psy Disko Tech

video: https://youtu.be/g6S0xamkv1M
bookings and label enquiries: dialog.sound@gmail.com
hazy sound with a clear message. http://dialogsound.com/

Dialog Live feat. Benji & Josei - Post Bar Helsinki - 8.6.24

I first met Pjenne in the Bookar Crater at the inaugural Inner Varnika festival in 2017. Only moments after our introduction we were hugging and swaying together, to an unforgettable set by my brother Ben. Little did I know she had already played at the festival before I’de arrived and would soon become one of my favourite disk jockeys. 

Pjenne’s sets all manage to have a unique and alluring atmosphere, a vibe that permeates itself no matter the style or genre she’s exploring. Each set brings a sonic embrace, a warmth similar to that which I felt when we first met. 

This mix is no different, a certified classic of dubbed jams mined from the depths of ’89 to ’03. Please Enjoy!

Moonshoe Selects 00029 - Pjenné

@tangeladj is an artist at the forefront of the the Sydney underground scene; A true storyteller, transporting you to wiggly and trippy worlds.

After a busy european tour playing at parties such as Monument, Minimal Collective and Transmissions, Talia returns back to Sydney to where she heads her new label @oomycota_label alongside @a-m-u-w-a, aswell as being the founder of the parties D street and Minutiae 24.

Lock in for a two hours of #tangelatechno courtesy of Talia 🧚‍♂️ recorded live at @ouroboros-crew this summer.

Osmura w/ Tangela 20

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Tunnel Vision Records flyerman is back on @lyl_radio for his tenth season on the web.

Land with us on a new Planète Noire odyssey with a new kind of sounds generated from our nevrotic minds.

Some souvenirs from earth, some souvenirs from space.. Don't be afraid to step in a new black hole with us : Take your brainticket for 2 hours of transcendental orgasm.

Welcoming on the first hour an hidden trance master , @wobblygoos from Stuttgart's community based collective aaae. Providing us one hour of slow-paced obscure jewels, fueled with tribal , breaks and trance. . Felix takes us on a proper ride fueled with mesmerizing subtle dark vibes with a cinematic tale.

@stakhan is taking care of the second part with an hypnotizing and progressive dingy tale.
Come join us on this new trip - close your eyes jump into this jungle to face your fiercest demons.

Go further your mind enjoy the ride.

See you on the other side. 🌚💫🌚

Recorded in March 2025 at LYL Radio studio in Lyon, France.

LYL Radio - Planète Noire - Goos & Stakhan (20.03.25)

Sounds for the arrival of Spring with Sybil.

Sybil @ Kiosk Radio 24.03.2025

Ottomani Parker (Big Hands, Abraham Parker, Hayato Takashi, Iza Parkel) Live at Bodily, with special guests Bint Mbareh and Alabaster Deplume.

very pleased to be sharing a special recording of @ottomaniparker live set at bodily just over a week ago with guests @bintmbareh & @alabaster_deplume 🍃

@bintmbareh is a palestinian musician collaborating with ottomani parker on improvised vocals and loose storylines. her work draws on research into rain summoning music as a way of challenging epistemicide in palestine, and of disrupting israel's monopoly over knowledge production — especially around water scarcity 🇵🇸

@alabasterdeplume — London-based jazz composer-poet-activist-improviser — brought his unpredictability to the set, weaving his saxophone into the group’s unfolding improvisation.

such a powerful and potent performance, and this recording captures just a fraction of the resonance felt in the room on the day. their live set had the room completely hooked — the chemistry between the group felt organic and breathing.

the moment felt intimate and sacred.

Ottomani Parker (Live) 130425

Carrier & Emily Jeanne present unit::overlay with UK DJs Alicia & Avsluta, known for their rhythmic, off-kilter dance selections. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Carrier & Emily Jeanne present unit::overlay w/ Alicia b2b Avsluta @ Kiosk Radio 23.04.2025

With Halloween looming, it seems fitting that we get to share the goosebump-inducing B2 cut from @intergalactic_gary and Pasiphae's 'Made Of Glass' EP. Set for release on Rotterdam's @biorhythmrecords, ominous doesn't even come close to describing the booming drums that bring the alternative version of 'Second Term' to life. Like the LEDs on a mixing desk built with alien technology, a symphony of discordant electronics dance overhead, swirling into one another in a vortex of dark and otherworldly sonics.

'Made Of Glass' is out October 31st on Bio Rhythm Records.

Pre-order: bit.ly/2eCZPd4

Premiere: Intergalactic Gary & Pasiphae – Second Term (Alternative) [Bio Rhythm]

Pre-order: http://www.watchthehype.com/2016/11/23/posthuman-you-belong-in-chicago/

ILA013

Pre-order

EXCLUSIVE: Posthuman - You Belong (In Chicago) [I Love Acid]

Early rave and hardcore vibes from Luke Vibert, remixing the original track from Nathan Jonson.

@nathanjonson
@2020visionrecordings

EXCLUSIVE: Nathan Jonson - Cross Colours (Luke Vibert Remix)

Stellar remix from El Prevost of T-Scale's "Prance For Me" track on the first ever release from new label, Repostion.

@jef-t-scale
@elprevost

Purchase here: https://www.deejay.de/T-scale_El_Prevost_Rommek_Spookz_Ep_RP001_Vinyl__264427

Spookz EP

EXCLUSIVE: T-Scale: Prance For Me (El Prevost Remix)

A club orientated effort from Jäfar on Fragil Musique's 21st release, "Tribute To The King".

@fragilmusique

EXCLUSIVE: Jäfar - Jäfar's Tribute [Fragil Musique]

Delighted to announce a PREMIERE this morning!!

This track comes from German producer Thomas Freudenthal and is part of an upcoming compilation from the label Dogs and Vultures Records which is based in Madrid and is directed by Vicente Garcia and Esther C (In a Certain Ratio).

The track in question is just the kind of music that we like over here dark , spacey and with a chunky bassline! 

TURN THIS UP LOUD!!

https://soundcloud.com/dogsandvulturesrecords
https://www.facebook.com/Dogsandvulturesrecords/

PREMIERE - Freudenthal - Deceived Into Consent [Dogs & Vultures Records]

Kia - wandi the flying dingo

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Premiere: Intergalactic Gary & Pasiphae – Second Term (Alternative) [Bio Rhythm]

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