producer, mixing and mastering engineer. 

Taking part in a local DJ contest, he was tamed as a resident of "Chervilo" - a legendary club that raised generations of DJs and electronic music fans. 
To improve his skills, he was reading sound engineering books while playing ambient tech in local bars during the weekdays. 
At the time Martin shared a studio with friends located below the giant luminary club of Sin City Sofia.
He travelled the country during fridays and weekends.
He warmed up international established DJs such as Audiofly and lead minimal techno marathons like Carl Cox's after party.

Few years later he joined Warner's publishing and marked a line into his production.
Martin has teamed up with Carlos Peron, known as one of the honored electronic swiss trio Yello.
Together they yielded few albums and remixes across diverse electronic subgenres like jazz electronica, industrial and rave techno.

So far Dimitrov has released over 200 tracks in diverse musical directions, cooperating with John Creamer,
Samuel L Session, Jon Silva, Stan Kolev, Markus Vector, Yuji Kondo, DJ Ally, Stefan Helmke and more in the electronic hemisphere.

His pieces can be seen along labels like Outta Limits, Night Drive Records's subsidiary - 2600 Records and Autist's sub label Franz Franz.

He currently manages Movit Records for his past and future innermost creations.
His latest EPs enjoy supportive feedback by iconic names such as James Zabiela, Anja Schneider.

As Martin Dimitrov's music evolves taking different shapes and forms, his entire manufacture stimulates the senses, reminding that techno is still an emotion.